One Piece Movie 14: Stampede

  • Genres: ["Action","Adventure","Fantasy"]
  • Type: Movie
  • Status: Finished Airing
  • Year:

Summary: Monkey D. Luffy and the Straw Hats arrive aboard the Sunny to the Pirates Festival, the world's largest celebration created by and for pirates. Buena Festa, the festival organizer, invites the Straw Hats and all Worst Generation crews to partake in the festivities. Luring even Shichibukai and Marines to its shores, it seems that no pirate or sailor can resist the enticing secrets that the event hides behind its glamor.

The festival's contest is simple: find one of the treasures Gol D. Roger left behind. As the competition progresses, the various pirate crews fight each other in a free-for-all battle royale—that is, until the sudden appearance of an unexpected pirate drastically changes the game.

[Written by MAL Rewrite]


Description

Monkey D. Luffy and the Straw Hats arrive aboard the Sunny to the Pirates Festival, the world's largest celebration created by and for pirates. Buena Festa, the festival organizer, invites the Straw Hats and all Worst Generation crews to partake in the festivities. Luring even Shichibukai and Marines to its shores, it seems that no pirate or sailor can resist the enticing secrets that the event hides behind its glamor.

The festival's contest is simple: find one of the treasures Gol D. Roger left behind. As the competition progresses, the various pirate crews fight each other in a free-for-all battle royale—that is, until the sudden appearance of an unexpected pirate drastically changes the game.

[Written by MAL Rewrite]


Available At


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One Piece Movie 14: Stampede Trailers


One Piece Movie 14: Stampede Pictures


One Piece Movie 14: Stampede Review

One Piece Movie 14: Stampede — Monkey D. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Action, Adventure, Fantasy conventions as a Movie work and has garnered attention (MAL score: 8.18). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, One Piece Movie 14: Stampede offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Action, Adventure, Fantasy, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Brook

Brook

Main

Cho
Cho
Japanese
Brook

Brook

Main

Sinclair, Ian
Sinclair, Ian
English
Brook

Brook

Main

Zurla, Alessandro
Zurla, Alessandro
Italian
Brook

Brook

Main

Posada, José
Posada, José
Spanish
Brook

Brook

Main

Donnay, Maxime
Donnay, Maxime
French
Brook

Brook

Main

Briggs, Guilherme
Briggs, Guilherme
Portuguese (BR)
Brook

Brook

Main

Flores, Óscar
Flores, Óscar
Spanish
Brook

Brook

Main

Gutjan, Benedikt
Gutjan, Benedikt
German
Bullet, Douglas

Bullet, Douglas

Main

Isobe, Tsutomu
Isobe, Tsutomu
Japanese
Bullet, Douglas

Bullet, Douglas

Main

Mills, Daman
Mills, Daman
English
Bullet, Douglas

Bullet, Douglas

Main

Draghetti, Roberto
Draghetti, Roberto
Italian
Bullet, Douglas

Bullet, Douglas

Main

Grimmiaux, Benoît
Grimmiaux, Benoît
French
Bullet, Douglas

Bullet, Douglas

Main

Lopes, Guilherme
Lopes, Guilherme
Portuguese (BR)
Bullet, Douglas

Bullet, Douglas

Main

Segundo, Carlos
Segundo, Carlos
Spanish
Bullet, Douglas

Bullet, Douglas

Main

Taschner, Kai
Taschner, Kai
German
Bullet, Douglas

Bullet, Douglas

Main

Belda, Francesc
Belda, Francesc
Spanish
Franky

Franky

Main

Yao, Kazuki
Yao, Kazuki
Japanese
Franky

Franky

Main

Seitz, Patrick
Seitz, Patrick
English
Franky

Franky

Main

Rovatti, Riccardo
Rovatti, Riccardo
Italian
Franky

Franky

Main

Ribeiro, Eduardo
Ribeiro, Eduardo
Portuguese (BR)

Staff

Cook, Justin

Cook, Justin

Producer

Herek, Samantha

Herek, Samantha

Assistant Producer

Ootsuka, Takashi

Ootsuka, Takashi

Director, Script, Storyboard, Screenplay

Nozomu, Shishido

Nozomu, Shishido

Episode Director, Storyboard

Shinohara, Hana

Shinohara, Hana

Episode Director

Yamazaki, Kyousuke

Yamazaki, Kyousuke

Episode Director

Tomioka, Atsuhiro

Tomioka, Atsuhiro

Script, Screenplay

Mitsuka, Masato

Mitsuka, Masato

Storyboard

Nakamura, Ryouta

Nakamura, Ryouta

Storyboard

Shida, Naotoshi

Shida, Naotoshi

Storyboard

Takahashi, Yuya

Takahashi, Yuya

Storyboard, Animation Director, Key Animation

Tanaka, Yuuta

Tanaka, Yuuta

Storyboard

WANIMA

WANIMA

Theme Song Performance

Akizuki, Aya

Akizuki, Aya

Key Animation

Asakura, Maya

Asakura, Maya

Assistant Director

Castañeda, Arturo

Castañeda, Arturo

ADR Director

Denuit, Jean-Pierre

Denuit, Jean-Pierre

ADR Director

Gotou, Masahiro

Gotou, Masahiro

Editing

Habuta, Takahiro

Habuta, Takahiro

Associate Producer

Hidaka, Shun

Hidaka, Shun

Associate Producer