Shinseiki Evangelion Movie: Air/Magokoro wo, Kimi ni
Summary: Shinji Ikari is left emotionally comatose after the death of a dear friend. With his son mentally unable to pilot the humanoid robot Evangelion Unit-01, Gendou Ikari's NERV races against the shadow organization SEELE to see who can enact their ultimate plan first. SEELE desires to create a godlike being by fusing their own souls into an Evangelion unit, while Gendou wishes to revert all of humanity into one primordial being so that he can be reunited with Yui, his deceased wife.
SEELE unleashes its military forces in a lethal invasion of NERV headquarters. As SEELE's forces cut down NERV's scientists and security personnel, Asuka Langley Souryuu pilots Evangelion Unit-02 in a desperate last stand against SEELE's heaviest weaponry.
The battle rages on, and a depressed Shinji hides deep within NERV's headquarters. With the fate of the world resting in Shinji's hands, Captain Misato Katsuragi hunts for the teenage boy as society crumbles around them.
[Written by MAL Rewrite]
Description
Shinji Ikari is left emotionally comatose after the death of a dear friend. With his son mentally unable to pilot the humanoid robot Evangelion Unit-01, Gendou Ikari's NERV races against the shadow organization SEELE to see who can enact their ultimate plan first. SEELE desires to create a godlike being by fusing their own souls into an Evangelion unit, while Gendou wishes to revert all of humanity into one primordial being so that he can be reunited with Yui, his deceased wife.
SEELE unleashes its military forces in a lethal invasion of NERV headquarters. As SEELE's forces cut down NERV's scientists and security personnel, Asuka Langley Souryuu pilots Evangelion Unit-02 in a desperate last stand against SEELE's heaviest weaponry.
The battle rages on, and a depressed Shinji hides deep within NERV's headquarters. With the fate of the world resting in Shinji's hands, Captain Misato Katsuragi hunts for the teenage boy as society crumbles around them.
[Written by MAL Rewrite]
Available At
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Shinseiki Evangelion Movie: Air/Magokoro wo, Kimi ni Trailers
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Shinseiki Evangelion Movie: Air/Magokoro wo, Kimi ni Review
Shinseiki Evangelion Movie: Air/Magokoro wo, Kimi ni — Shinji Ikari is left emotionally comatose after the death of a dear friend. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.
Thematically, It sits firmly within Action, Avant Garde, Drama, Sci-Fi, Suspense conventions as a Movie work and has garnered attention (MAL score: 8.56). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.
Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.
On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.
The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.
Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.
No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.
In sum, Shinseiki Evangelion Movie: Air/Magokoro wo, Kimi ni offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Action, Avant Garde, Drama, Sci-Fi, Suspense, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.
Characters & Voice Actors
Ayanami, Rei
Main
Hayashibara, Megumi
Japanese
Ayanami, Rei
Main
Lee, Amanda Winn
English
Ayanami, Rei
Main
Mari, Valentina
Italian
Ayanami, Rei
Main
Bierstedt, Marie
German
Ayanami, Rei
Main
Mulachs, Joël
Spanish
Ayanami, Rei
Main
Bartley, Ryan
English
Ayanami, Rei
Main
Concepcion, Priscilla
Portuguese (BR)
Ayanami, Rei
Main
Ventura, Élisabeth
French
Ayanami, Rei
Main
Luna, Circe
Spanish
Ayanami, Rei
Main
Marricchi, Lucrezia
Italian
Ayanami, Rei
Main
Dumortier, Florence
French
Ayanami, Rei
Main
Pastor, Laura
Spanish
Ikari, Shinji
Main
Spencer, Spike
English
Ikari, Shinji
Main
Ogata, Megumi
Japanese
Ikari, Shinji
Main
Raffaeli, Daniele
Italian
Ikari, Shinji
Main
Maurer, Hannes
German
Ikari, Shinji
Main
Trifol Segarra, Albert
Spanish
Ikari, Shinji
Main
Mongillo, Casey
English
Ikari, Shinji
Main
Lucindo, Fábio
Portuguese (BR)
Ikari, Shinji
Main
Reignoux, Donald
French
Staff
Ishikawa, Mitsuhisa
Producer
Anno, Hideaki
Director, Episode Director, Storyboard, Planning, Key Animation, Mechanical Design, Animation Director, Screenplay, Original Creator, Setting
Tsurumaki, Kazuya
Director, Episode Director, Storyboard, Setting
Tanaka, Hideyuki
Sound Director
Andou, Ken
Episode Director
Ootsuka, Masahiko
Episode Director
Lee, Amanda Winn
Script, ADR Director
Higuchi, Shinji
Storyboard
Masayuki
Storyboard, Background Art, Key Animation
Satou, Junichi
Storyboard
LOREN & MASH
Theme Song Performance
Schreiber, Arianne
Theme Song Performance
Andou, Masahiro
Key Animation
Arai, Ken
Background Art
Asaki, Akiko
In-Between Animation
Bach, Johann Sebastian
Music
Fukuoka, Hidenori
Key Animation
Furukawa, Hisaki
Key Animation, Assistant Animation Director
Genma, Nobuhiko
In-Between Animation
Gotou, Takayuki
Principle Drawing, Key Animation