Yoru wa Mijikashi Arukeyo Otome
Summary: On a mysterious night that seems to last for a year, an ordinary college student continues to chase one of his underclassmen, a girl with black hair—the girl of his dreams. Up until now, he has been relying on a simple plan, which is to calculatingly bump into her every day while making it seem like a meaningful coincidence. However, his efforts remain futile as their relationship is not progressing at all.
Meanwhile, the black-haired girl believes that everything is connected by fate and endeavors to experience as many new things as possible, leaving it all for destiny to decide. While strolling along the lively streets of Kyoto, she discovers that the very beginning of her fateful journey—a book she had as a child—is currently being sold in a second-hand bookstore. Upon knowing this, the college student eyes another opportunity to run into her "by chance": this time, he hopes to get the book before she does and finally grasp the thread of fate that could connect their hearts.
[Written by MAL Rewrite]
Description
On a mysterious night that seems to last for a year, an ordinary college student continues to chase one of his underclassmen, a girl with black hair—the girl of his dreams. Up until now, he has been relying on a simple plan, which is to calculatingly bump into her every day while making it seem like a meaningful coincidence. However, his efforts remain futile as their relationship is not progressing at all.
Meanwhile, the black-haired girl believes that everything is connected by fate and endeavors to experience as many new things as possible, leaving it all for destiny to decide. While strolling along the lively streets of Kyoto, she discovers that the very beginning of her fateful journey—a book she had as a child—is currently being sold in a second-hand bookstore. Upon knowing this, the college student eyes another opportunity to run into her "by chance": this time, he hopes to get the book before she does and finally grasp the thread of fate that could connect their hearts.
[Written by MAL Rewrite]
Available At
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Yoru wa Mijikashi Arukeyo Otome Trailers
Yoru wa Mijikashi Arukeyo Otome Pictures
Yoru wa Mijikashi Arukeyo Otome Review
Yoru wa Mijikashi Arukeyo Otome — On a mysterious night that seems to last for a year, an ordinary college student continues to chase one of his underclassmen, a girl with black hair—the girl of his dreams. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.
Thematically, It sits firmly within Comedy, Romance conventions as a Movie work and has garnered attention (MAL score: 8.17). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.
Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.
On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.
The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.
Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.
No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.
In sum, Yoru wa Mijikashi Arukeyo Otome offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Comedy, Romance, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.
Characters & Voice Actors
Kurokami no Otome
Main
Hanazawa, Kana
Japanese
Kurokami no Otome
Main
Ruiz, Greta
Spanish
Kurokami no Otome
Main
Alija, Poetine
German
Kurokami no Otome
Main
Lastra, Jackie
English
Senpai
Main
Hoshino, Gen
Japanese
Senpai
Main
Langer, Jan
German
Senpai
Main
Teruel, Carles
Spanish
Senpai
Main
Goff, Kellen
English
Furuhonichi no Kamisama
Supporting
Yoshino, Hiroyuki
Japanese
Furuhonichi no Kamisama
Supporting
Fritzsche, Rainer
German
Furuhonichi no Kamisama
Supporting
Andrade, Dino
English
Furuhonichi no Kamisama
Supporting
Sendín, Ernest
Spanish
Gakuensai Jimukyokuchou
Supporting
Kamiya, Hiroshi
Japanese
Gakuensai Jimukyokuchou
Supporting
Felis, Rubén
Spanish
Gakuensai Jimukyokuchou
Supporting
Hahn, Benedikt
German
Gakuensai Jimukyokuchou
Supporting
Lee, Eddy
English
Hanuki, Ryouko
Supporting
Kaida, Yuuko
Japanese
Hanuki, Ryouko
Supporting
Vural, Esra
German
Hanuki, Ryouko
Supporting
Bau, Eva
Spanish
Hanuki, Ryouko
Supporting
Keranen, Carrie
English
Staff
Choi, Eun-Young
Producer, Storyboard
Ozaki, Noriko
Producer
Yuasa, Masaaki
Director, Episode Director, Storyboard, Executive Producer
Kimura, Eriko
Sound Director
Heo, Pyeonggang
Episode Director
Ueda, Makoto
Script
Natsume, Shingo
Storyboard
Ohira, Shinya
Storyboard, Key Animation
Asian Kung-Fu Generation
Theme Song Performance, Theme Song Arrangement, Theme Song Lyrics, Theme Song Composition
Briand, Lucille
Color Design
Daba, Kouetsu
2nd Key Animation
Haga, Hitomi
Background Art
Hamada, Takayuki
Animation Director
Hashimoto, Hiroaki
Production Manager
Itou, Nobutake
Chief Animation Director, Animation Director, Character Design
Kaku, Tetsurou
Key Animation
Komura, Yukari
2nd Key Animation
Kuzuhara, Shino
In-Between Animation
Lee, Su-bin
In-Between Animation
Matsui, Yuuko
Key Animation