Planetes

  • Genres: ["Award Winning","Drama","Romance","Sci-Fi"]
  • Type: TV
  • Status: Finished Airing
  • Year: 2003

Summary: In 2075, space travel is no longer just a dream, but an everyday reality for mankind. Advancements in science and technology have led to the colonization of the moon, the commercialization of outer space, and the formation of large space corporations. Ai Tanabe, an upbeat woman whose interests lie in the cosmos, joins Technora Corporation as a member of their Debris Section, a department dedicated to the removal of dangerous space junk between the orbits of the Earth and Moon.

However, Ai soon discovers how unappreciated her job is. As the laughingstock of Technora, the Debris Section is severely understaffed, poorly funded, and is forced to use a dilapidated spaceship nicknamed the "Toy Box" for debris retrieval. Undeterred, Ai perseveres and gradually becomes acquainted with the strange personalities that make up the Debris Section's staff, such as the bumbling but good-natured chief clerk Philippe Myers; the mysterious and tight-lipped temp worker Edelgard Rivera; and the hotheaded and passionate Hachirouta Hoshino, who longs for a spaceship to call his own.

Planetes is an unconventional sci-fi series that portrays the vastness of space as a backdrop for the personal lives of ordinary people—people who may have been born on Earth, but whose hopes and dreams lie amongst the stars.

[Written by MAL Rewrite]


Description

In 2075, space travel is no longer just a dream, but an everyday reality for mankind. Advancements in science and technology have led to the colonization of the moon, the commercialization of outer space, and the formation of large space corporations. Ai Tanabe, an upbeat woman whose interests lie in the cosmos, joins Technora Corporation as a member of their Debris Section, a department dedicated to the removal of dangerous space junk between the orbits of the Earth and Moon.

However, Ai soon discovers how unappreciated her job is. As the laughingstock of Technora, the Debris Section is severely understaffed, poorly funded, and is forced to use a dilapidated spaceship nicknamed the "Toy Box" for debris retrieval. Undeterred, Ai perseveres and gradually becomes acquainted with the strange personalities that make up the Debris Section's staff, such as the bumbling but good-natured chief clerk Philippe Myers; the mysterious and tight-lipped temp worker Edelgard Rivera; and the hotheaded and passionate Hachirouta Hoshino, who longs for a spaceship to call his own.

Planetes is an unconventional sci-fi series that portrays the vastness of space as a backdrop for the personal lives of ordinary people—people who may have been born on Earth, but whose hopes and dreams lie amongst the stars.

[Written by MAL Rewrite]


Available At


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Planetes Trailers


Planetes Pictures


Planetes Review

Planetes — In 2075, space travel is no longer just a dream, but an everyday reality for mankind. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Award Winning, Drama, Romance, Sci-Fi conventions as a TV work and has garnered attention (MAL score: 8.24). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Planetes offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Award Winning, Drama, Romance, Sci-Fi, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Hoshino, Hachirouta

Hoshino, Hachirouta

Main

Thornton, Kirk
Thornton, Kirk
English
Hoshino, Hachirouta

Hoshino, Hachirouta

Main

Tanaka, Kazunari
Tanaka, Kazunari
Japanese
Hoshino, Hachirouta

Hoshino, Hachirouta

Main

Scattorin, Lorenzo
Scattorin, Lorenzo
Italian
Hoshino, Hachirouta

Hoshino, Hachirouta

Main

von Jascheroff, Constantin
von Jascheroff, Constantin
German
Hoshino, Hachirouta

Hoshino, Hachirouta

Main

Kazazian, Thierry
Kazazian, Thierry
French
Hoshino, Hachirouta

Hoshino, Hachirouta

Main

Lladó, Carlos
Lladó, Carlos
Spanish
Tanabe, Ai

Tanabe, Ai

Main

Yukino, Satsuki
Yukino, Satsuki
Japanese
Tanabe, Ai

Tanabe, Ai

Main

Taylor, Julie Ann
Taylor, Julie Ann
English
Tanabe, Ai

Tanabe, Ai

Main

Magnaghi, Debora
Magnaghi, Debora
Italian
Tanabe, Ai

Tanabe, Ai

Main

Marlot, Frédérique
Marlot, Frédérique
French
Tanabe, Ai

Tanabe, Ai

Main

Helm, Anne
Helm, Anne
German
Tanabe, Ai

Tanabe, Ai

Main

Schulz, Jill
Schulz, Jill
German
Tanabe, Ai

Tanabe, Ai

Main

Calvell, Carmen
Calvell, Carmen
Spanish
Agent

Agent

Supporting

Davies, Erik
Davies, Erik
English
Ascham, Lucie

Ascham, Lucie

Supporting

Kurata, Masayo
Kurata, Masayo
Japanese
Ascham, Lucie

Ascham, Lucie

Supporting

De Cesarei, Jenny
De Cesarei, Jenny
Italian
Ascham, Lucie

Ascham, Lucie

Supporting

Giménez, Ariadna
Giménez, Ariadna
Spanish
Ascham, Lucie

Ascham, Lucie

Supporting

Ruff, Michelle
Ruff, Michelle
English
Ascham, Lucie

Ascham, Lucie

Supporting

Dams, Catrin
Dams, Catrin
German
Ascham, Lucie

Ascham, Lucie

Supporting

Chemin, Pascale
Chemin, Pascale
French

Staff

Yukawa, Jun

Yukawa, Jun

Producer

Taniguchi, Gorou

Taniguchi, Gorou

Director, Episode Director, Storyboard

Urakami, Yasuo

Urakami, Yasuo

Sound Director

Igarashi, Shishou

Igarashi, Shishou

Episode Director, Storyboard

Kitamura, Masaki

Kitamura, Masaki

Episode Director, Storyboard

Miyoshi, Masato

Miyoshi, Masato

Episode Director

Murata, Kazuya

Murata, Kazuya

Episode Director, Storyboard, Key Animation

Yamamoto, Megumi

Yamamoto, Megumi

Episode Director, Storyboard

Yoshimura, Akira

Yoshimura, Akira

Episode Director

Ookouchi, Ichirou

Ookouchi, Ichirou

Script, Series Composition

Sasaki, Shinsaku

Sasaki, Shinsaku

Storyboard

Sugishima, Kunihisa

Sugishima, Kunihisa

Storyboard

Sunaga, Tsukasa

Sunaga, Tsukasa

Storyboard

Yonetani, Yoshitomo

Yonetani, Yoshitomo

Storyboard

Kuroishi, Hitomi

Kuroishi, Hitomi

Theme Song Composition

Sakai, Mikio

Sakai, Mikio

Theme Song Lyrics, Theme Song Composition, Theme Song Arrangement, Theme Song Performance, Inserted Song Performance

Abe, Misao

Abe, Misao

Key Animation

Abiru, Tadashi

Abiru, Tadashi

Key Animation

Andou, Masahiro

Andou, Masahiro

2nd Key Animation

Arisawa, Hiroshi

Arisawa, Hiroshi

Key Animation