Kono Oto Tomare! Part 2

  • Genres: ["Drama"]
  • Type: TV
  • Status: Finished Airing
  • Year: 2019

Summary: The Tokise High School Koto Club has courageously pushed through their fractured and unsynchronized performance at the Kanto Region Traditional Japanese Music Festival. Club members Chika Kudou, Satowa Houzuki, Takezou Kurata, Hiro Kurusu, Kouta Mizuhara, Saneyasu Adachi, and Michitaka Sakai are devastated to learn the negative results of their performance, leaving them crushed. Nonetheless, the group recognizes their potential and enthusiastically agree to collectively sharpen their skills, improve their flaws, and develop higher caliber playing to succeed in the upcoming national qualifiers in winter.

With the help of their now willing club advisor Suzuka Takinami, the group's goal gradually becomes achievable as they begin to grasp the foundations of good music and refine their koto-playing abilities, with the suggestion of performing more often to gain what they lack most—experience.

However, as their journey to nationals is underway, the koto club members face challenges that obstruct their focus and progress. Not only does the threat of other powerhouse schools and musicians remain, but the high school issues of budding romance and soon-to-be-graduating seniors also begin to push the limits of the determined group of teenagers and the future of the koto club.

[Written by MAL Rewrite]


Description

The Tokise High School Koto Club has courageously pushed through their fractured and unsynchronized performance at the Kanto Region Traditional Japanese Music Festival. Club members Chika Kudou, Satowa Houzuki, Takezou Kurata, Hiro Kurusu, Kouta Mizuhara, Saneyasu Adachi, and Michitaka Sakai are devastated to learn the negative results of their performance, leaving them crushed. Nonetheless, the group recognizes their potential and enthusiastically agree to collectively sharpen their skills, improve their flaws, and develop higher caliber playing to succeed in the upcoming national qualifiers in winter.

With the help of their now willing club advisor Suzuka Takinami, the group's goal gradually becomes achievable as they begin to grasp the foundations of good music and refine their koto-playing abilities, with the suggestion of performing more often to gain what they lack most—experience.

However, as their journey to nationals is underway, the koto club members face challenges that obstruct their focus and progress. Not only does the threat of other powerhouse schools and musicians remain, but the high school issues of budding romance and soon-to-be-graduating seniors also begin to push the limits of the determined group of teenagers and the future of the koto club.

[Written by MAL Rewrite]


Available At


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Kono Oto Tomare! Part 2 Trailers


Kono Oto Tomare! Part 2 Pictures


Kono Oto Tomare! Part 2 Review

Kono Oto Tomare! Part 2 — The Tokise High School Koto Club has courageously pushed through their fractured and unsynchronized performance at the Kanto Region Traditional Japanese Music Festival. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Drama conventions as a TV work and has garnered attention (MAL score: 8.42). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Kono Oto Tomare! Part 2 offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Drama, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Adachi, Saneyasu

Adachi, Saneyasu

Main

Ishiya, Haruki
Ishiya, Haruki
Japanese
Adachi, Saneyasu

Adachi, Saneyasu

Main

Tindle, Austin
Tindle, Austin
English
Adachi, Saneyasu

Adachi, Saneyasu

Main

Coldibelli, Vitor
Coldibelli, Vitor
Portuguese (BR)
Houzuki, Satowa

Houzuki, Satowa

Main

Tanezaki, Atsumi
Tanezaki, Atsumi
Japanese
Houzuki, Satowa

Houzuki, Satowa

Main

Connors, Amber Lee
Connors, Amber Lee
English
Houzuki, Satowa

Houzuki, Satowa

Main

Cårdia, Jéssica
Cårdia, Jéssica
Portuguese (BR)
Houzuki, Satowa

Houzuki, Satowa

Main

Lujambio, Nadia
Lujambio, Nadia
Spanish
Kudou, Chika

Kudou, Chika

Main

Uchida, Yuuma
Uchida, Yuuma
Japanese
Kudou, Chika

Kudou, Chika

Main

Mills, Daman
Mills, Daman
English
Kudou, Chika

Kudou, Chika

Main

Vestri, Alexander
Vestri, Alexander
Portuguese (BR)
Kudou, Chika

Kudou, Chika

Main

Kuri, VĂ­ctor
Kuri, VĂ­ctor
Spanish
Kurata, Takezou

Kurata, Takezou

Main

Enoki, Junya
Enoki, Junya
Japanese
Kurata, Takezou

Kurata, Takezou

Main

Saab, Alejandro
Saab, Alejandro
English
Kurata, Takezou

Kurata, Takezou

Main

Alonso, Renan
Alonso, Renan
Portuguese (BR)
Kurata, Takezou

Kurata, Takezou

Main

Rivas Villareal, Fernando
Rivas Villareal, Fernando
Spanish
Kurusu, Hiro

Kurusu, Hiro

Main

Matsumoto, Sara
Matsumoto, Sara
Japanese
Kurusu, Hiro

Kurusu, Hiro

Main

Tipton, Alexis
Tipton, Alexis
English
Kurusu, Hiro

Kurusu, Hiro

Main

Munuera, Viviane
Munuera, Viviane
Portuguese (BR)
Kurusu, Hiro

Kurusu, Hiro

Main

Tavera, Valeria
Tavera, Valeria
Spanish
Mizuhara, Kouta

Mizuhara, Kouta

Main

Iguchi, Yuuichi
Iguchi, Yuuichi
Japanese

Staff

Cook, Justin

Cook, Justin

Producer

Herek, Samantha

Herek, Samantha

Assistant Producer

Mizuno, Ryouma

Mizuno, Ryouma

Director, Episode Director, Storyboard

Takakuwa, Hajime

Takakuwa, Hajime

Sound Director

Katou, Akira

Katou, Akira

Episode Director

Kobayashi, Takashi

Kobayashi, Takashi

Episode Director

Okuno, Hiroyuki

Okuno, Hiroyuki

Episode Director, Animation Director

Ooba, Hideaki

Ooba, Hideaki

Episode Director, Storyboard

Hisao, Ayumu

Hisao, Ayumu

Script, Series Composition

Sakamoto, Tatsunori

Sakamoto, Tatsunori

Storyboard

Yoshikawa, Hiroaki

Yoshikawa, Hiroaki

Storyboard

Aoi, Shouta

Aoi, Shouta

Theme Song Performance

Hibino, Hirofumi

Hibino, Hirofumi

Theme Song Arrangement

Nagai, Masamichi

Nagai, Masamichi

Theme Song Composition, Theme Song Arrangement, Theme Song Lyrics

Sonoda, Kentarou

Sonoda, Kentarou

Theme Song Composition, Theme Song Lyrics

Uchida, Yuuma

Uchida, Yuuma

Theme Song Performance

Ballard, Tia

Ballard, Tia

ADR Director

Haneoka, Kei

Haneoka, Kei

Music

Itou, Mina

Itou, Mina

Animation Director

Kajiura, Shinichirou

Kajiura, Shinichirou

Animation Director