Lupin III (2015)
Summary: Lupin is the main character in this series which takes place in Italy and San Marino.
Reflecting its setting, the anime debuted in Italy before it aired in Japan. Lupin III fans will note that the titular thief now dons a blue coat, following his earlier appearances in green (first series and some OVAs), red (the second series as well as most films and television specials) and pink (third series).
(Source: Crunchyroll)
Description
Lupin is the main character in this series which takes place in Italy and San Marino.
Reflecting its setting, the anime debuted in Italy before it aired in Japan. Lupin III fans will note that the titular thief now dons a blue coat, following his earlier appearances in green (first series and some OVAs), red (the second series as well as most films and television specials) and pink (third series).
(Source: Crunchyroll)
Available At
Warning: Array to string conversion in /home/hianime.me.uk/public_html/anime.php on line 243
Array
Lupin III (2015) Trailers
Lupin III (2015) Pictures
Lupin III (2015) Review
Lupin III (2015) — Lupin is the main character in this series which takes place in Italy and San Marino. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.
Thematically, It sits firmly within Action, Adventure, Comedy, Mystery conventions as a TV work and has garnered attention (MAL score: 7.89). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.
Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.
On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.
The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.
Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.
No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.
In sum, Lupin III (2015) offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Action, Adventure, Comedy, Mystery, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.
Characters & Voice Actors
Ishikawa XIII, Goemon
Main
Namikawa, Daisuke
Japanese
Ishikawa XIII, Goemon
Main
Lang, Lex
English
Ishikawa XIII, Goemon
Main
Palumbo, Antonio
Italian
Ishikawa XIII, Goemon
Main
Rossion, Jean-François
French
Jigen, Daisuke
Main
Kobayashi, Kiyoshi
Japanese
Jigen, Daisuke
Main
D'Errico, Alessandro
Italian
Jigen, Daisuke
Main
Epcar, Richard
English
Jigen, Daisuke
Main
Hinderyckx, Michel
French
Lupin III
Main
Kurita, Kanichi
Japanese
Lupin III
Main
Onofri, Stefano
Italian
Lupin III
Main
Oliver, Tony
English
Lupin III
Main
Donnay, Maxime
French
Mine, Fujiko
Main
Sawashiro, Miyuki
Japanese
Mine, Fujiko
Main
Korompay, Alessandra
Italian
Mine, Fujiko
Main
Ruff, Michelle
English
Mine, Fujiko
Main
Muzzi, Valérie
French
Zenigata, Kouichi
Main
Yamadera, Kouichi
Japanese
Zenigata, Kouichi
Main
Erholtz, Doug
English
Zenigata, Kouichi
Main
Bianchi, Rodolfo
Italian
Zenigata, Kouichi
Main
Dubois, Robert
French
Staff
Tomonaga, Kazuhide
Director, Episode Director, Storyboard, Character Design, Key Animation
Yano, Yuuichirou
Director, Episode Director, Storyboard
Shimizu, Youji
Sound Director
Kobayashi, Osamu
Episode Director, Storyboard, Key Animation, Mechanical Design, Background Art
Maejima, Kenichi
Episode Director
Matano, Hiromichi
Episode Director
Mikamoto, Yasumi
Episode Director
Nagaoka, Yoshitaka
Episode Director
Oyamada, Keiko
Episode Director
Senbo, Ryousuke
Episode Director
Takabayashi, Hisaya
Episode Director
Takahashi, Tomoya
Episode Director
Tomisawa, Nobuo
Episode Director, Storyboard, Key Animation
Utsunomiya, Masaki
Episode Director
Inamoto, Tatsurou
Script
Suzuki, Tomohiro
Script
Takahashi, Yuuya
Script, Series Composition
Yoshida, Erika
Script
Egami, Kiyoshi
Storyboard
Kaburagi, Hiro
Storyboard