Shigatsu wa Kimi no Uso

  • Genres: ["Drama","Romance"]
  • Type: TV
  • Status: Finished Airing
  • Year: 2014

Summary: Kousei Arima is a child prodigy known as the "Human Metronome" for playing the piano with precision and perfection. Guided by a strict mother and rigorous training, Kousei dominates every competition he enters, earning the admiration of his musical peers and praise from audiences. When his mother suddenly passes away, the subsequent trauma makes him unable to hear the sound of a piano, and he never takes the stage thereafter.

Nowadays, Kousei lives a quiet and unassuming life as a junior high school student alongside his friends Tsubaki Sawabe and Ryouta Watari. While struggling to get over his mother's death, he continues to cling to music. His monochrome life turns upside down the day he encounters the eccentric violinist Kaori Miyazono, who thrusts him back into the spotlight as her accompanist. Through a little lie, these two young musicians grow closer together as Kaori tries to fill Kousei's world with color.

[Written by MAL Rewrite]


Description

Kousei Arima is a child prodigy known as the "Human Metronome" for playing the piano with precision and perfection. Guided by a strict mother and rigorous training, Kousei dominates every competition he enters, earning the admiration of his musical peers and praise from audiences. When his mother suddenly passes away, the subsequent trauma makes him unable to hear the sound of a piano, and he never takes the stage thereafter.

Nowadays, Kousei lives a quiet and unassuming life as a junior high school student alongside his friends Tsubaki Sawabe and Ryouta Watari. While struggling to get over his mother's death, he continues to cling to music. His monochrome life turns upside down the day he encounters the eccentric violinist Kaori Miyazono, who thrusts him back into the spotlight as her accompanist. Through a little lie, these two young musicians grow closer together as Kaori tries to fill Kousei's world with color.

[Written by MAL Rewrite]


Available At


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Shigatsu wa Kimi no Uso Trailers


Shigatsu wa Kimi no Uso Pictures


Shigatsu wa Kimi no Uso Review

Shigatsu wa Kimi no Uso — Kousei Arima is a child prodigy known as the "Human Metronome" for playing the piano with precision and perfection. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Drama, Romance conventions as a TV work and has garnered attention (MAL score: 8.64). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Shigatsu wa Kimi no Uso offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Drama, Romance, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Arima, Kousei

Arima, Kousei

Main

Hanae, Natsuki
Hanae, Natsuki
Japanese
Arima, Kousei

Arima, Kousei

Main

Mittelman, Max
Mittelman, Max
English
Arima, Kousei

Arima, Kousei

Main

Bösherz, Konrad
Bösherz, Konrad
German
Arima, Kousei

Arima, Kousei

Main

Navarro, Jordi
Navarro, Jordi
Spanish
Arima, Kousei

Arima, Kousei

Main

Becerril, Diego
Becerril, Diego
Spanish
Miyazono, Kaori

Miyazono, Kaori

Main

Taneda, Risa
Taneda, Risa
Japanese
Miyazono, Kaori

Miyazono, Kaori

Main

Lindbeck, Erica
Lindbeck, Erica
English
Miyazono, Kaori

Miyazono, Kaori

Main

Werner, Rieke
Werner, Rieke
German
Miyazono, Kaori

Miyazono, Kaori

Main

Ruiz, Greta
Ruiz, Greta
Spanish
Miyazono, Kaori

Miyazono, Kaori

Main

Becerril, Alessia
Becerril, Alessia
Spanish
Sawabe, Tsubaki

Sawabe, Tsubaki

Main

Sakura, Ayane
Sakura, Ayane
Japanese
Sawabe, Tsubaki

Sawabe, Tsubaki

Main

Mendez, Erica
Mendez, Erica
English
Sawabe, Tsubaki

Sawabe, Tsubaki

Main

Elßel, Laura
Elßel, Laura
German
Sawabe, Tsubaki

Sawabe, Tsubaki

Main

Andrés, Eva
Andrés, Eva
Spanish
Sawabe, Tsubaki

Sawabe, Tsubaki

Main

Acevedo, Casandra
Acevedo, Casandra
Spanish
Watari, Ryouta

Watari, Ryouta

Main

Oosaka, Ryouta
Oosaka, Ryouta
Japanese
Watari, Ryouta

Watari, Ryouta

Main

McCarley, Kyle
McCarley, Kyle
English
Watari, Ryouta

Watari, Ryouta

Main

Fitzner, Sebastian
Fitzner, Sebastian
German
Watari, Ryouta

Watari, Ryouta

Main

Mesa, Sergio
Mesa, Sergio
Spanish
Watari, Ryouta

Watari, Ryouta

Main

RamĂ­rez, Eduardo
RamĂ­rez, Eduardo
Spanish

Staff

Fukushima, Yuuichi

Fukushima, Yuuichi

Producer

Kimura, Makoto

Kimura, Makoto

Producer

Saitou, Shunsuke

Saitou, Shunsuke

Producer

Tateishi, Kensuke

Tateishi, Kensuke

Producer

Fujiyama, Naokado

Fujiyama, Naokado

Assistant Producer

Ishikawa, Tatsuya

Ishikawa, Tatsuya

Assistant Producer

Kawazoe, Chitose

Kawazoe, Chitose

Assistant Producer

Yamatani, Nakuru

Yamatani, Nakuru

Assistant Producer

Ishiguro, Kyouhei

Ishiguro, Kyouhei

Director, Episode Director, Storyboard

Aketagawa, Jin

Aketagawa, Jin

Sound Director

Harada, Takahiro

Harada, Takahiro

Episode Director

Ibata, Yoshihide

Ibata, Yoshihide

Episode Director, Storyboard

Ishihama, Masashi

Ishihama, Masashi

Episode Director, Storyboard

Ishii, Toshimasa

Ishii, Toshimasa

Episode Director, Storyboard

Iwata, Kazuya

Iwata, Kazuya

Episode Director

Kawakoshi, Takahiro

Kawakoshi, Takahiro

Episode Director

Kojima, Takashi

Kojima, Takashi

Episode Director, Animation Director, 2nd Key Animation, In-Between Animation, Key Animation

Kouno, Ayako

Kouno, Ayako

Episode Director

Kuroki, Miyuki

Kuroki, Miyuki

Episode Director, Storyboard, Key Animation, 2nd Key Animation

Majima, Takahiro

Majima, Takahiro

Episode Director