Lupin III: Part 5

  • Genres: ["Action","Adventure","Comedy","Mystery"]
  • Type: TV
  • Status: Finished Airing
  • Year: 2018

Summary: Genius thief Arsene Lupin III—along with the usual crew of Goemon Ishikawa XIII, Fujiko Mine, and Daisuke Jigen—finds himself in modern-day France, where he encounters both new and old adversaries, with Inspector Kouichi Zenigata still hot on his trail. As they steal from darker, more sinister entities, they will also have to find a way to deal with the newest technology in their escapades, as well as face the ghosts of their pasts. However, this time, Lupin's choices begin to catch up with him as his pursuers use every tool at their disposal to take him down once and for all.

[Written by MAL Rewrite]


Description

Genius thief Arsene Lupin III—along with the usual crew of Goemon Ishikawa XIII, Fujiko Mine, and Daisuke Jigen—finds himself in modern-day France, where he encounters both new and old adversaries, with Inspector Kouichi Zenigata still hot on his trail. As they steal from darker, more sinister entities, they will also have to find a way to deal with the newest technology in their escapades, as well as face the ghosts of their pasts. However, this time, Lupin's choices begin to catch up with him as his pursuers use every tool at their disposal to take him down once and for all.

[Written by MAL Rewrite]


Lupin III: Part 5 Trailers


Lupin III: Part 5 Pictures


Lupin III: Part 5 Review

Lupin III: Part 5 — Genius thief Arsene Lupin III—along with the usual crew of Goemon Ishikawa XIII, Fujiko Mine, and Daisuke Jigen—finds himself in modern-day France, where he encounters both new and old adversaries, with Inspector Kouichi Zenigata still hot on his trail. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Action, Adventure, Comedy, Mystery conventions as a TV work and has garnered attention (MAL score: 8.12). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Lupin III: Part 5 offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Action, Adventure, Comedy, Mystery, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Ishikawa XIII, Goemon

Ishikawa XIII, Goemon

Main

Namikawa, Daisuke
Namikawa, Daisuke
Japanese
Ishikawa XIII, Goemon

Ishikawa XIII, Goemon

Main

Rossion, Jean-François
Rossion, Jean-François
French
Ishikawa XIII, Goemon

Ishikawa XIII, Goemon

Main

Palumbo, Antonio
Palumbo, Antonio
Italian
Ishikawa XIII, Goemon

Ishikawa XIII, Goemon

Main

Lang, Lex
Lang, Lex
English
Ishikawa XIII, Goemon

Ishikawa XIII, Goemon

Main

Laffey, Luiz
Laffey, Luiz
Portuguese (BR)
Jigen, Daisuke

Jigen, Daisuke

Main

Kobayashi, Kiyoshi
Kobayashi, Kiyoshi
Japanese
Jigen, Daisuke

Jigen, Daisuke

Main

Hinderyckx, Michel
Hinderyckx, Michel
French
Jigen, Daisuke

Jigen, Daisuke

Main

Epcar, Richard
Epcar, Richard
English
Jigen, Daisuke

Jigen, Daisuke

Main

D'Errico, Alessandro
D'Errico, Alessandro
Italian
Jigen, Daisuke

Jigen, Daisuke

Main

Marchetti, César
Marchetti, César
Portuguese (BR)
Lupin III

Lupin III

Main

Kurita, Kanichi
Kurita, Kanichi
Japanese
Lupin III

Lupin III

Main

Donnay, Maxime
Donnay, Maxime
French
Lupin III

Lupin III

Main

Oliver, Tony
Oliver, Tony
English
Lupin III

Lupin III

Main

Onofri, Stefano
Onofri, Stefano
Italian
Lupin III

Lupin III

Main

Chesman, Yuri
Chesman, Yuri
Portuguese (BR)
Mine, Fujiko

Mine, Fujiko

Main

Sawashiro, Miyuki
Sawashiro, Miyuki
Japanese
Mine, Fujiko

Mine, Fujiko

Main

Ruff, Michelle
Ruff, Michelle
English
Mine, Fujiko

Mine, Fujiko

Main

Devos, Audrey
Devos, Audrey
French
Mine, Fujiko

Mine, Fujiko

Main

Korompay, Alessandra
Korompay, Alessandra
Italian
Mine, Fujiko

Mine, Fujiko

Main

Reis, Denise
Reis, Denise
Portuguese (BR)

Staff

Horikawa, Yuuko

Horikawa, Yuuko

Producer

Yano, Yuuichirou

Yano, Yuuichirou

Director, Episode Director, Storyboard, Key Animation

Ezoe, Hitomi

Ezoe, Hitomi

Episode Director

Oyamada, Keiko

Oyamada, Keiko

Episode Director

Tomisawa, Nobuo

Tomisawa, Nobuo

Episode Director, Storyboard, Key Animation

Tsuchiya, Yasuo

Tsuchiya, Yasuo

Episode Director

Tsuji, Hatsuki

Tsuji, Hatsuki

Episode Director, Storyboard

Utsunomiya, Masaki

Utsunomiya, Masaki

Episode Director

Yamada, Taku

Yamada, Taku

Episode Director

Yokobori, Hisao

Yokobori, Hisao

Episode Director, Storyboard, Character Design, Key Animation

Ayana, Yuniko

Ayana, Yuniko

Script

Nishida, Shatner

Nishida, Shatner

Script

Nojima, Kazushige

Nojima, Kazushige

Script

Ookouchi, Ichirou

Ookouchi, Ichirou

Script, Series Composition

Ookura, Takahiro

Ookura, Takahiro

Script

Sakou, Daisuke

Sakou, Daisuke

Script, Storyboard, Assistant Director, Animation Director, Chief Animation Director

Sigsawa, Keiichi

Sigsawa, Keiichi

Script

Zappa, Gou

Zappa, Gou

Script

Sano, Takashi

Sano, Takashi

Storyboard

Tomonaga, Kazuhide

Tomonaga, Kazuhide

Storyboard, Key Animation