Shinseiki Evangelion

  • Genres: ["Action","Avant Garde","Award Winning","Drama","Sci-Fi","Suspense"]
  • Type: TV
  • Status: Finished Airing
  • Year: 1995

Summary: Fifteen years after a cataclysmic event known as the Second Impact, the world faces a new threat: monstrous celestial beings called Angels invade Tokyo-3 one by one. Mankind is unable to defend themselves against the Angels despite utilizing their most advanced munitions and military tactics. The only hope for human salvation rests in the hands of NERV, a mysterious organization led by the cold Gendou Ikari. NERV operates giant humanoid robots dubbed "Evangelions" to combat the Angels with state-of-the-art advanced weaponry and protective barriers known as Absolute Terror Fields.

Years after being abandoned by his father, Shinji Ikari, Gendou's 14-year-old son, returns to Tokyo-3. Shinji undergoes a perpetual internal battle against the deeply buried trauma caused by the loss of his mother and the emotional neglect he suffered at the hands of his father. Terrified to open himself up to another, Shinji's life is forever changed upon meeting 29-year-old Misato Katsuragi, a high-ranking NERV officer who shows him a free-spirited maternal kindness he has never experienced.

A devastating Angel attack forces Shinji into action as Gendou reveals his true motive for inviting his son back to Tokyo-3: Shinji is the only child capable of efficiently piloting Evangelion Unit-01, a new robot that synchronizes with his biometrics. Despite the brutal psychological trauma brought about by piloting an Evangelion, Shinji defends Tokyo-3 against the angelic threat, oblivious to his father's dark machinations.

[Written by MAL Rewrite]


Description

Fifteen years after a cataclysmic event known as the Second Impact, the world faces a new threat: monstrous celestial beings called Angels invade Tokyo-3 one by one. Mankind is unable to defend themselves against the Angels despite utilizing their most advanced munitions and military tactics. The only hope for human salvation rests in the hands of NERV, a mysterious organization led by the cold Gendou Ikari. NERV operates giant humanoid robots dubbed "Evangelions" to combat the Angels with state-of-the-art advanced weaponry and protective barriers known as Absolute Terror Fields.

Years after being abandoned by his father, Shinji Ikari, Gendou's 14-year-old son, returns to Tokyo-3. Shinji undergoes a perpetual internal battle against the deeply buried trauma caused by the loss of his mother and the emotional neglect he suffered at the hands of his father. Terrified to open himself up to another, Shinji's life is forever changed upon meeting 29-year-old Misato Katsuragi, a high-ranking NERV officer who shows him a free-spirited maternal kindness he has never experienced.

A devastating Angel attack forces Shinji into action as Gendou reveals his true motive for inviting his son back to Tokyo-3: Shinji is the only child capable of efficiently piloting Evangelion Unit-01, a new robot that synchronizes with his biometrics. Despite the brutal psychological trauma brought about by piloting an Evangelion, Shinji defends Tokyo-3 against the angelic threat, oblivious to his father's dark machinations.

[Written by MAL Rewrite]


Available At


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Shinseiki Evangelion Pictures


Shinseiki Evangelion Review

Shinseiki Evangelion — Fifteen years after a cataclysmic event known as the Second Impact, the world faces a new threat: monstrous celestial beings called Angels invade Tokyo-3 one by one. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Action, Avant Garde, Award Winning, Drama, Sci-Fi, Suspense conventions as a TV work and has garnered attention (MAL score: 8.36). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Shinseiki Evangelion offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Action, Avant Garde, Award Winning, Drama, Sci-Fi, Suspense, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Ayanami, Rei

Ayanami, Rei

Main

Hayashibara, Megumi
Hayashibara, Megumi
Japanese
Ayanami, Rei

Ayanami, Rei

Main

Lee, Amanda Winn
Lee, Amanda Winn
English
Ayanami, Rei

Ayanami, Rei

Main

Mari, Valentina
Mari, Valentina
Italian
Ayanami, Rei

Ayanami, Rei

Main

Lafforgue, Stéphanie
Lafforgue, Stéphanie
French
Ayanami, Rei

Ayanami, Rei

Main

Bierstedt, Marie
Bierstedt, Marie
German
Ayanami, Rei

Ayanami, Rei

Main

Ugarte, Gaby
Ugarte, Gaby
Spanish
Ayanami, Rei

Ayanami, Rei

Main

Concepcion, Priscilla
Concepcion, Priscilla
Portuguese (BR)
Ayanami, Rei

Ayanami, Rei

Main

Song, Do Yeong
Song, Do Yeong
Korean
Ayanami, Rei

Ayanami, Rei

Main

Luna, Circe
Luna, Circe
Spanish
Ayanami, Rei

Ayanami, Rei

Main

Mulachs, Joël
Mulachs, Joël
Spanish
Ayanami, Rei

Ayanami, Rei

Main

Bartley, Ryan
Bartley, Ryan
English
Ayanami, Rei

Ayanami, Rei

Main

Ventura, Élisabeth
Ventura, Élisabeth
French
Ayanami, Rei

Ayanami, Rei

Main

Marricchi, Lucrezia
Marricchi, Lucrezia
Italian
Ayanami, Rei

Ayanami, Rei

Main

Dutron, Olivia
Dutron, Olivia
French
Ayanami, Rei

Ayanami, Rei

Main

Pastor, Laura
Pastor, Laura
Spanish
Ikari, Shinji

Ikari, Shinji

Main

Spencer, Spike
Spencer, Spike
English
Ikari, Shinji

Ikari, Shinji

Main

Ogata, Megumi
Ogata, Megumi
Japanese
Ikari, Shinji

Ikari, Shinji

Main

Raffaeli, Daniele
Raffaeli, Daniele
Italian
Ikari, Shinji

Ikari, Shinji

Main

Lucindo, Fábio
Lucindo, Fábio
Portuguese (BR)
Ikari, Shinji

Ikari, Shinji

Main

Reignoux, Donald
Reignoux, Donald
French

Staff

Anno, Hideaki

Anno, Hideaki

Producer, Director, Script, Storyboard, Key Animation, Original Creator, Mechanical Design

Kobayashi, Noriko

Kobayashi, Noriko

Producer

Sugiyama, Yutaka

Sugiyama, Yutaka

Producer

Uchiyama, Shuuji

Uchiyama, Shuuji

Producer

Ueda, Motoki

Ueda, Motoki

Producer

Yamaga, Hiroyuki

Yamaga, Hiroyuki

Producer

Takahashi, Tomoko

Takahashi, Tomoko

Assistant Producer

Tanaka, Hideyuki

Tanaka, Hideyuki

Sound Director

Andou, Ken

Andou, Ken

Episode Director

Hanyuu, Naoyasu

Hanyuu, Naoyasu

Episode Director

Ishidou, Hiroyuki

Ishidou, Hiroyuki

Episode Director, Storyboard

Kaga, Tsuyoshi

Kaga, Tsuyoshi

Episode Director, Storyboard

Masayuki

Masayuki

Episode Director, Storyboard, Assistant Director, Layout, Key Animation, Animation Director, Setting

Masuo, Shouichi

Masuo, Shouichi

Episode Director, Key Animation

Mizushima, Seiji

Mizushima, Seiji

Episode Director

Okamura, Tensai

Okamura, Tensai

Episode Director, Storyboard, Key Animation

Oohara, Minoru

Oohara, Minoru

Episode Director

Ootsuka, Masahiko

Ootsuka, Masahiko

Episode Director

Sugiyama, Keiichi

Sugiyama, Keiichi

Episode Director, Storyboard

Takamura, Akira

Takamura, Akira

Episode Director