Kuragehime

  • Genres: ["Comedy"]
  • Type: TV
  • Status: Finished Airing
  • Year: 2010

Summary: Ever since her late mother took her to an aquarium when she was young, Tsukimi Kurashita has been obsessed with jellyfish, comparing their flowing tentacles to a princess's white dress. Now living with five other unemployed otaku women, 19-year-old Tsukimi spends her days as a social outcast dreaming of becoming an illustrator.

However, her life changes forever when one day, a beautiful woman unexpectedly helps her save a jellyfish in a local pet store. From then on, the stranger—confident, fashionable, and the complete opposite of Tsukimi and her roommates—begins to regularly visit the girls' building. This trendy hipster, though appearing shallow at first, harbors some secrets of her own, starting with the fact that "she" isn't really a girl at all, but a wealthy male college student named Kuranosuke Koibuchi!

[Written by MAL Rewrite]


Description

Ever since her late mother took her to an aquarium when she was young, Tsukimi Kurashita has been obsessed with jellyfish, comparing their flowing tentacles to a princess's white dress. Now living with five other unemployed otaku women, 19-year-old Tsukimi spends her days as a social outcast dreaming of becoming an illustrator.

However, her life changes forever when one day, a beautiful woman unexpectedly helps her save a jellyfish in a local pet store. From then on, the stranger—confident, fashionable, and the complete opposite of Tsukimi and her roommates—begins to regularly visit the girls' building. This trendy hipster, though appearing shallow at first, harbors some secrets of her own, starting with the fact that "she" isn't really a girl at all, but a wealthy male college student named Kuranosuke Koibuchi!

[Written by MAL Rewrite]


Available At


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Kuragehime Trailers


Kuragehime Pictures


Kuragehime Review

Kuragehime — Ever since her late mother took her to an aquarium when she was young, Tsukimi Kurashita has been obsessed with jellyfish, comparing their flowing tentacles to a princess's white dress. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Comedy conventions as a TV work and has garnered attention (MAL score: 8.11). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Kuragehime offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Comedy, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Koibuchi, Kuranosuke

Koibuchi, Kuranosuke

Main

Saiga, Mitsuki
Saiga, Mitsuki
Japanese
Koibuchi, Kuranosuke

Koibuchi, Kuranosuke

Main

Grelle, Jessie James
Grelle, Jessie James
English
Koibuchi, Kuranosuke

Koibuchi, Kuranosuke

Main

Tipton, Alexis
Tipton, Alexis
English
Koibuchi, Kuranosuke

Koibuchi, Kuranosuke

Main

Lee, Ju Chang
Lee, Ju Chang
Korean
Koibuchi, Kuranosuke

Koibuchi, Kuranosuke

Main

OlguĂ­n, Javier
OlguĂ­n, Javier
Spanish
Kurashita, Tsukimi

Kurashita, Tsukimi

Main

Hanazawa, Kana
Hanazawa, Kana
Japanese
Kurashita, Tsukimi

Kurashita, Tsukimi

Main

Whitehead, Maxey
Whitehead, Maxey
English
Kurashita, Tsukimi

Kurashita, Tsukimi

Main

Jeong, Mi Sook
Jeong, Mi Sook
Korean
Kurashita, Tsukimi

Kurashita, Tsukimi

Main

Souza, Valentina
Souza, Valentina
Spanish
Kurashita, Tsukimi

Kurashita, Tsukimi

Main

Erives, Valeria
Erives, Valeria
Spanish
Banba

Banba

Supporting

Kumai, Motoko
Kumai, Motoko
Japanese
Banba

Banba

Supporting

Ortiz, Mariela
Ortiz, Mariela
English
Banba

Banba

Supporting

GonzĂĄlez, Nycolle
GonzĂĄlez, Nycolle
Spanish
Chieko

Chieko

Supporting

Saitou, Kimiko
Saitou, Kimiko
Japanese
Chieko

Chieko

Supporting

Cranz, Cynthia
Cranz, Cynthia
English
Chieko

Chieko

Supporting

Choi, Mun Ja
Choi, Mun Ja
Korean
Chieko

Chieko

Supporting

Ramos, Abril
Ramos, Abril
Spanish
Chiyoko

Chiyoko

Supporting

Cranz, Cynthia
Cranz, Cynthia
English
Chiyoko

Chiyoko

Supporting

Katakai, Kaoru
Katakai, Kaoru
Japanese
Chiyoko

Chiyoko

Supporting

Giner, Magda
Giner, Magda
Spanish

Staff

Cook, Justin

Cook, Justin

Producer

Morijiri, Kazuaki

Morijiri, Kazuaki

Producer

Satou, Yumi

Satou, Yumi

Producer

Takeeda, Yoshinori

Takeeda, Yoshinori

Producer

Oomori, Takahiro

Oomori, Takahiro

Director, Sound Director, Episode Director, Storyboard

Koyata, Masahisa

Koyata, Masahisa

Episode Director, Storyboard

Terahigashi, Katsumi

Terahigashi, Katsumi

Episode Director, Storyboard

Umemoto, Yui

Umemoto, Yui

Episode Director, Storyboard

Enatsu, Yuki

Enatsu, Yuki

Script

Hanada, Jukki

Hanada, Jukki

Script, Series Composition

Huber, Chuck

Huber, Chuck

Script

Machida, Touko

Machida, Touko

Script

Oohata, Kiyotaka

Oohata, Kiyotaka

Storyboard

Wakabayashi, Atsushi

Wakabayashi, Atsushi

Storyboard

Chatmonchy

Chatmonchy

Theme Song Performance

Hashimoto, Eriko

Hashimoto, Eriko

Theme Song Composition, Theme Song Lyrics

Sambomaster

Sambomaster

Theme Song Performance

Abe, Junko

Abe, Junko

Animation Director

Abe, Rumi

Abe, Rumi

2nd Key Animation

Aono, Atsushi

Aono, Atsushi

Animation Director