Kidou Senshi Gundam: Tekketsu no Orphans

  • Genres: ["Drama","Sci-Fi"]
  • Type: TV
  • Status: Finished Airing
  • Year: 2015

Summary: Over three hundred years have passed since the Calamity War, the great conflict between Earth and its outer space colonies. Now Earth is ruled over by four economic blocs, and the military organization Gjallarhorn is responsible for keeping the peace. Mars, on the other hand, depends heavily on Earth's economy.

Horrified by the appalling living conditions that Mars' inhabitants have to bear, Kudelia Aina Bernstein, a young aristocrat from the Chryse Autonomous Region, gets involved in the Red Planet's independence movement. She hires the services of a local company, Chryse Guard Security (CGS), to escort her on the journey to Earth to negotiate economic conditions with the earthly bloc that controls the region. The Third Army Division—consisting of Mikazuki Augus, Orga Itsuka, and many other child soldiers—are chosen to protect her.

When Gjallarhorn attacks the CGS facilities to assassinate the young revolutionary threatening their interests, Orga and his comrades must not let the attackers accomplish their goal—in fact, Gjallarhorn's actions might turn out to be the unintentional catalyst that leads the children to be the forgers of their own destiny.

[Written by MAL Rewrite]


Description

Over three hundred years have passed since the Calamity War, the great conflict between Earth and its outer space colonies. Now Earth is ruled over by four economic blocs, and the military organization Gjallarhorn is responsible for keeping the peace. Mars, on the other hand, depends heavily on Earth's economy.

Horrified by the appalling living conditions that Mars' inhabitants have to bear, Kudelia Aina Bernstein, a young aristocrat from the Chryse Autonomous Region, gets involved in the Red Planet's independence movement. She hires the services of a local company, Chryse Guard Security (CGS), to escort her on the journey to Earth to negotiate economic conditions with the earthly bloc that controls the region. The Third Army Division—consisting of Mikazuki Augus, Orga Itsuka, and many other child soldiers—are chosen to protect her.

When Gjallarhorn attacks the CGS facilities to assassinate the young revolutionary threatening their interests, Orga and his comrades must not let the attackers accomplish their goal—in fact, Gjallarhorn's actions might turn out to be the unintentional catalyst that leads the children to be the forgers of their own destiny.

[Written by MAL Rewrite]


Available At


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Kidou Senshi Gundam: Tekketsu no Orphans Pictures


Kidou Senshi Gundam: Tekketsu no Orphans Review

Kidou Senshi Gundam: Tekketsu no Orphans — Over three hundred years have passed since the Calamity War, the great conflict between Earth and its outer space colonies. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Drama, Sci-Fi conventions as a TV work and has garnered attention (MAL score: 8.06). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Kidou Senshi Gundam: Tekketsu no Orphans offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Drama, Sci-Fi, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Augus, Mikazuki

Augus, Mikazuki

Main

Kawanishi, Kengo
Kawanishi, Kengo
Japanese
Augus, Mikazuki

Augus, Mikazuki

Main

Suwa, Ayaka
Suwa, Ayaka
Japanese
Augus, Mikazuki

Augus, Mikazuki

Main

McCarley, Kyle
McCarley, Kyle
English
Bernstein, Kudelia Aina

Bernstein, Kudelia Aina

Main

Terasaki, Yuka
Terasaki, Yuka
Japanese
Bernstein, Kudelia Aina

Bernstein, Kudelia Aina

Main

Leigh, Cherami
Leigh, Cherami
English
Itsuka, Orga

Itsuka, Orga

Main

Hosoya, Yoshimasa
Hosoya, Yoshimasa
Japanese
Itsuka, Orga

Itsuka, Orga

Main

Bosch, Johnny Yong
Bosch, Johnny Yong
English
Itsuka, Orga

Itsuka, Orga

Main

Higashiuchi, Mariko
Higashiuchi, Mariko
Japanese
Itsuka, Orga

Itsuka, Orga

Main

Taylor, Julie Ann
Taylor, Julie Ann
English
Admoss, Fumitan

Admoss, Fumitan

Supporting

Uchiyama, Yumi
Uchiyama, Yumi
Japanese
Admoss, Fumitan

Admoss, Fumitan

Supporting

Taylor, Julie Ann
Taylor, Julie Ann
English
Altland, Delmas

Altland, Delmas

Supporting

Muro, Genki
Muro, Genki
Japanese
Altland, Delmas

Altland, Delmas

Supporting

Allen Jr., Mark
Allen Jr., Mark
English
Altland, Masahiro

Altland, Masahiro

Supporting

Yamashita, Seiichirou
Yamashita, Seiichirou
Japanese
Altland, Masahiro

Altland, Masahiro

Supporting

Lynn
Lynn
Japanese
Altland, Masahiro

Altland, Masahiro

Supporting

Hackney, Christopher
Hackney, Christopher
English
Altland, Aston

Altland, Aston

Supporting

Kumagai, Kentarou
Kumagai, Kentarou
Japanese
Altland, Aston

Altland, Aston

Supporting

Miller, Jason
Miller, Jason
English
Altland, Akihiro

Altland, Akihiro

Supporting

Takumi, Yasuaki
Takumi, Yasuaki
Japanese
Altland, Akihiro

Altland, Akihiro

Supporting

Erholtz, Doug
Erholtz, Doug
English

Staff

Maeda, Toshihiro

Maeda, Toshihiro

Producer

Nagai, Tatsuyuki

Nagai, Tatsuyuki

Director, Episode Director, Storyboard

Aketagawa, Jin

Aketagawa, Jin

Sound Director

Ookubo, Tomo

Ookubo, Tomo

Episode Director

Son, Seung-Hui

Son, Seung-Hui

Episode Director

Yamato, Naomichi

Yamato, Naomichi

Episode Director

Kamoshida, Hajime

Kamoshida, Hajime

Script, Screenplay

Nemoto, Toshizou

Nemoto, Toshizou

Script

Okada, Mari

Okada, Mari

Script, Series Composition

Oonishi, Shinsuke

Oonishi, Shinsuke

Script

Stocker, Kevin

Stocker, Kevin

Script

Ashino, Yoshiharu

Ashino, Yoshiharu

Storyboard

Kudou, Shun

Kudou, Shun

Storyboard

Nishizawa, Susumu

Nishizawa, Susumu

Storyboard

Saitou, Tetsuhito

Saitou, Tetsuhito

Storyboard

Teraoka, Iwao

Teraoka, Iwao

Storyboard

BLUE ENCOUNT

BLUE ENCOUNT

Theme Song Composition, Theme Song Performance, Theme Song Lyrics

Karasawa, Miho

Karasawa, Miho

Theme Song Performance, Theme Song Lyrics

MAN WITH A MISSION

MAN WITH A MISSION

Theme Song Lyrics, Theme Song Performance, Theme Song Composition, Theme Song Arrangement

MISIA

MISIA

Theme Song Lyrics, Theme Song Performance