Kizumonogatari I: Tekketsu-hen

  • Genres: ["Action","Mystery","Supernatural"]
  • Type: Movie
  • Status: Finished Airing
  • Year:

Summary: During Koyomi Araragi's second year at Naoetsu Private High School, he has a chance encounter with Tsubasa Hanekawa, the top honor student in his class. When they strike up a conversation, Hanekawa mentions a shocking rumor: a vampire with beautiful blonde hair and freezing cold eyes has been seen lurking around town.

Happy to have made a new friend, Araragi writes off the rumor and goes about the rest of his evening in a carefree manner. However, on his way home, he stumbles across splatters of blood leading down the stairs to the subway. His curiosity pushes him to investigate further, so he follows the gruesome pools into the depths of the station.

When he arrives at the source of the blood, he is terrified by what he seesβ€”the rumored blonde vampire herself, completely dismembered. After she calls for his help, Araragi must make a decision, one which carries the potential to change his life forever.

[Written by MAL Rewrite]


Description

During Koyomi Araragi's second year at Naoetsu Private High School, he has a chance encounter with Tsubasa Hanekawa, the top honor student in his class. When they strike up a conversation, Hanekawa mentions a shocking rumor: a vampire with beautiful blonde hair and freezing cold eyes has been seen lurking around town.

Happy to have made a new friend, Araragi writes off the rumor and goes about the rest of his evening in a carefree manner. However, on his way home, he stumbles across splatters of blood leading down the stairs to the subway. His curiosity pushes him to investigate further, so he follows the gruesome pools into the depths of the station.

When he arrives at the source of the blood, he is terrified by what he seesβ€”the rumored blonde vampire herself, completely dismembered. After she calls for his help, Araragi must make a decision, one which carries the potential to change his life forever.

[Written by MAL Rewrite]


Kizumonogatari I: Tekketsu-hen Trailers


Kizumonogatari I: Tekketsu-hen Pictures


Kizumonogatari I: Tekketsu-hen Review

Kizumonogatari I: Tekketsu-hen β€” During Koyomi Araragi's second year at Naoetsu Private High School, he has a chance encounter with Tsubasa Hanekawa, the top honor student in his class. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Action, Mystery, Supernatural conventions as a Movie work and has garnered attention (MAL score: 8.36). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood β€” whether melancholic, exuberant, or contemplative β€” is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone β€” quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape β€” score, incidental music, and sound design β€” complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good β€” one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Kizumonogatari I: Tekketsu-hen offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Action, Mystery, Supernatural, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Araragi, Koyomi

Araragi, Koyomi

Main

Kamiya, Hiroshi
Kamiya, Hiroshi
Japanese
Araragi, Koyomi

Araragi, Koyomi

Main

Turba, David
Turba, David
German
Hanekawa, Tsubasa

Hanekawa, Tsubasa

Main

Horie, Yui
Horie, Yui
Japanese
Hanekawa, Tsubasa

Hanekawa, Tsubasa

Main

Tietz, Kristina
Tietz, Kristina
German
Oshino, Shinobu

Oshino, Shinobu

Main

Sakamoto, Maaya
Sakamoto, Maaya
Japanese
Oshino, Shinobu

Oshino, Shinobu

Main

Morgenstern, Friedel
Morgenstern, Friedel
German
Dramaturgie

Dramaturgie

Supporting

Klebsch, Klaus-Dieter
Klebsch, Klaus-Dieter
German
Dramaturgie

Dramaturgie

Supporting

Ebara, Masashi
Ebara, Masashi
Japanese
Episode

Episode

Supporting

Irino, Miyu
Irino, Miyu
Japanese
Episode

Episode

Supporting

Nath, Tobias
Nath, Tobias
German
Guillotinecutter

Guillotinecutter

Supporting

Siebeck, Oliver
Siebeck, Oliver
German
Oshino, Meme

Oshino, Meme

Supporting

Sakurai, Takahiro
Sakurai, Takahiro
Japanese
Oshino, Meme

Oshino, Meme

Supporting

Flechtner, Peter
Flechtner, Peter
German

Staff

Iwakami, Atsuhiro

Iwakami, Atsuhiro

Producer

Kubota, Mitsutoshi

Kubota, Mitsutoshi

Producer

Matsushita, Takuya

Matsushita, Takuya

Producer

Ishikawa, Tatsuya

Ishikawa, Tatsuya

Assistant Producer

Oishi, Tatsuya

Oishi, Tatsuya

Director, Episode Director, Storyboard

Shinbou, Akiyuki

Shinbou, Akiyuki

Director, Series Composition

Tsuruoka, Youta

Tsuruoka, Youta

Sound Director

Suzuki, Toshimasa

Suzuki, Toshimasa

Episode Director

Abe, Genichirou

Abe, Genichirou

Key Animation

Adachi, Yuuki

Adachi, Yuuki

In-Between Animation

Aizu, Takayuki

Aizu, Takayuki

Director of Photography

Arakaki, Issei

Arakaki, Issei

Key Animation

Daba, Kouetsu

Daba, Kouetsu

In-Between Animation

Ebisu, Takuma

Ebisu, Takuma

Key Animation

Fujinaka, Yuri

Fujinaka, Yuri

In-Between Animation

Fukumoto, Yousuke

Fukumoto, Yousuke

In-Between Animation

Geshi, Yuuya

Geshi, Yuuya

Key Animation

Hachimori, Yuuka

Hachimori, Yuuka

In-Between Animation

Harashina, Daiki

Harashina, Daiki

In-Between Animation

Hayashi, Nobuhide

Hayashi, Nobuhide

In-Between Animation