Ookiku Furikabutte: Natsu no Taikai-hen

  • Genres: ["Sports"]
  • Type: TV
  • Status: Finished Airing
  • Year: 2010

Summary: Picking up where the original series left off, Ren Mihashi, the ace pitcher of the newly-formed Nishiura High School baseball team, and his teammates face the Sakitama High School team in the next round of the High School Baseball Invitational Tournament as they aim to play in the finals at legendary Hanshin Koushien Stadium.

(Source: ANN)


Description

Picking up where the original series left off, Ren Mihashi, the ace pitcher of the newly-formed Nishiura High School baseball team, and his teammates face the Sakitama High School team in the next round of the High School Baseball Invitational Tournament as they aim to play in the finals at legendary Hanshin Koushien Stadium.

(Source: ANN)


Available At


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Ookiku Furikabutte: Natsu no Taikai-hen Pictures


Ookiku Furikabutte: Natsu no Taikai-hen Review

Ookiku Furikabutte: Natsu no Taikai-hen — Picking up where the original series left off, Ren Mihashi, the ace pitcher of the newly-formed Nishiura High School baseball team, and his teammates face the Sakitama High School team in the next round of the High School Baseball Invitational Tournament as they aim to play in the finals at legendary Hanshin Koushien Stadium. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Sports conventions as a TV work and has garnered attention (MAL score: 7.95). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Ookiku Furikabutte: Natsu no Taikai-hen offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Sports, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Abe, Takaya

Abe, Takaya

Main

Nakamura, Yuuichi
Nakamura, Yuuichi
Japanese
Abe, Takaya

Abe, Takaya

Main

Kim, Seung jun
Kim, Seung jun
Korean
Mihashi, Ren

Mihashi, Ren

Main

Yonaga, Tsubasa
Yonaga, Tsubasa
Japanese
Mihashi, Ren

Mihashi, Ren

Main

Shin, Yong Wu
Shin, Yong Wu
Korean
Abe, Takashi

Abe, Takashi

Supporting

Dan, Tomoyuki
Dan, Tomoyuki
Japanese
Abe, Misae

Abe, Misae

Supporting

Yuuya, Atsuko
Yuuya, Atsuko
Japanese
Abe, Shun

Abe, Shun

Supporting

Kaji, Yuuki
Kaji, Yuuki
Japanese
Hamada, Yoshirou

Hamada, Yoshirou

Supporting

Kisaichi, Atsushi
Kisaichi, Atsushi
Japanese
Hamada, Yoshirou

Hamada, Yoshirou

Supporting

Jeong, Jae Heon
Jeong, Jae Heon
Korean
Hanai, Haruka

Hanai, Haruka

Supporting

Hanai, Azusa

Hanai, Azusa

Supporting

Taniyama, Kishou
Taniyama, Kishou
Japanese
Hanai, Azusa

Hanai, Azusa

Supporting

Kang, Su Jin
Kang, Su Jin
Korean
Hanai, Asuka

Hanai, Asuka

Supporting

Ichihara, Yutaka

Ichihara, Yutaka

Supporting

Oda, Hisafumi
Oda, Hisafumi
Japanese
Ichihara, Yutaka

Ichihara, Yutaka

Supporting

Jeon, Tae Yeol
Jeon, Tae Yeol
Korean
Izumi, Kousuke

Izumi, Kousuke

Supporting

Fukuyama, Jun
Fukuyama, Jun
Japanese
Izumi, Kousuke

Izumi, Kousuke

Supporting

Jeong, Myeong Jun
Jeong, Myeong Jun
Korean
Izumi, Keiko

Izumi, Keiko

Supporting

Kiuchi, Reiko
Kiuchi, Reiko
Japanese
Kashima, Takumi

Kashima, Takumi

Supporting

Kanemitsu, Nobuaki
Kanemitsu, Nobuaki
Japanese
Kawai, Kazuki

Kawai, Kazuki

Supporting

Hanawa, Eiji
Hanawa, Eiji
Japanese

Staff

Hariu, Masayuki

Hariu, Masayuki

Producer

Kananiwa, Kozue

Kananiwa, Kozue

Producer

Maeda, Toshihiro

Maeda, Toshihiro

Producer

Ochikoshi, Tomonori

Ochikoshi, Tomonori

Producer

Ooyama, Ryou

Ooyama, Ryou

Producer

Tanaka, Gou

Tanaka, Gou

Producer

Yodo, Akiko

Yodo, Akiko

Assistant Producer

Mizushima, Tsutomu

Mizushima, Tsutomu

Director, Episode Director, Storyboard, Screenplay

Kikuta, Hiromi

Kikuta, Hiromi

Sound Director

Hata, Hiroyuki

Hata, Hiroyuki

Episode Director, Storyboard

Iwasaki, Tarou

Iwasaki, Tarou

Episode Director

Mitsunaka, Susumu

Mitsunaka, Susumu

Episode Director, Script, Storyboard, 2nd Key Animation, Key Animation, Assistant Animation Director, Animation Director

Oono, Kazuhisa

Oono, Kazuhisa

Episode Director, Storyboard

Souta, Natsuo

Souta, Natsuo

Episode Director, Script, Storyboard

Tachibana, Hideki

Tachibana, Hideki

Episode Director, Storyboard, Key Animation

Yamamoto, Yasutaka

Yamamoto, Yasutaka

Episode Director, Script, Storyboard

Kuroda, Yousuke

Kuroda, Yousuke

Script, Series Composition

Oohara, Minoru

Oohara, Minoru

Storyboard

Galileo Galilei

Galileo Galilei

Theme Song Arrangement, Theme Song Composition, Theme Song Lyrics, Theme Song Performance

Akasaka, Shunji

Akasaka, Shunji

Key Animation