Shijou Saikyou no Deshi Kenichi

  • Genres: ["Action","Comedy"]
  • Type: TV
  • Status: Finished Airing
  • Year: 2006

Summary: Whenever he is not getting pummeled in the karate club after school, high schooler Kenichi Shirahama can be found with his head buried in one of the many self-help books he carries with him every day. One day, on the way to school, Kenichi accidentally frightens the new student in his class, leading her to throw him down onto the ground. After apologizing for her violent reflexes, she introduces herself as Miu Furinji and asks Kenichi to be her friend.

Later that day, after karate club practice, Kenichi is given an ultimatum by one of the other club members: they will fight next week and the loser has to quit the club permanently. While lamenting his imminent defeat in the upcoming fight, Kenichi witnesses Miu fend off three thugs easily. Fed up with being perpetually bullied by those more powerful than him, he asks Miu for tips on how to become a better fighter. She directs Kenichi to her grandfather's dojo, Ryouzanpaku, where several skilled—albeit strange—masters of extreme martial arts have gathered to hone their abilities. Miu promises that Kenichi will become significantly stronger, but only if he manages to stay alive.

With those ominous words looming in his mind and the appearance of a criminal martial arts gang known as "Ragnarok" threatening the safety of those around him, Kenichi takes the first step on his journey to become a world-class fighter and a defender of the defenseless.

[Written by MAL Rewrite]


Description

Whenever he is not getting pummeled in the karate club after school, high schooler Kenichi Shirahama can be found with his head buried in one of the many self-help books he carries with him every day. One day, on the way to school, Kenichi accidentally frightens the new student in his class, leading her to throw him down onto the ground. After apologizing for her violent reflexes, she introduces herself as Miu Furinji and asks Kenichi to be her friend.

Later that day, after karate club practice, Kenichi is given an ultimatum by one of the other club members: they will fight next week and the loser has to quit the club permanently. While lamenting his imminent defeat in the upcoming fight, Kenichi witnesses Miu fend off three thugs easily. Fed up with being perpetually bullied by those more powerful than him, he asks Miu for tips on how to become a better fighter. She directs Kenichi to her grandfather's dojo, Ryouzanpaku, where several skilled—albeit strange—masters of extreme martial arts have gathered to hone their abilities. Miu promises that Kenichi will become significantly stronger, but only if he manages to stay alive.

With those ominous words looming in his mind and the appearance of a criminal martial arts gang known as "Ragnarok" threatening the safety of those around him, Kenichi takes the first step on his journey to become a world-class fighter and a defender of the defenseless.

[Written by MAL Rewrite]


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Shijou Saikyou no Deshi Kenichi Review

Shijou Saikyou no Deshi Kenichi — Whenever he is not getting pummeled in the karate club after school, high schooler Kenichi Shirahama can be found with his head buried in one of the many self-help books he carries with him every day. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Action, Comedy conventions as a TV work and has garnered attention (MAL score: 8.03). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Shijou Saikyou no Deshi Kenichi offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Action, Comedy, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Fuurinji, Miu

Fuurinji, Miu

Main

Kawakami, Tomoko
Kawakami, Tomoko
Japanese
Fuurinji, Miu

Fuurinji, Miu

Main

Savage, Carrie
Savage, Carrie
English
Fuurinji, Miu

Fuurinji, Miu

Main

Hidalgo, Alondra
Hidalgo, Alondra
Spanish
Fuurinji, Miu

Fuurinji, Miu

Main

Salander, Anni C.
Salander, Anni C.
German
Fuurinji, Miu

Fuurinji, Miu

Main

Bittencourt, Ana Elena
Bittencourt, Ana Elena
Portuguese (BR)
Shirahama, Kenichi

Shirahama, Kenichi

Main

Seki, Tomokazu
Seki, Tomokazu
Japanese
Shirahama, Kenichi

Shirahama, Kenichi

Main

Grelle, Jessie James
Grelle, Jessie James
English
Shirahama, Kenichi

Shirahama, Kenichi

Main

Ortiz, Gabriel
Ortiz, Gabriel
Spanish
Shirahama, Kenichi

Shirahama, Kenichi

Main

Drummond, Eduardo
Drummond, Eduardo
Portuguese (BR)
Shirahama, Kenichi

Shirahama, Kenichi

Main

Mereis, Benjamin
Mereis, Benjamin
German
Shirahama, Kenichi

Shirahama, Kenichi

Main

Clark, Leah
Clark, Leah
English
Shirahama, Kenichi

Shirahama, Kenichi

Main

Ho, Danny
Ho, Danny
Mandarin
Aiba, Yuriko

Aiba, Yuriko

Supporting

Kang, Kristi
Kang, Kristi
English
Andy

Andy

Supporting

Bowling, Anthony
Bowling, Anthony
English
Andy

Andy

Supporting

Gotou, Shin
Gotou, Shin
Japanese
Asamiya, Ryuuto

Asamiya, Ryuuto

Supporting

Narita, Ken
Narita, Ken
Japanese
Asamiya, Ryuuto

Asamiya, Ryuuto

Supporting

Jewell, Jerry
Jewell, Jerry
English
Asamiya, Ryuuto

Asamiya, Ryuuto

Supporting

Miyata, Kouki
Miyata, Kouki
Japanese
Asamiya, Ryuuto

Asamiya, Ryuuto

Supporting

Basurto, Alfredo Gabriel
Basurto, Alfredo Gabriel
Spanish
Asamiya, Ryuuto

Asamiya, Ryuuto

Supporting

Ransberger, Matthias
Ransberger, Matthias
German

Staff

Cook, Justin

Cook, Justin

Producer

Harp, Clarine

Harp, Clarine

Producer

Kojima, Satoshi

Kojima, Satoshi

Producer

Kamegaki, Hajime

Kamegaki, Hajime

Director

Tanaka, Akiyoshi

Tanaka, Akiyoshi

Sound Director

Asami, Matsuo

Asami, Matsuo

Episode Director

Higashide, Futoshi

Higashide, Futoshi

Episode Director, Storyboard, Key Animation

Horiuchi, Naoki

Horiuchi, Naoki

Episode Director

Hoshino, Makoto

Hoshino, Makoto

Episode Director

Ikezoe, Takahiro

Ikezoe, Takahiro

Episode Director, Storyboard

Katou, Hiroto

Katou, Hiroto

Episode Director, Animation Director

Kitagawa, Masato

Kitagawa, Masato

Episode Director

Maezono, Fumio

Maezono, Fumio

Episode Director, Storyboard

Nakamura, Chikayo

Nakamura, Chikayo

Episode Director

Nitta, Yoshikata

Nitta, Yoshikata

Episode Director

Oka, Yoshihiro

Oka, Yoshihiro

Episode Director, Storyboard

Okuno, Kouta

Okuno, Kouta

Episode Director, Storyboard

Shiraishi, Michita

Shiraishi, Michita

Episode Director

Suzuki, Shinichi

Suzuki, Shinichi

Episode Director, Animation Director

Yabana, Kaoru

Yabana, Kaoru

Episode Director