Majo no Takkyuubin

  • Genres: ["Adventure","Award Winning","Comedy","Drama","Fantasy"]
  • Type: Movie
  • Status: Finished Airing
  • Year:

Summary: Kiki, a 13-year-old witch-in-training, must spend a year living on her own in a distant town in order to become a full-fledged witch. Leaving her family and friends, Kiki undertakes this tradition when she flies out into the open world atop her broomstick with her black cat Jiji.

As she settles down in the coastal town of Koriko, Kiki struggles to adapt and ends up wandering the streets with no place to stay—until she encounters Osono, who offers Kiki boarding in exchange for making deliveries for her small bakery. Before long, Kiki decides to open her own courier service by broomstick, beginning her journey to independence. In attempting to find her place among the townsfolk, Kiki brings with her exciting new experiences and comes to understand the true meaning of responsibility.

[Written by MAL Rewrite]


Description

Kiki, a 13-year-old witch-in-training, must spend a year living on her own in a distant town in order to become a full-fledged witch. Leaving her family and friends, Kiki undertakes this tradition when she flies out into the open world atop her broomstick with her black cat Jiji.

As she settles down in the coastal town of Koriko, Kiki struggles to adapt and ends up wandering the streets with no place to stay—until she encounters Osono, who offers Kiki boarding in exchange for making deliveries for her small bakery. Before long, Kiki decides to open her own courier service by broomstick, beginning her journey to independence. In attempting to find her place among the townsfolk, Kiki brings with her exciting new experiences and comes to understand the true meaning of responsibility.

[Written by MAL Rewrite]


Available At


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Majo no Takkyuubin Trailers


Majo no Takkyuubin Pictures


Majo no Takkyuubin Review

Majo no Takkyuubin — Kiki, a 13-year-old witch-in-training, must spend a year living on her own in a distant town in order to become a full-fledged witch. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Adventure, Award Winning, Comedy, Drama, Fantasy conventions as a Movie work and has garnered attention (MAL score: 8.23). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Majo no Takkyuubin offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Adventure, Award Winning, Comedy, Drama, Fantasy, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Kiki

Kiki

Main

Takayama, Minami
Takayama, Minami
Japanese
Kiki

Kiki

Main

D'Amico, Domitilla
D'Amico, Domitilla
Italian
Kiki

Kiki

Main

Dunst, Kirsten
Dunst, Kirsten
English
Kiki

Kiki

Main

HernĂĄndez, Cristina
HernĂĄndez, Cristina
Spanish
Kiki

Kiki

Main

Chetail, Adeline
Chetail, Adeline
French
Kiki

Kiki

Main

MolnĂĄr, Ilona
MolnĂĄr, Ilona
Hungarian
Kiki

Kiki

Main

Michelson, Lisa
Michelson, Lisa
English
Kiki

Kiki

Main

Yuste, Cristina
Yuste, Cristina
Spanish
Kiki

Kiki

Main

Soyeon
Soyeon
Korean
Kiki

Kiki

Main

Saddy, FlĂĄvia
Saddy, FlĂĄvia
Portuguese (BR)
Kiki

Kiki

Main

Padoan, Eva
Padoan, Eva
Italian
Kiki

Kiki

Main

Borcherding, Melina
Borcherding, Melina
German
Kiki

Kiki

Main

de Brito, Giulia
de Brito, Giulia
Portuguese (BR)
Kiki

Kiki

Main

Vidal, SicĂ­lia
Vidal, SicĂ­lia
Portuguese (BR)
Kiki

Kiki

Main

Jara, Betzabé
Jara, Betzabé
Spanish
Kiki

Kiki

Main

GonzĂĄlez, Nycolle
GonzĂĄlez, Nycolle
Spanish
Kiki

Kiki

Main

Rodríguez, Belén
Rodríguez, Belén
Spanish
Baby

Baby

Supporting

Sakamoto, Chika
Sakamoto, Chika
Japanese
Bertha

Bertha

Supporting

VĂĄrnagy, Katalin
VĂĄrnagy, Katalin
Hungarian
Bertha

Bertha

Supporting

Seki, Hiroko
Seki, Hiroko
Japanese

Staff

Miyazaki, Hayao

Miyazaki, Hayao

Producer, Director, Script

Tanaka, Eiko

Tanaka, Eiko

Producer

Takahata, Isao

Takahata, Isao

Sound Director

Isshiki, Nobuyuki

Isshiki, Nobuyuki

Script

Otoubo, MĂĄrcia

Otoubo, MĂĄrcia

Script

Matsutoya, Yumi

Matsutoya, Yumi

Theme Song Performance

Carralero, Juan Alfonso

Carralero, Juan Alfonso

ADR Director

Chiba, Midori

Chiba, Midori

Background Art

Ebisawa, Kazuo

Ebisawa, Kazuo

Background Art

Endou, Masaaki

Endou, Masaaki

Key Animation

Fletcher, Jack

Fletcher, Jack

ADR Director

Fukushima, Atsuko

Fukushima, Atsuko

Key Animation

Futaki, Makiko

Futaki, Makiko

Key Animation

GarcĂ­a, Gerardo

GarcĂ­a, Gerardo

ADR Director

Hamamori, Toshihiro

Hamamori, Toshihiro

In-Between Animation

Hisaishi, Joe

Hisaishi, Joe

Music

Hosoi, Nobuhiro

Hosoi, Nobuhiro

In-Between Animation

Ikehata, Yuuji

Ikehata, Yuuji

Background Art

Inoue, Toshiyuki

Inoue, Toshiyuki

Key Animation

Itou, Kouji

Itou, Kouji

In-Between Animation