Zoku Natsume Yuujinchou

  • Genres: ["Slice of Life","Supernatural"]
  • Type: TV
  • Status: Finished Airing
  • Year: 2009

Summary: As with its prequel, Zoku Natsume Yuujinchou is about Takashi Natsume, a boy who has had the ability to see youkai since he was young, and his bodyguard youkai Madara, nicknamed Nyanko-sensei. Natsume attempts to return names written in his "Book of Friends" (which he inherited from his grandmother Reiko) to youkai in his village. Throughout these adventures, he meets some youkai that are friendly, some that want to steal the Book, and some that want to kill him, as Natsume learns about himself and his relationship with these mysterious beings along the way.

[Written by MAL Rewrite]


Description

As with its prequel, Zoku Natsume Yuujinchou is about Takashi Natsume, a boy who has had the ability to see youkai since he was young, and his bodyguard youkai Madara, nicknamed Nyanko-sensei. Natsume attempts to return names written in his "Book of Friends" (which he inherited from his grandmother Reiko) to youkai in his village. Throughout these adventures, he meets some youkai that are friendly, some that want to steal the Book, and some that want to kill him, as Natsume learns about himself and his relationship with these mysterious beings along the way.

[Written by MAL Rewrite]


Available At


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Zoku Natsume Yuujinchou Pictures


Zoku Natsume Yuujinchou Review

Zoku Natsume Yuujinchou — As with its prequel, Zoku Natsume Yuujinchou is about Takashi Natsume, a boy who has had the ability to see youkai since he was young, and his bodyguard youkai Madara, nicknamed Nyanko-sensei. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Slice of Life, Supernatural conventions as a TV work and has garnered attention (MAL score: 8.53). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Zoku Natsume Yuujinchou offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Slice of Life, Supernatural, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Madara

Madara

Main

Inoue, Kazuhiko
Inoue, Kazuhiko
Japanese
Madara

Madara

Main

Kobayashi, Sanae
Kobayashi, Sanae
Japanese
Madara

Madara

Main

Wehkamp, Christopher
Wehkamp, Christopher
English
Madara

Madara

Main

Velázquez, Noé
Velázquez, Noé
Spanish
Natsume, Takashi

Natsume, Takashi

Main

Kamiya, Hiroshi
Kamiya, Hiroshi
Japanese
Natsume, Takashi

Natsume, Takashi

Main

Fujimura, Ayumi
Fujimura, Ayumi
Japanese
Natsume, Takashi

Natsume, Takashi

Main

Gibbs, Adam
Gibbs, Adam
English
Natsume, Takashi

Natsume, Takashi

Main

Guzmán, Aldo
Guzmán, Aldo
Spanish
Benio

Benio

Supporting

Watanabe, Misa
Watanabe, Misa
Japanese
Benio

Benio

Supporting

Cruz, Kelsey
Cruz, Kelsey
English
Benio

Benio

Supporting

Vega, Berenice
Vega, Berenice
Spanish
Chobi-hige

Chobi-hige

Supporting

Cho
Cho
Japanese
Chobi-hige

Chobi-hige

Supporting

Cervantes, Enrique
Cervantes, Enrique
Spanish
Chobi-hige

Chobi-hige

Supporting

Yandell, Barry
Yandell, Barry
English
Fujiwara, Shigeru

Fujiwara, Shigeru

Supporting

Katou, Nanae
Katou, Nanae
Japanese
Fujiwara, Shigeru

Fujiwara, Shigeru

Supporting

Itou, Eiji
Itou, Eiji
Japanese
Fujiwara, Shigeru

Fujiwara, Shigeru

Supporting

Magill, Seth
Magill, Seth
English
Fujiwara, Touko

Fujiwara, Touko

Supporting

Itou, Miki
Itou, Miki
Japanese
Fujiwara, Touko

Fujiwara, Touko

Supporting

AuBuchon, Jennifer
AuBuchon, Jennifer
English
Gen

Gen

Supporting

Yoshino, Hiroyuki
Yoshino, Hiroyuki
Japanese

Staff

Miyake, Masanori

Miyake, Masanori

Producer

Satou, Yumi

Satou, Yumi

Producer

Yokoyama, Shuko

Yokoyama, Shuko

Producer

Kyoutani, Tomomi

Kyoutani, Tomomi

Assistant Producer

Oomori, Takahiro

Oomori, Takahiro

Director, Sound Director, Episode Director, Storyboard, Key Animation

Imakake, Isamu

Imakake, Isamu

Episode Director, Storyboard

Matsumoto, Masayuki

Matsumoto, Masayuki

Episode Director

Nakamura, Satomi

Nakamura, Satomi

Episode Director

Nakano, Hideaki

Nakano, Hideaki

Episode Director

Shimizu, Hisatoshi

Shimizu, Hisatoshi

Episode Director, Storyboard

Takada, Jun

Takada, Jun

Episode Director, Storyboard

Umemoto, Yui

Umemoto, Yui

Episode Director

Araki, Kenichi

Araki, Kenichi

Script

Takagi, Noboru

Takagi, Noboru

Script

Gotou, Keiji

Gotou, Keiji

Storyboard, Key Animation

Namura, Hidetoshi

Namura, Hidetoshi

Storyboard

Oohata, Kiyotaka

Oohata, Kiyotaka

Storyboard

Terahigashi, Katsumi

Terahigashi, Katsumi

Storyboard

Callin'

Callin'

Theme Song Performance, Theme Song Composition

Ito, Goro

Ito, Goro

Theme Song Arrangement