Uchuu Senkan Yamato 2199

  • Genres: ["Action","Drama","Sci-Fi"]
  • Type: OVA
  • Status: Finished Airing
  • Year:

Summary: Earth's once green hills and rich blue oceans have been converted into a desolate wasteland by the relentless onslaught of planet bombs from the expansionist Gamilas Empire. By the year 2199, humankind has retreated to the depths of underground cities to escape the radiation.

However, all hope is not lost, as the distant planet Iscandar offers Earth its final salvation: the Cosmo Reverse System, capable of restoring Earth's irradiated surface. In a desperate bid to retrieve this technology from Iscandar, the Earth Defense Force pours its remaining resources into the Yamatoโ€”an innovative, state-of-the-art battleship equipped with an infinite energy Wave Motion Engine.

From young talent such as Tactical Officer Susumu Kodai to accomplished veterans like Captain Juuzou Okita, the Yamato's crew consists of many individuals, all varying in their experience on the battlefield. But despite their differences, one goal unifies them all: to complete their perilous 168,000 light-year voyage to Iscandar and save humanity from imminent doom.

[Written by MAL Rewrite]


Description

Earth's once green hills and rich blue oceans have been converted into a desolate wasteland by the relentless onslaught of planet bombs from the expansionist Gamilas Empire. By the year 2199, humankind has retreated to the depths of underground cities to escape the radiation.

However, all hope is not lost, as the distant planet Iscandar offers Earth its final salvation: the Cosmo Reverse System, capable of restoring Earth's irradiated surface. In a desperate bid to retrieve this technology from Iscandar, the Earth Defense Force pours its remaining resources into the Yamatoโ€”an innovative, state-of-the-art battleship equipped with an infinite energy Wave Motion Engine.

From young talent such as Tactical Officer Susumu Kodai to accomplished veterans like Captain Juuzou Okita, the Yamato's crew consists of many individuals, all varying in their experience on the battlefield. But despite their differences, one goal unifies them all: to complete their perilous 168,000 light-year voyage to Iscandar and save humanity from imminent doom.

[Written by MAL Rewrite]


Available At


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Uchuu Senkan Yamato 2199 Trailers


Uchuu Senkan Yamato 2199 Pictures


Uchuu Senkan Yamato 2199 Review

Uchuu Senkan Yamato 2199 โ€” Earth's once green hills and rich blue oceans have been converted into a desolate wasteland by the relentless onslaught of planet bombs from the expansionist Gamilas Empire. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Action, Drama, Sci-Fi conventions as a OVA work and has garnered attention (MAL score: 8.31). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood โ€” whether melancholic, exuberant, or contemplative โ€” is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone โ€” quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape โ€” score, incidental music, and sound design โ€” complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good โ€” one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Uchuu Senkan Yamato 2199 offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Action, Drama, Sci-Fi, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Desler, Aberdt

Desler, Aberdt

Main

Yamadera, Kouichi
Yamadera, Kouichi
Japanese
Desler, Aberdt

Desler, Aberdt

Main

Bognanni, Alberto
Bognanni, Alberto
Italian
Desler, Aberdt

Desler, Aberdt

Main

Rager, Chris
Rager, Chris
English
Desler, Aberdt

Desler, Aberdt

Main

Roden, Simon T.
Roden, Simon T.
German
Kodai, Susumu

Kodai, Susumu

Main

Ono, Daisuke
Ono, Daisuke
Japanese
Kodai, Susumu

Kodai, Susumu

Main

Vanni, Alessandro
Vanni, Alessandro
Italian
Kodai, Susumu

Kodai, Susumu

Main

Wehkamp, Christopher
Wehkamp, Christopher
English
Kodai, Susumu

Kodai, Susumu

Main

Thiele, Louis Friedemann
Thiele, Louis Friedemann
German
Mori, Yuki

Mori, Yuki

Main

Kuwashima, Houko
Kuwashima, Houko
Japanese
Mori, Yuki

Mori, Yuki

Main

Bebi, Ludovica
Bebi, Ludovica
Italian
Mori, Yuki

Mori, Yuki

Main

Rodak, Mallorie
Rodak, Mallorie
English
Mori, Yuki

Mori, Yuki

Main

Hesse, Fabienne
Hesse, Fabienne
German
Okita, Juuzou

Okita, Juuzou

Main

Sugou, Takayuki
Sugou, Takayuki
Japanese
Okita, Juuzou

Okita, Juuzou

Main

Reggente, Diego
Reggente, Diego
Italian
Okita, Juuzou

Okita, Juuzou

Main

Mathis, Brian
Mathis, Brian
English
Okita, Juuzou

Okita, Juuzou

Main

Kuschmann, Bernd
Kuschmann, Bernd
German
Shima, Daisuke

Shima, Daisuke

Main

Suzumura, Kenichi
Suzumura, Kenichi
Japanese
Shima, Daisuke

Shima, Daisuke

Main

Campaiola, Federico
Campaiola, Federico
Italian
Shima, Daisuke

Shima, Daisuke

Main

Fajardo, Ricco
Fajardo, Ricco
English
Shima, Daisuke

Shima, Daisuke

Main

Schnelker, Oliver
Schnelker, Oliver
German

Staff

Ariyoshi, Atsushi

Ariyoshi, Atsushi

Producer

Cook, Justin

Cook, Justin

Producer

Gunji, Mikio

Gunji, Mikio

Producer

Matsumoto, Hideaki

Matsumoto, Hideaki

Producer

Herek, Samantha

Herek, Samantha

Assistant Producer

Enomoto, Akihiro

Enomoto, Akihiro

Director, Episode Director, Storyboard, Key Animation

Izubuchi, Yutaka

Izubuchi, Yutaka

Director, Script, Storyboard, Series Composition, Layout, Mechanical Design

Yoshida, Tomohiro

Yoshida, Tomohiro

Sound Director

Bessho, Makoto

Bessho, Makoto

Episode Director, Key Animation

Egami, Kiyoshi

Egami, Kiyoshi

Episode Director

Habara, Nobuyoshi

Habara, Nobuyoshi

Episode Director, Storyboard, Key Animation

Imanishi, Takashi

Imanishi, Takashi

Episode Director

Kaneko, Shuuichi

Kaneko, Shuuichi

Episode Director

Kato, Takao

Kato, Takao

Episode Director

Minami, Yasuhiro

Minami, Yasuhiro

Episode Director

Muroya, Yasushi

Muroya, Yasushi

Episode Director

Nakayama, Katsuichi

Nakayama, Katsuichi

Episode Director

Nomata, Noriyuki

Nomata, Noriyuki

Episode Director

Tada, Shunsuke

Tada, Shunsuke

Episode Director

Tomoda, Masaharu

Tomoda, Masaharu

Episode Director