Sayonara no Asa ni Yakusoku no Hana wo Kazarou
Summary: Maquia is a member of a special race called the Iorph—mystical beings who can live for hundreds of years and remain separate from the lives and daily troubles of mankind. However, Maquia has always felt lonely despite being surrounded by her people, as she was orphaned from a young age. She daydreams about the outside world, but dares not travel from her home due to the warnings of the clan's chief.
One day however, the outside world finds her, as the power-hungry kingdom of Mezarte invades her homeland. They already have what is left of the giant dragons, the Renato, under their control, and now their king wishes to add the immortality of the Iorph to his bloodline.
The humans and their Renato ravage the Iorph homeland and kill most of its inhabitants. Caught in the midst of the attack, Maquia is carried off by one of the Renato that has gone berserk. It soon dies, and she is left deserted in a forest far from home, now truly alone save for the cries of a single baby off in the distance. Maquia finds the baby in a destroyed village and decides to raise him as her own, naming him Ariel. Although she knows nothing of the human world, how to raise a child that ages much faster than her, or how to live with the smoldering loneliness inside, she is determined to make it all work somehow.
[Written by MAL Rewrite]
Description
Maquia is a member of a special race called the Iorph—mystical beings who can live for hundreds of years and remain separate from the lives and daily troubles of mankind. However, Maquia has always felt lonely despite being surrounded by her people, as she was orphaned from a young age. She daydreams about the outside world, but dares not travel from her home due to the warnings of the clan's chief.
One day however, the outside world finds her, as the power-hungry kingdom of Mezarte invades her homeland. They already have what is left of the giant dragons, the Renato, under their control, and now their king wishes to add the immortality of the Iorph to his bloodline.
The humans and their Renato ravage the Iorph homeland and kill most of its inhabitants. Caught in the midst of the attack, Maquia is carried off by one of the Renato that has gone berserk. It soon dies, and she is left deserted in a forest far from home, now truly alone save for the cries of a single baby off in the distance. Maquia finds the baby in a destroyed village and decides to raise him as her own, naming him Ariel. Although she knows nothing of the human world, how to raise a child that ages much faster than her, or how to live with the smoldering loneliness inside, she is determined to make it all work somehow.
[Written by MAL Rewrite]
Available At
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Sayonara no Asa ni Yakusoku no Hana wo Kazarou Trailers
Sayonara no Asa ni Yakusoku no Hana wo Kazarou Pictures
Sayonara no Asa ni Yakusoku no Hana wo Kazarou Review
Sayonara no Asa ni Yakusoku no Hana wo Kazarou — Maquia is a member of a special race called the Iorph—mystical beings who can live for hundreds of years and remain separate from the lives and daily troubles of mankind. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.
Thematically, It sits firmly within Drama, Fantasy conventions as a Movie work and has garnered attention (MAL score: 8.39). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.
Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.
On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.
The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.
Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.
No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.
In sum, Sayonara no Asa ni Yakusoku no Hana wo Kazarou offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Drama, Fantasy, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.
Characters & Voice Actors
Ariel
Main
Irino, Miyu
Japanese
Ariel
Main
Sakurai, Yuuki
Japanese
Ariel
Main
Lee, Eddy
English
Ariel
Main
Mesa, Sergio
Spanish
Ariel
Main
Romano, Ana
Spanish
Ariel
Main
Cannella, Mirko
Italian
Ariel
Main
Belle, Maximilian
German
Ariel
Main
Bollen, Benjamin
French
Ariel
Main
Brum, Renan
Portuguese (BR)
Ariel
Main
Lima, Halliny
Portuguese (BR)
Ariel
Main
Shanahan, Ryan
English
Ariel
Main
Zhou, Dong
Mandarin
Maquia
Main
Iwami, Manaka
Japanese
Maquia
Main
Huynh, Xanthe
English
Maquia
Main
Trifol, Nuria
Spanish
Maquia
Main
Labidi, Sara
Italian
Maquia
Main
Hanak, Kathrin
German
Maquia
Main
Chetail, Adeline
French
Maquia
Main
Rolim, Talita
Portuguese (BR)
Baiera Ou
Supporting
Uchida, Yuuya
Japanese
Staff
Endou, Naoko
Producer
Horikawa, Kenji
Producer, Planning
Kyoutani, Tomomi
Producer
Takenaka, Nobuhiro
Producer
Okada, Mari
Director, Script, Storyboard
Wakabayashi, Kazuhiro
Sound Director
Hashimoto, Masakazu
Episode Director
Heo, Jong
Episode Director
Hiramatsu, Tadashi
Episode Director, Storyboard, Key Animation, Character Design, Animation Director
Nagai, Tatsuyuki
Episode Director
Shinohara, Toshiya
Episode Director, Storyboard, Assistant Director
Andou, Masahiro
Storyboard
Kobayashi, Hiroshi
Storyboard
Shiotani, Naoyoshi
Storyboard
Tachibana, Masaki
Storyboard
rionos
Theme Song Arrangement, Theme Song Composition, Theme Song Performance
riya
Theme Song Lyrics
Adachi, Yuuki
2nd Key Animation, In-Between Animation
Akiyama, Yuki
Key Animation
Amano, Kazuko
Key Animation