Kizumonogatari III: Reiketsu-hen

  • Genres: ["Action","Mystery","Supernatural"]
  • Type: Movie
  • Status: Finished Airing
  • Year:

Summary: After helping revive the legendary vampire Kiss-shot Acerola-orion Heart-under-blade, Koyomi Araragi has become a vampire himself and her servant. Kiss-shot is certain she can turn him back into a human, but only once regaining her full power.

Araragi has hunted down the three vampire hunters that defeated Kiss-shot and retrieved her limbs to return her to full strength. However, now that Araragi has almost accomplished what he’s been fighting for this whole time, he has to consider if this is what he really wants. Once he revives this powerful immortal vampire, there is no telling what she might do, and there would be no way of stopping her.

But there is more to the story that Araragi doesn’t understand. If a newborn vampire like him could defeat the hunters, how did they overpower Kiss-shot? Can he trust her to turn him back to a human? And how is that even possible in the first place?

Araragi is at his limit but he must come to a decision, and it may not be possible to resolve this situation without doing something he’ll regret…

[Written by MAL Rewrite]


Description

After helping revive the legendary vampire Kiss-shot Acerola-orion Heart-under-blade, Koyomi Araragi has become a vampire himself and her servant. Kiss-shot is certain she can turn him back into a human, but only once regaining her full power.

Araragi has hunted down the three vampire hunters that defeated Kiss-shot and retrieved her limbs to return her to full strength. However, now that Araragi has almost accomplished what he’s been fighting for this whole time, he has to consider if this is what he really wants. Once he revives this powerful immortal vampire, there is no telling what she might do, and there would be no way of stopping her.

But there is more to the story that Araragi doesn’t understand. If a newborn vampire like him could defeat the hunters, how did they overpower Kiss-shot? Can he trust her to turn him back to a human? And how is that even possible in the first place?

Araragi is at his limit but he must come to a decision, and it may not be possible to resolve this situation without doing something he’ll regret…

[Written by MAL Rewrite]


Kizumonogatari III: Reiketsu-hen Trailers


Kizumonogatari III: Reiketsu-hen Pictures


Kizumonogatari III: Reiketsu-hen Review

Kizumonogatari III: Reiketsu-hen — After helping revive the legendary vampire Kiss-shot Acerola-orion Heart-under-blade, Koyomi Araragi has become a vampire himself and her servant. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Action, Mystery, Supernatural conventions as a Movie work and has garnered attention (MAL score: 8.78). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Kizumonogatari III: Reiketsu-hen offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Action, Mystery, Supernatural, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Araragi, Koyomi

Araragi, Koyomi

Main

Kamiya, Hiroshi
Kamiya, Hiroshi
Japanese
Araragi, Koyomi

Araragi, Koyomi

Main

Turba, David
Turba, David
German
Hanekawa, Tsubasa

Hanekawa, Tsubasa

Main

Horie, Yui
Horie, Yui
Japanese
Hanekawa, Tsubasa

Hanekawa, Tsubasa

Main

Tietz, Kristina
Tietz, Kristina
German
Oshino, Shinobu

Oshino, Shinobu

Main

Sakamoto, Maaya
Sakamoto, Maaya
Japanese
Oshino, Shinobu

Oshino, Shinobu

Main

Morgenstern, Friedel
Morgenstern, Friedel
German
Guillotinecutter

Guillotinecutter

Supporting

Oshino, Meme

Oshino, Meme

Supporting

Sakurai, Takahiro
Sakurai, Takahiro
Japanese
Oshino, Meme

Oshino, Meme

Supporting

Flechtner, Peter
Flechtner, Peter
German
Shishirui, Seishirou

Shishirui, Seishirou

Supporting


Staff

Iwakami, Atsuhiro

Iwakami, Atsuhiro

Producer

Kubota, Mitsutoshi

Kubota, Mitsutoshi

Producer

Matsushita, Takuya

Matsushita, Takuya

Producer

Ishikawa, Tatsuya

Ishikawa, Tatsuya

Assistant Producer

Oishi, Tatsuya

Oishi, Tatsuya

Director, Storyboard

Shinbou, Akiyuki

Shinbou, Akiyuki

Director, Series Composition

Tsuruoka, Youta

Tsuruoka, Youta

Sound Director

Miyamoto, Yukihiro

Miyamoto, Yukihiro

Episode Director

Suzuki, Toshimasa

Suzuki, Toshimasa

Episode Director

Abe, Nozomu

Abe, Nozomu

Key Animation

Abe, Genichirou

Abe, Genichirou

Key Animation

Aizu, Takayuki

Aizu, Takayuki

Director of Photography

Arakaki, Issei

Arakaki, Issei

Key Animation

Baba, Kazuki

Baba, Kazuki

2nd Key Animation

Dan, Yiyang

Dan, Yiyang

In-Between Animation

Fujinaka, Yuri

Fujinaka, Yuri

In-Between Animation

Geshi, Yuuya

Geshi, Yuuya

Key Animation

Haga, Eriko

Haga, Eriko

2nd Key Animation

Hayashi, Isao

Hayashi, Isao

Key Animation

Hwang, Mi-ye

Hwang, Mi-ye

In-Between Animation