Kimi ni Todoke 2nd Season

  • Genres: ["Drama","Romance"]
  • Type: TV
  • Status: Finished Airing
  • Year: 2011

Summary: After a momentous New Year's vacation and with Valentine's Day approaching, Sawako Kuronuma is beginning to get along with her classmates. However, now that Sawako has realized her romantic feelings for the popular Shouta Kazehaya, she grows hesitant toward giving him obligatory chocolates and decides to not give him any. In turn, Kazehaya, who likes Sawako, feels a distance between them.

As February ends and April arrives, the second year of high school begins for Sawako. Luckily, she ends up in the same class as her friends Ayane Yano and Chizuru Yoshida, along with Kazehaya and his friend Ryuu Sanada, in addition to the newcomer named Kento Miura. When Kento develops an interest in Sawako, Sawako and Kazehaya's feelings for each other are put to the test.

[Written by MAL Rewrite]


Description

After a momentous New Year's vacation and with Valentine's Day approaching, Sawako Kuronuma is beginning to get along with her classmates. However, now that Sawako has realized her romantic feelings for the popular Shouta Kazehaya, she grows hesitant toward giving him obligatory chocolates and decides to not give him any. In turn, Kazehaya, who likes Sawako, feels a distance between them.

As February ends and April arrives, the second year of high school begins for Sawako. Luckily, she ends up in the same class as her friends Ayane Yano and Chizuru Yoshida, along with Kazehaya and his friend Ryuu Sanada, in addition to the newcomer named Kento Miura. When Kento develops an interest in Sawako, Sawako and Kazehaya's feelings for each other are put to the test.

[Written by MAL Rewrite]


Available At


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Kimi ni Todoke 2nd Season Trailers


Kimi ni Todoke 2nd Season Pictures


Kimi ni Todoke 2nd Season Review

Kimi ni Todoke 2nd Season — After a momentous New Year's vacation and with Valentine's Day approaching, Sawako Kuronuma is beginning to get along with her classmates. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Drama, Romance conventions as a TV work and has garnered attention (MAL score: 7.98). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Kimi ni Todoke 2nd Season offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Drama, Romance, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Kazehaya, Shouta

Kazehaya, Shouta

Main

Namikawa, Daisuke
Namikawa, Daisuke
Japanese
Kazehaya, Shouta

Kazehaya, Shouta

Main

Jeong, Jae Heon
Jeong, Jae Heon
Korean
Kazehaya, Shouta

Kazehaya, Shouta

Main

Laquet, Damien
Laquet, Damien
French
Kazehaya, Shouta

Kazehaya, Shouta

Main

Raynal, Aurélien
Raynal, Aurélien
French
Kazehaya, Shouta

Kazehaya, Shouta

Main

Dao, Khoi
Dao, Khoi
English
Kuronuma, Sawako

Kuronuma, Sawako

Main

Noto, Mamiko
Noto, Mamiko
Japanese
Kuronuma, Sawako

Kuronuma, Sawako

Main

Lasne, Élodie
Lasne, Élodie
French
Kuronuma, Sawako

Kuronuma, Sawako

Main

Hervieux, Charlotte
Hervieux, Charlotte
French
Kuronuma, Sawako

Kuronuma, Sawako

Main

Huynh, Xanthe
Huynh, Xanthe
English
Sanada, Ryuu

Sanada, Ryuu

Main

Nakamura, Yuuichi
Nakamura, Yuuichi
Japanese
Sanada, Ryuu

Sanada, Ryuu

Main

Gimenez, Pascal
Gimenez, Pascal
French
Sanada, Ryuu

Sanada, Ryuu

Main

Lee, Hosan
Lee, Hosan
Korean
Sanada, Ryuu

Sanada, Ryuu

Main

Chase, Ray
Chase, Ray
English
Sanada, Ryuu

Sanada, Ryuu

Main

Degay, Alexis
Degay, Alexis
French
Yano, Ayane

Yano, Ayane

Main

Sawashiro, Miyuki
Sawashiro, Miyuki
Japanese
Yano, Ayane

Yano, Ayane

Main

Benedito, Dany
Benedito, Dany
French
Yano, Ayane

Yano, Ayane

Main

Soares, Clara
Soares, Clara
French
Yano, Ayane

Yano, Ayane

Main

Mendez, Erica
Mendez, Erica
English
Yoshida, Chizuru

Yoshida, Chizuru

Main

Sanpei, Yuuko
Sanpei, Yuuko
Japanese
Yoshida, Chizuru

Yoshida, Chizuru

Main

Hostekint, Justine
Hostekint, Justine
French

Staff

Kiyouno, Hiroyuki

Kiyouno, Hiroyuki

Producer

Nakatake, Tetsuya

Nakatake, Tetsuya

Producer

Nakatani, Toshio

Nakatani, Toshio

Producer

Tamura, Manabu

Tamura, Manabu

Producer

Wada, George

Wada, George

Producer

Kaburagi, Hiro

Kaburagi, Hiro

Director, Episode Director, Script, Storyboard

Yamada, Chiaki

Yamada, Chiaki

Sound Director

Deai, Kotomi

Deai, Kotomi

Episode Director, Storyboard

Ezaki, Shinpei

Ezaki, Shinpei

Episode Director

Imai, Kazuaki

Imai, Kazuaki

Episode Director, Key Animation

Matsumoto, Rie

Matsumoto, Rie

Episode Director, Storyboard

Naganuma, Norihiro

Naganuma, Norihiro

Episode Director, Storyboard, Key Animation, 2nd Key Animation, Assistant Director

Nagasaki, Kenji

Nagasaki, Kenji

Episode Director

Shibata, Yuka

Shibata, Yuka

Episode Director, Storyboard, Key Animation, Chief Animation Director, Animation Director, Character Design

Uchiyama, Mana

Uchiyama, Mana

Episode Director

Ui, Yoshikazu

Ui, Yoshikazu

Episode Director

Yahagi, Toshiyuki

Yahagi, Toshiyuki

Episode Director, Assistant Animation Director, Key Animation

Yonebayashi, Taku

Yonebayashi, Taku

Episode Director

Decouzon, Mélanie

Decouzon, Mélanie

Script

Furuhashi, Kazuhiro

Furuhashi, Kazuhiro

Storyboard