Karasu wa Aruji wo Erabanai

  • Genres: ["Drama","Fantasy"]
  • Type: TV
  • Status: Finished Airing
  • Year: 2024

Summary: In the Kingdom of Yamauchi, people have the ability to transform into three-legged crows known as yatagarasu. While the men plot over daily governance, women compete for the hand of Wakamiya, the crown prince who was selected as the Kinu, the servant to the Mountain God. Four young women arrive at the court to join the competition, including one named Asebi.

While the kind and innocent Asebi sticks out like a sore thumb compared to the other women, the crown prince has to fight for his place in the clan. Despite being born both to a concubine and as a second son, the royal priests still chose Wakamiya to be the Kinu over his older brother. This decision created a rift between the siblings while enraging Wakamiya's stepmother in the process.

When Yukiya, one of the teenage sons of the village chief, is sent to the palace to become Wakamiya's new attendant, the prince is not pleased in the slightest. However, Yukiya's presence at the imperial courts is no mere coincidence.

[Written by MAL Rewrite]


Description

In the Kingdom of Yamauchi, people have the ability to transform into three-legged crows known as yatagarasu. While the men plot over daily governance, women compete for the hand of Wakamiya, the crown prince who was selected as the Kinu, the servant to the Mountain God. Four young women arrive at the court to join the competition, including one named Asebi.

While the kind and innocent Asebi sticks out like a sore thumb compared to the other women, the crown prince has to fight for his place in the clan. Despite being born both to a concubine and as a second son, the royal priests still chose Wakamiya to be the Kinu over his older brother. This decision created a rift between the siblings while enraging Wakamiya's stepmother in the process.

When Yukiya, one of the teenage sons of the village chief, is sent to the palace to become Wakamiya's new attendant, the prince is not pleased in the slightest. However, Yukiya's presence at the imperial courts is no mere coincidence.

[Written by MAL Rewrite]


Available At


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Karasu wa Aruji wo Erabanai Pictures


Karasu wa Aruji wo Erabanai Review

Karasu wa Aruji wo Erabanai — In the Kingdom of Yamauchi, people have the ability to transform into three-legged crows known as yatagarasu. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Drama, Fantasy conventions as a TV work and has garnered attention (MAL score: 8.06). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Karasu wa Aruji wo Erabanai offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Drama, Fantasy, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Wakamiya

Wakamiya

Main

Irino, Miyu
Irino, Miyu
Japanese
Yukiya

Yukiya

Main

Tamura, Mutsumi
Tamura, Mutsumi
Japanese
Akira

Akira

Supporting

Mikami, Satoshi
Mikami, Satoshi
Japanese
Asebi

Asebi

Supporting

Honizumi, Rina
Honizumi, Rina
Japanese
Atsufusa

Atsufusa

Supporting

Kawanishi, Kengo
Kawanishi, Kengo
Japanese
Azusa

Azusa

Supporting

Takeuchi, Emiko
Takeuchi, Emiko
Japanese
Cha no Hana

Cha no Hana

Supporting

Isobe, Masako
Isobe, Masako
Japanese
Fujinami

Fujinami

Supporting

Aoyama, Yoshino
Aoyama, Yoshino
Japanese
Futaba

Futaba

Supporting

Oi, Marie
Oi, Marie
Japanese
Genya

Genya

Supporting

Kusumi, Naomi
Kusumi, Naomi
Japanese
Hamayuu

Hamayuu

Supporting

Nanami, Hiroki
Nanami, Hiroki
Japanese
Haruhito

Haruhito

Supporting

Yanaka, Hiroshi
Yanaka, Hiroshi
Japanese
Hatsune

Hatsune

Supporting

Satou, Rina
Satou, Rina
Japanese
Ichiryuu

Ichiryuu

Supporting

Shin, Yuuki
Shin, Yuuki
Japanese
Jihei

Jihei

Supporting

Satou, Setsuji
Satou, Setsuji
Japanese
Karamushi

Karamushi

Supporting

Kiso, Hiroko
Kiso, Hiroko
Japanese
Kazumi

Kazumi

Supporting

Miyazaki, Yuu
Miyazaki, Yuu
Japanese
Kiei

Kiei

Supporting

Nakamura, Kazumasa
Nakamura, Kazumasa
Japanese
Kikuno

Kikuno

Supporting

Taichi, You
Taichi, You
Japanese
Koume

Koume

Supporting

Miyamoto, Yume
Miyamoto, Yume
Japanese

Staff

Hotta, Tetsufumi

Hotta, Tetsufumi

Producer

Kyougoku, Yoshiaki

Kyougoku, Yoshiaki

Director, Episode Director

Tange, Yuuji

Tange, Yuuji

Sound Director

Kawatsura, Shinya

Kawatsura, Shinya

Episode Director

Kogawa, Yoriyasu

Kogawa, Yoriyasu

Episode Director

Suzuki, Kaoru

Suzuki, Kaoru

Episode Director

Saucy Dog

Saucy Dog

Theme Song Lyrics, Theme Song Performance

Shikata, Akiko

Shikata, Akiko

Theme Song Performance, Theme Song Lyrics

Abe, Chisato

Abe, Chisato

Original Creator

Furushou, Shiori

Furushou, Shiori

Color Design

Hoshino, Reika

Hoshino, Reika

Key Animation

Imaki, Hiroaki

Imaki, Hiroaki

Animation Director

Kamura, Yuuichirou

Kamura, Yuuichirou

Key Animation

Kondou, Yuuji

Kondou, Yuuji

Animation Director

Matsumoto, Tomoyuki

Matsumoto, Tomoyuki

Animation Director

Mifune, Chiho

Mifune, Chiho

Key Animation

Murao, Minoru

Murao, Minoru

Animation Director

Nagakawa, Momoko

Nagakawa, Momoko

Animation Director

Norita, Takushige

Norita, Takushige

Character Design, Chief Animation Director

Segawa, Eishi

Segawa, Eishi

Music