Tennis no Oujisama: Zenkoku Taikai-hen - Final

  • Genres: ["Sports"]
  • Type: OVA
  • Status: Finished Airing
  • Year:

Summary: After their victory over Shitenhouji Middle School in the semifinals, Ryouma Echizen and the Seishun Academy Boys Tennis Team must now face off against the two-time defending champions of Rikkai University-Affiliated Middle School in order to claim the national title. Rikkai is not only seeking revenge for its team's previous loss to Seishun at the Kanto Regional Tournament, but they also are aiming to win the national title for a third consecutive year.

In the conclusion of Tennis no Oujisama, the titular "Prince of Tennis" is pitted against the "Child of God" in a head-to-head battle for the national championship title. Along the way, Ryouma must teach his opponents and teammates that there is more to tennis than winning.

[Written by MAL Rewrite]


Description

After their victory over Shitenhouji Middle School in the semifinals, Ryouma Echizen and the Seishun Academy Boys Tennis Team must now face off against the two-time defending champions of Rikkai University-Affiliated Middle School in order to claim the national title. Rikkai is not only seeking revenge for its team's previous loss to Seishun at the Kanto Regional Tournament, but they also are aiming to win the national title for a third consecutive year.

In the conclusion of Tennis no Oujisama, the titular "Prince of Tennis" is pitted against the "Child of God" in a head-to-head battle for the national championship title. Along the way, Ryouma must teach his opponents and teammates that there is more to tennis than winning.

[Written by MAL Rewrite]


Tennis no Oujisama: Zenkoku Taikai-hen - Final Pictures


Tennis no Oujisama: Zenkoku Taikai-hen - Final Review

Tennis no Oujisama: Zenkoku Taikai-hen - Final — After their victory over Shitenhouji Middle School in the semifinals, Ryouma Echizen and the Seishun Academy Boys Tennis Team must now face off against the two-time defending champions of Rikkai University-Affiliated Middle School in order to claim the national title. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Sports conventions as a OVA work and has garnered attention (MAL score: 7.94). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Tennis no Oujisama: Zenkoku Taikai-hen - Final offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Sports, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Echizen, Ryouma

Echizen, Ryouma

Main

Minagawa, Junko
Minagawa, Junko
Japanese
Fuji, Shuusuke

Fuji, Shuusuke

Main

Kaida, Yuki
Kaida, Yuki
Japanese
Inui, Sadaharu

Inui, Sadaharu

Main

Tsuda, Kenjirou
Tsuda, Kenjirou
Japanese
Kaidou, Kaoru

Kaidou, Kaoru

Main

Kiyasu, Kouhei
Kiyasu, Kouhei
Japanese
Kawamura, Takashi

Kawamura, Takashi

Main

Kawamoto, Naru
Kawamoto, Naru
Japanese
Kikumaru, Eiji

Kikumaru, Eiji

Main

Takahashi, Hiroki
Takahashi, Hiroki
Japanese
Kikumaru, Eiji

Kikumaru, Eiji

Main

Kim, Yeong Seon
Kim, Yeong Seon
Korean
Momoshiro, Takeshi

Momoshiro, Takeshi

Main

Onosaka, Masaya
Onosaka, Masaya
Japanese
Oishi, Shuichiro

Oishi, Shuichiro

Main

Kondou, Takayuki
Kondou, Takayuki
Japanese
Tezuka, Kunimitsu

Tezuka, Kunimitsu

Main

Okiayu, Ryoutarou
Okiayu, Ryoutarou
Japanese
Tezuka, Kunimitsu

Tezuka, Kunimitsu

Main

Yang, Seok jeong
Yang, Seok jeong
Korean
Yukimura, Seiichi

Yukimura, Seiichi

Main

Nagai, Sachiko
Nagai, Sachiko
Japanese
Akutagawa, Jirou

Akutagawa, Jirou

Supporting

Ueda, Yuuji
Ueda, Yuuji
Japanese
Akutsu, Jin

Akutsu, Jin

Supporting

Sasaki, Nozomu
Sasaki, Nozomu
Japanese
Amane, Hikaru

Amane, Hikaru

Supporting

Takeuchi, Kousuke
Takeuchi, Kousuke
Japanese
Aoi, Kentarou

Aoi, Kentarou

Supporting

Toyonaga, Toshiyuki
Toyonaga, Toshiyuki
Japanese
Arbiter

Arbiter

Supporting

Shimozaki, Hiroshi
Shimozaki, Hiroshi
Japanese
Atobe, Keigo

Atobe, Keigo

Supporting

Suwabe, Junichi
Suwabe, Junichi
Japanese
Chinen, Hiroshi

Chinen, Hiroshi

Supporting

Sueyoshi, Kazuya
Sueyoshi, Kazuya
Japanese
Chitose, Senri

Chitose, Senri

Supporting

Oosuka, Jun
Oosuka, Jun
Japanese

Staff

Tada, Shunsuke

Tada, Shunsuke

Director, Episode Director

Hamana, Takayuki

Hamana, Takayuki

Storyboard

Minagawa, Junko

Minagawa, Junko

Theme Song Performance

Sueyoshi, Kazuya

Sueyoshi, Kazuya

Theme Song Performance

Tsuruoka, Satoshi

Tsuruoka, Satoshi

Theme Song Performance

Ueda, Youji

Ueda, Youji

Theme Song Performance

Ishii, Akiharu

Ishii, Akiharu

Character Design, Animation Director

Ishikawa, Mitsuhisa

Ishikawa, Mitsuhisa

Executive Producer

Kawai, Ken

Kawai, Ken

Art Director

Konomi, Takeshi

Konomi, Takeshi

Original Creator

Watanabe, Cheru

Watanabe, Cheru

Music