Made in Abyss Movie 1: Tabidachi no Yoake

  • Genres: ["Adventure","Drama","Fantasy","Mystery","Sci-Fi"]
  • Type: Movie
  • Status: Finished Airing
  • Year:

Summary: The movie is a compilation of episodes 1-8 of the 2017 television series with new scenes added for the introduction. It covers the period from when Riko descends into the Abyss with her robot companion Reg, reaching the second layer where they meet the White Whistle Ozen who reveals information about Riko's mother.

(Source: Wikipedia)


Description

The movie is a compilation of episodes 1-8 of the 2017 television series with new scenes added for the introduction. It covers the period from when Riko descends into the Abyss with her robot companion Reg, reaching the second layer where they meet the White Whistle Ozen who reveals information about Riko's mother.

(Source: Wikipedia)


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Made in Abyss Movie 1: Tabidachi no Yoake Review

Made in Abyss Movie 1: Tabidachi no Yoake — The movie is a compilation of episodes 1-8 of the 2017 television series with new scenes added for the introduction. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Adventure, Drama, Fantasy, Mystery, Sci-Fi conventions as a Movie work and has garnered attention (MAL score: 8.18). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Made in Abyss Movie 1: Tabidachi no Yoake offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Adventure, Drama, Fantasy, Mystery, Sci-Fi, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Reg

Reg

Main

Ise, Mariya
Ise, Mariya
Japanese
Reg

Reg

Main

Reggio, Sebastián
Reggio, Sebastián
Spanish
Reg

Reg

Main

Christian, Luci
Christian, Luci
English
Riko

Riko

Main

Tomita, Miyu
Tomita, Miyu
Japanese
Riko

Riko

Main

Lauda, Brittany
Lauda, Brittany
English
Jiruo

Jiruo

Supporting

Murata, Taishi
Murata, Taishi
Japanese
Jiruo

Jiruo

Supporting

Regojo, Daniel
Regojo, Daniel
English
Lyza

Lyza

Supporting

Sakamoto, Maaya
Sakamoto, Maaya
Japanese
Lyza

Lyza

Supporting

Calene-Black, Shelley
Calene-Black, Shelley
English
Lyza

Lyza

Supporting

Villaverde, Andrea
Villaverde, Andrea
Spanish
Marulk

Marulk

Supporting

Toyosaki, Aki
Toyosaki, Aki
Japanese
Marulk

Marulk

Supporting

Peters, Kelley
Peters, Kelley
English
Marulk

Marulk

Supporting

Villaverde, Andrea
Villaverde, Andrea
Spanish
Ouzen

Ouzen

Supporting

Ohara, Sayaka
Ohara, Sayaka
Japanese
Ouzen

Ouzen

Supporting

Auten, Christine
Auten, Christine
English

Staff

Kojima, Masayuki

Kojima, Masayuki

Director

Yamada, Haru

Yamada, Haru

Sound Director

Arai, Kazuto

Arai, Kazuto

Key Animation

Ema, Tsunetaka

Ema, Tsunetaka

Director of Photography

Haga, Hitoshi

Haga, Hitoshi

Assistant Director

Kise, Kazuchika

Kise, Kazuchika

Character Design

Penkin, Kevin

Penkin, Kevin

Music

Tsukushi, Akihito

Tsukushi, Akihito

Original Creator

Yamashita, Miyao

Yamashita, Miyao

Color Design