One Piece: Gyojin Tou-hen

  • Genres: ["Action","Adventure","Fantasy"]
  • Type: TV
  • Status: Finished Airing
  • Year: 2024

Summary: Two years after the Summit War, Monkey D. Luffy plans to reunite with the Straw Hat Pirates in the Sabaody Archipelago. However, the Marines obstruct Luffy's path with overwhelming force. Meanwhile, the Straw Hats must also foil the schemes of a group of impersonators acting in their likenesses.

With two years of intensive training with allies old and new, Luffy regroups with his friends aboard the Thousand Sunny to set sail for the New World. As the Straw Hat Crew departs for Fish-Man Island, new threats creep up from the abyss. But more determined than ever to become the King of the Pirates, Luffy is prepared to defeat any enemy that may stand between him and his dream.

[Written by MAL Rewrite]


Description

Two years after the Summit War, Monkey D. Luffy plans to reunite with the Straw Hat Pirates in the Sabaody Archipelago. However, the Marines obstruct Luffy's path with overwhelming force. Meanwhile, the Straw Hats must also foil the schemes of a group of impersonators acting in their likenesses.

With two years of intensive training with allies old and new, Luffy regroups with his friends aboard the Thousand Sunny to set sail for the New World. As the Straw Hat Crew departs for Fish-Man Island, new threats creep up from the abyss. But more determined than ever to become the King of the Pirates, Luffy is prepared to defeat any enemy that may stand between him and his dream.

[Written by MAL Rewrite]


One Piece: Gyojin Tou-hen Pictures


One Piece: Gyojin Tou-hen Review

One Piece: Gyojin Tou-hen — Two years after the Summit War, Monkey D. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Action, Adventure, Fantasy conventions as a TV work and has garnered attention (MAL score: 7.91). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, One Piece: Gyojin Tou-hen offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Action, Adventure, Fantasy, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Brook

Brook

Main

Cho
Cho
Japanese
Franky

Franky

Main

Yao, Kazuki
Yao, Kazuki
Japanese
Monkey D., Luffy

Monkey D., Luffy

Main

Tanaka, Mayumi
Tanaka, Mayumi
Japanese
Nami

Nami

Main

Okamura, Akemi
Okamura, Akemi
Japanese
Nico, Robin

Nico, Robin

Main

Yamaguchi, Yuriko
Yamaguchi, Yuriko
Japanese
Roronoa, Zoro

Roronoa, Zoro

Main

Nakai, Kazuya
Nakai, Kazuya
Japanese
Sanji

Sanji

Main

Hirata, Hiroaki
Hirata, Hiroaki
Japanese
Tony Tony, Chopper

Tony Tony, Chopper

Main

Ootani, Ikue
Ootani, Ikue
Japanese
Usopp

Usopp

Main

Yamaguchi, Kappei
Yamaguchi, Kappei
Japanese
Arlong

Arlong

Supporting

Beak Remark

Beak Remark

Supporting

Haramaki, Kouji
Haramaki, Kouji
Japanese
Birdy

Birdy

Supporting

Blakey

Blakey

Supporting

Boa, Hancock

Boa, Hancock

Supporting

Mitsuishi, Kotono
Mitsuishi, Kotono
Japanese
Boa, Sandersonia

Boa, Sandersonia

Supporting

Saitou, Chiwa
Saitou, Chiwa
Japanese
Caribou

Caribou

Supporting

Den

Den

Supporting

Dosun

Dosun

Supporting

Duval

Duval

Supporting

Seki, Toshihiko
Seki, Toshihiko
Japanese
Fisher, Tiger

Fisher, Tiger

Supporting


Staff

Akahori, Tetsushi

Akahori, Tetsushi

Producer

Hashimoto, Shintarou

Hashimoto, Shintarou

Producer

Kobayashi, Miki

Kobayashi, Miki

Producer

Furukawa, Shuu

Furukawa, Shuu

Assistant Producer

Touji, Kouki

Touji, Kouki

Assistant Producer

Wada, Riku

Wada, Riku

Assistant Producer

Nagamine, Tatsuya

Nagamine, Tatsuya

Director

Toyoda, Momoka

Toyoda, Momoka

Script, Series Composition

BE:FIRST

BE:FIRST

Theme Song Performance

Baelz, Hakos

Baelz, Hakos

Theme Song Performance

Houshou, Marine

Houshou, Marine

Theme Song Performance

Kanaeru, Kobo

Kanaeru, Kobo

Theme Song Performance

Kitadani, Hiroshi

Kitadani, Hiroshi

Theme Song Performance

Kushita, Mine

Kushita, Mine

Theme Song Arrangement

Otsuki, Maki

Otsuki, Maki

Theme Song Performance

Shirakami, Fubuki

Shirakami, Fubuki

Theme Song Performance

Takanashi, Kiara

Takanashi, Kiara

Theme Song Performance

TeddyLoid

TeddyLoid

Theme Song Arrangement

Tsunomaki, Watame

Tsunomaki, Watame

Theme Song Performance

tepe

tepe

Theme Song Arrangement