Yakusoku no Neverland

  • Genres: ["Mystery","Suspense"]
  • Type: TV
  • Status: Finished Airing
  • Year: 2019

Summary: Surrounded by a forest and a gated entrance, the Grace Field House is inhabited by orphans happily living together as one big family, looked after by their "Mama," Isabella. Although they are required to take tests daily, the children are free to spend their time as they see fit, usually playing outside, as long as they do not venture too far from the orphanage—a rule they are expected to follow no matter what. However, all good times must come to an end, as every few months, a child is adopted and sent to live with their new family, never to be heard from again.

However, the three oldest siblings have their suspicions about what is actually happening at the orphanage, and they are about to discover the cruel fate that awaits the children living at Grace Field, including the twisted nature of their beloved Mama.

[Written by MAL Rewrite]


Description

Surrounded by a forest and a gated entrance, the Grace Field House is inhabited by orphans happily living together as one big family, looked after by their "Mama," Isabella. Although they are required to take tests daily, the children are free to spend their time as they see fit, usually playing outside, as long as they do not venture too far from the orphanage—a rule they are expected to follow no matter what. However, all good times must come to an end, as every few months, a child is adopted and sent to live with their new family, never to be heard from again.

However, the three oldest siblings have their suspicions about what is actually happening at the orphanage, and they are about to discover the cruel fate that awaits the children living at Grace Field, including the twisted nature of their beloved Mama.

[Written by MAL Rewrite]


Available At


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Yakusoku no Neverland Trailers


Yakusoku no Neverland Pictures


Yakusoku no Neverland Review

Yakusoku no Neverland — Surrounded by a forest and a gated entrance, the Grace Field House is inhabited by orphans happily living together as one big family, looked after by their "Mama," Isabella. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Mystery, Suspense conventions as a TV work and has garnered attention (MAL score: 8.48). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Yakusoku no Neverland offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Mystery, Suspense, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Emma

Emma

Main

Morohoshi, Sumire
Morohoshi, Sumire
Japanese
Emma

Emma

Main

Mendez, Erica
Mendez, Erica
English
Emma

Emma

Main

Maruffa, Beatrice
Maruffa, Beatrice
Italian
Emma

Emma

Main

Nonnenmacher, Marie
Nonnenmacher, Marie
French
Emma

Emma

Main

Hinze, Marie
Hinze, Marie
German
Norman

Norman

Main

Uchida, Maaya
Uchida, Maaya
Japanese
Norman

Norman

Main

Tirado, Jeannie
Tirado, Jeannie
English
Norman

Norman

Main

Rachfahl, Melinda
Rachfahl, Melinda
German
Norman

Norman

Main

Liofredi, Matteo
Liofredi, Matteo
Italian
Norman

Norman

Main

Soares, Clara
Soares, Clara
French
Ray

Ray

Main

Ise, Mariya
Ise, Mariya
Japanese
Ray

Ray

Main

Stahl, Laura
Stahl, Laura
English
Ray

Ray

Main

Campaiola, Federico
Campaiola, Federico
Italian
Ray

Ray

Main

Fitzner, Sebastian
Fitzner, Sebastian
German
Ray

Ray

Main

Bienaimé, Nathalie
Bienaimé, Nathalie
French
Alicia

Alicia

Supporting

Knickerbocker, Brianna
Knickerbocker, Brianna
English
Alicia

Alicia

Supporting

Aoyama, Yoshino
Aoyama, Yoshino
Japanese
Anna

Anna

Supporting

Kayano, Ai
Kayano, Ai
Japanese
Anna

Anna

Supporting

Knickerbocker, Brianna
Knickerbocker, Brianna
English
Anna

Anna

Supporting

Bachère, Valérie
Bachère, Valérie
French

Staff

Fukushima, Yuuichi

Fukushima, Yuuichi

Producer

Ono, Shinobu

Ono, Shinobu

Producer

Ozaki, Noriko

Ozaki, Noriko

Producer

Suzuki, Kenta

Suzuki, Kenta

Producer

Kanbe, Mamoru

Kanbe, Mamoru

Director, Episode Director, Storyboard

Shimizu, Katsunori

Shimizu, Katsunori

Sound Director

Asakura, Kaito

Asakura, Kaito

Episode Director, Storyboard

Hara, Hidekazu

Hara, Hidekazu

Episode Director

Harada, Takahiro

Harada, Takahiro

Episode Director

Ifuku, Kakushi

Ifuku, Kakushi

Episode Director

Ikeda, Aya

Ikeda, Aya

Episode Director

Ishii, Toshimasa

Ishii, Toshimasa

Episode Director, Storyboard

Kawahara, Ryouta

Kawahara, Ryouta

Episode Director

Kitai, Yoshiki

Kitai, Yoshiki

Episode Director

Kurata, Ayako

Kurata, Ayako

Episode Director, Storyboard, Assistant Animation Director

Nishigori, Atsushi

Nishigori, Atsushi

Episode Director, Storyboard, Animation Director, Key Animation

Yamanaka, Shouhei

Yamanaka, Shouhei

Episode Director

Nagai, Chiaki

Nagai, Chiaki

Script

Oono, Toshiya

Oono, Toshiya

Script, Series Composition

Takagi, Seiko

Takagi, Seiko

Script