Shingeki no Kyojin

  • Genres: ["Action","Award Winning","Drama","Suspense"]
  • Type: TV
  • Status: Finished Airing
  • Year: 2013

Summary: Centuries ago, mankind was slaughtered to near extinction by monstrous humanoid creatures called Titans, forcing humans to hide in fear behind enormous concentric walls. What makes these giants truly terrifying is that their taste for human flesh is not born out of hunger but what appears to be out of pleasure. To ensure their survival, the remnants of humanity began living within defensive barriers, resulting in one hundred years without a single titan encounter. However, that fragile calm is soon shattered when a colossal Titan manages to breach the supposedly impregnable outer wall, reigniting the fight for survival against the man-eating abominations.

After witnessing a horrific personal loss at the hands of the invading creatures, Eren Yeager dedicates his life to their eradication by enlisting into the Survey Corps, an elite military unit that combats the merciless humanoids outside the protection of the walls. Eren, his adopted sister Mikasa Ackerman, and his childhood friend Armin Arlert join the brutal war against the Titans and race to discover a way of defeating them before the last walls are breached.

[Written by MAL Rewrite]


Description

Centuries ago, mankind was slaughtered to near extinction by monstrous humanoid creatures called Titans, forcing humans to hide in fear behind enormous concentric walls. What makes these giants truly terrifying is that their taste for human flesh is not born out of hunger but what appears to be out of pleasure. To ensure their survival, the remnants of humanity began living within defensive barriers, resulting in one hundred years without a single titan encounter. However, that fragile calm is soon shattered when a colossal Titan manages to breach the supposedly impregnable outer wall, reigniting the fight for survival against the man-eating abominations.

After witnessing a horrific personal loss at the hands of the invading creatures, Eren Yeager dedicates his life to their eradication by enlisting into the Survey Corps, an elite military unit that combats the merciless humanoids outside the protection of the walls. Eren, his adopted sister Mikasa Ackerman, and his childhood friend Armin Arlert join the brutal war against the Titans and race to discover a way of defeating them before the last walls are breached.

[Written by MAL Rewrite]


Available At


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Shingeki no Kyojin Trailers


Shingeki no Kyojin Pictures


Shingeki no Kyojin Review

Shingeki no Kyojin — Centuries ago, mankind was slaughtered to near extinction by monstrous humanoid creatures called Titans, forcing humans to hide in fear behind enormous concentric walls. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Action, Award Winning, Drama, Suspense conventions as a TV work and has garnered attention (MAL score: 8.56). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Shingeki no Kyojin offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Action, Award Winning, Drama, Suspense, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Ackerman, Mikasa

Ackerman, Mikasa

Main

Nishimura, Trina
Nishimura, Trina
English
Ackerman, Mikasa

Ackerman, Mikasa

Main

Ishikawa, Yui
Ishikawa, Yui
Japanese
Ackerman, Mikasa

Ackerman, Mikasa

Main

Bienaimé, Nathalie
Bienaimé, Nathalie
French
Ackerman, Mikasa

Ackerman, Mikasa

Main

Han, Chae Eon
Han, Chae Eon
Korean
Ackerman, Mikasa

Ackerman, Mikasa

Main

Perino, Elena
Perino, Elena
Italian
Ackerman, Mikasa

Ackerman, Mikasa

Main

Hannak, Nicole
Hannak, Nicole
German
Ackerman, Mikasa

Ackerman, Mikasa

Main

Stefane, Mayara
Stefane, Mayara
Portuguese (BR)
Ackerman, Mikasa

Ackerman, Mikasa

Main

Lobo, Ana
Lobo, Ana
Spanish
Ackerman, Mikasa

Ackerman, Mikasa

Main

Prats, Laura
Prats, Laura
Spanish
Arlert, Armin

Arlert, Armin

Main

Inoue, Marina
Inoue, Marina
Japanese
Arlert, Armin

Arlert, Armin

Main

Grelle, Jessie James
Grelle, Jessie James
English
Arlert, Armin

Arlert, Armin

Main

Solis, Adrien
Solis, Adrien
French
Arlert, Armin

Arlert, Armin

Main

Bolognesi, Gaia
Bolognesi, Gaia
Italian
Arlert, Armin

Arlert, Armin

Main

Gómez, Marc
Gómez, Marc
Spanish
Arlert, Armin

Arlert, Armin

Main

Zeiger, Christian
Zeiger, Christian
German
Arlert, Armin

Arlert, Armin

Main

Volpato, Pedro
Volpato, Pedro
Portuguese (BR)
Arlert, Armin

Arlert, Armin

Main

de Alba, Héctor Ireta
de Alba, Héctor Ireta
Spanish
Arlert, Armin

Arlert, Armin

Main

Song, Ha-rim
Song, Ha-rim
Korean
Yeager, Eren

Yeager, Eren

Main

Kaji, Yuuki
Kaji, Yuuki
Japanese
Yeager, Eren

Yeager, Eren

Main

Papenbrook, Bryce
Papenbrook, Bryce
English

Staff

Cook, Justin

Cook, Justin

Producer

Furukawa, Shin

Furukawa, Shin

Producer

Kinoshita, Tetsuya

Kinoshita, Tetsuya

Producer

Maeda, Toshihiro

Maeda, Toshihiro

Producer

Nakatake, Tetsuya

Nakatake, Tetsuya

Producer

Tateishi, Kensuke

Tateishi, Kensuke

Producer

Wada, George

Wada, George

Producer

Araki, Tetsurou

Araki, Tetsurou

Director, Episode Director, Storyboard

Mima, Masafumi

Mima, Masafumi

Sound Director

Bessho, Makoto

Bessho, Makoto

Episode Director, Storyboard, Key Animation

Ezaki, Shinpei

Ezaki, Shinpei

Episode Director, Storyboard

Fujiwara, Yoshiyuki

Fujiwara, Yoshiyuki

Episode Director, Key Animation

Fukumoto, Kiyoshi

Fukumoto, Kiyoshi

Episode Director

Ikeda, Tomomi

Ikeda, Tomomi

Episode Director

Ishihama, Masashi

Ishihama, Masashi

Episode Director, Storyboard, Animation Director, Key Animation

Itoga, Shintarou

Itoga, Shintarou

Episode Director

Koizuka, Masashi

Koizuka, Masashi

Episode Director, Storyboard, Chief Animation Director, Assistant Director, Character Design, Key Animation

Minamikawa, Tatsuma

Minamikawa, Tatsuma

Episode Director, Assistant Director

Muroya, Yasushi

Muroya, Yasushi

Episode Director

Oonishi, Keisuke

Oonishi, Keisuke

Episode Director