Noragami

  • Genres: ["Action","Supernatural"]
  • Type: TV
  • Status: Finished Airing
  • Year: 2014

Summary: In times of need, if you look in the right place, you just may see a strange telephone number scrawled in red. If you call this number, you will hear a young man introduce himself as the Yato God.

Yato is a minor deity and a self-proclaimed "Delivery God," who dreams of having millions of worshippers. Without a single shrine dedicated to his name, however, his goals are far from being realized. He spends his days doing odd jobs for five yen apiece, until his weapon partner becomes fed up with her useless master and deserts him.

Just as things seem to be looking grim for the god, his fortune changes when a middle school girl, Hiyori Iki, supposedly saves Yato from a car accident, taking the hit for him. Remarkably, she survives, but the event has caused her soul to become loose and hence able to leave her body. Hiyori demands that Yato return her to normal, but upon learning that he needs a new partner to do so, reluctantly agrees to help him find one. And with Hiyori's help, Yato's luck may finally be turning around.

[Written by MAL Rewrite]


Description

In times of need, if you look in the right place, you just may see a strange telephone number scrawled in red. If you call this number, you will hear a young man introduce himself as the Yato God.

Yato is a minor deity and a self-proclaimed "Delivery God," who dreams of having millions of worshippers. Without a single shrine dedicated to his name, however, his goals are far from being realized. He spends his days doing odd jobs for five yen apiece, until his weapon partner becomes fed up with her useless master and deserts him.

Just as things seem to be looking grim for the god, his fortune changes when a middle school girl, Hiyori Iki, supposedly saves Yato from a car accident, taking the hit for him. Remarkably, she survives, but the event has caused her soul to become loose and hence able to leave her body. Hiyori demands that Yato return her to normal, but upon learning that he needs a new partner to do so, reluctantly agrees to help him find one. And with Hiyori's help, Yato's luck may finally be turning around.

[Written by MAL Rewrite]


Available At


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Noragami Trailers


Noragami Pictures


Noragami Review

Noragami — In times of need, if you look in the right place, you just may see a strange telephone number scrawled in red. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Action, Supernatural conventions as a TV work and has garnered attention (MAL score: 7.94). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Noragami offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Action, Supernatural, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Iki, Hiyori

Iki, Hiyori

Main

Uchida, Maaya
Uchida, Maaya
Japanese
Iki, Hiyori

Iki, Hiyori

Main

Apprill, Bryn
Apprill, Bryn
English
Iki, Hiyori

Iki, Hiyori

Main

Fölster, Julia
Fölster, Julia
German
Iki, Hiyori

Iki, Hiyori

Main

MonrĂłs, Caridad
MonrĂłs, Caridad
Spanish
Iki, Hiyori

Iki, Hiyori

Main

Bueno, RaĂ­ssa
Bueno, RaĂ­ssa
Portuguese (BR)
Iki, Hiyori

Iki, Hiyori

Main

HernĂĄndez, Ana Karen
HernĂĄndez, Ana Karen
Spanish
Iki, Hiyori

Iki, Hiyori

Main

Mu, Hsuan-ming
Mu, Hsuan-ming
Mandarin
Yato

Yato

Main

Kamiya, Hiroshi
Kamiya, Hiroshi
Japanese
Yato

Yato

Main

Liebrecht, Jason
Liebrecht, Jason
English
Yato

Yato

Main

Schwarz-Msesilamba, Asad
Schwarz-Msesilamba, Asad
German
Yato

Yato

Main

Pera, Roger
Pera, Roger
Spanish
Yato

Yato

Main

Freire, Caio
Freire, Caio
Portuguese (BR)
Yato

Yato

Main

FernĂĄndez, IvĂĄn
FernĂĄndez, IvĂĄn
Spanish
Yukine

Yukine

Main

Kaji, Yuuki
Kaji, Yuuki
Japanese
Yukine

Yukine

Main

Solusod, Micah
Solusod, Micah
English
Yukine

Yukine

Main

Diakow, Tobias
Diakow, Tobias
German
Yukine

Yukine

Main

Felis, Rubén
Felis, Rubén
Spanish
Yukine

Yukine

Main

Cavalcanti, Renato
Cavalcanti, Renato
Portuguese (BR)
Yukine

Yukine

Main

Padilla, Erick
Padilla, Erick
Spanish
Akiha

Akiha

Supporting

Takahashi, Shinya
Takahashi, Shinya
Japanese

Staff

Amano, Naoki

Amano, Naoki

Producer

Cook, Justin

Cook, Justin

Producer

Furukawa, Shin

Furukawa, Shin

Producer

Iizumi, Tomokazu

Iizumi, Tomokazu

Producer

Kuroda, Kouta

Kuroda, Kouta

Producer

Nakagawa, Gaku

Nakagawa, Gaku

Producer

Tanaka, Youko

Tanaka, Youko

Producer

Terao, Yuri

Terao, Yuri

Producer

Tamura, Koutarou

Tamura, Koutarou

Director, Episode Director, Storyboard

Yamada, Minoru

Yamada, Minoru

Sound Director

Hirakawa, Tetsuo

Hirakawa, Tetsuo

Episode Director, Storyboard

Miyahara, Shuuji

Miyahara, Shuuji

Episode Director

Nakamura, Satomi

Nakamura, Satomi

Episode Director

Sueda, Yoshifumi

Sueda, Yoshifumi

Episode Director, Storyboard

Tobita, Tsuyoshi

Tobita, Tsuyoshi

Episode Director

Tsukada, Takurou

Tsukada, Takurou

Episode Director

Yamazaki, Mitsue

Yamazaki, Mitsue

Episode Director, Storyboard

Fukuda, Hiroko

Fukuda, Hiroko

Script

Waba, Akiko

Waba, Akiko

Script

Kobayashi, Hiroshi

Kobayashi, Hiroshi

Storyboard