Shinsekai yori

  • Genres: ["Drama","Fantasy","Horror","Mystery","Sci-Fi","Suspense"]
  • Type: TV
  • Status: Finished Airing
  • Year: 2012

Summary: In the year 2011, a small percentage of humans began manifesting psychokinetic abilities known as "Cantus." Over a millennium later, in the small town of Kamisu 66, Saki Watanabe is the last of her friends to awaken her powers and join the Sage Academy, a school for psychics like her. Although everyone at the institution has Cantus, they are not all equal; shortly after Saki enrolls, one of her classmates who is regarded as being weaker than the others suddenly disappears.

Walking home one day with her friends—the determined Maria Akizuki, the intelligent Shun Aonuma, the observant Satoru Asahina, and the timid Mamoru Itou—she comes across two unfamiliar creatures known as "Monster Rats." These beings resemble moles and worship those with Cantus as gods. As a result, when Saki uses her abilities to save one from trouble, she is met with exceptional gratitude.

Now unsure about the Monster Rats' place in society, Saki and her friends find out about another disappearance. As time passes, they slowly look for answers to the mysteries that surround them and begin to realize that this seemingly "perfect" new world masks humanity's dark past.

[Written by MAL Rewrite]


Description

In the year 2011, a small percentage of humans began manifesting psychokinetic abilities known as "Cantus." Over a millennium later, in the small town of Kamisu 66, Saki Watanabe is the last of her friends to awaken her powers and join the Sage Academy, a school for psychics like her. Although everyone at the institution has Cantus, they are not all equal; shortly after Saki enrolls, one of her classmates who is regarded as being weaker than the others suddenly disappears.

Walking home one day with her friends—the determined Maria Akizuki, the intelligent Shun Aonuma, the observant Satoru Asahina, and the timid Mamoru Itou—she comes across two unfamiliar creatures known as "Monster Rats." These beings resemble moles and worship those with Cantus as gods. As a result, when Saki uses her abilities to save one from trouble, she is met with exceptional gratitude.

Now unsure about the Monster Rats' place in society, Saki and her friends find out about another disappearance. As time passes, they slowly look for answers to the mysteries that surround them and begin to realize that this seemingly "perfect" new world masks humanity's dark past.

[Written by MAL Rewrite]


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Shinsekai yori Review

Shinsekai yori — In the year 2011, a small percentage of humans began manifesting psychokinetic abilities known as "Cantus." Over a millennium later, in the small town of Kamisu 66, Saki Watanabe is the last of her friends to awaken her powers and join the Sage Academy, a school for psychics like her. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Drama, Fantasy, Horror, Mystery, Sci-Fi, Suspense conventions as a TV work and has garnered attention (MAL score: 8.25). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Shinsekai yori offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Drama, Fantasy, Horror, Mystery, Sci-Fi, Suspense, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Akizuki, Maria

Akizuki, Maria

Main

Rial, Monica
Rial, Monica
English
Akizuki, Maria

Akizuki, Maria

Main

Hanazawa, Kana
Hanazawa, Kana
Japanese
Aonuma, Shun

Aonuma, Shun

Main

Bickham, Clint
Bickham, Clint
English
Aonuma, Shun

Aonuma, Shun

Main

Toudou, Mai
Toudou, Mai
Japanese
Aonuma, Shun

Aonuma, Shun

Main

Eom, Sang Hyeon
Eom, Sang Hyeon
Korean
Aonuma, Shun

Aonuma, Shun

Main

Murase, Ayumu
Murase, Ayumu
Japanese
Asahina, Satoru

Asahina, Satoru

Main

Ayres, Greg
Ayres, Greg
English
Asahina, Satoru

Asahina, Satoru

Main

Kaji, Yuuki
Kaji, Yuuki
Japanese
Asahina, Satoru

Asahina, Satoru

Main

Tojo, Kanako
Tojo, Kanako
Japanese
Asahina, Satoru

Asahina, Satoru

Main

Kim, Il
Kim, Il
Korean
Itou, Mamoru

Itou, Mamoru

Main

Kudou, Haruka
Kudou, Haruka
Japanese
Itou, Mamoru

Itou, Mamoru

Main

Takagi, Motoki
Takagi, Motoki
Japanese
Itou, Mamoru

Itou, Mamoru

Main

Shepard, Blake
Shepard, Blake
English
Itou, Mamoru

Itou, Mamoru

Main

Jeon, Gwang ju
Jeon, Gwang ju
Korean
Watanabe, Saki

Watanabe, Saki

Main

Endou, Aya
Endou, Aya
Japanese
Watanabe, Saki

Watanabe, Saki

Main

Neves, Emily
Neves, Emily
English
Watanabe, Saki

Watanabe, Saki

Main

Lee, Hyeon Jin
Lee, Hyeon Jin
Korean
Watanabe, Saki

Watanabe, Saki

Main

Taneda, Risa
Taneda, Risa
Japanese
Akki

Akki

Supporting

Yajima, Akiko
Yajima, Akiko
Japanese
Akki

Akki

Supporting

Christian, Luci
Christian, Luci
English

Staff

Hosokawa, Osamu

Hosokawa, Osamu

Producer

Kaji, Atsushi

Kaji, Atsushi

Producer

Kinoshita, Tetsuya

Kinoshita, Tetsuya

Producer

Ochikoshi, Tomonori

Ochikoshi, Tomonori

Producer

Oomatsu, Yutaka

Oomatsu, Yutaka

Producer

Ishihama, Masashi

Ishihama, Masashi

Director, Episode Director, Storyboard, Animation Director

Motoyama, Satoshi

Motoyama, Satoshi

Sound Director

Fuchigami, Makoto

Fuchigami, Makoto

Episode Director

Fujise, Junichi

Fujise, Junichi

Episode Director

Hiroshima, Hideki

Hiroshima, Hideki

Episode Director

Kudou, Hiroaki

Kudou, Hiroaki

Episode Director

Kurosawa, Mamoru

Kurosawa, Mamoru

Episode Director, Storyboard, Key Animation, Assistant Animation Director

Mori, Yoshihiro

Mori, Yoshihiro

Episode Director

Nakayama, Atsushi

Nakayama, Atsushi

Episode Director

Okada, Kenjirou

Okada, Kenjirou

Episode Director

Okuno, Kouta

Okuno, Kouta

Episode Director

Takahashi, Tomoya

Takahashi, Tomoya

Episode Director

Takamura, Yuuta

Takamura, Yuuta

Episode Director

Tomita, Hiroaki

Tomita, Hiroaki

Episode Director

Yaginuma, Kazuyoshi

Yaginuma, Kazuyoshi

Episode Director, Storyboard