Kanata no Astra

  • Genres: ["Adventure","Award Winning","Mystery","Sci-Fi","Suspense"]
  • Type: TV
  • Status: Finished Airing
  • Year: 2019

Summary: In the year 2063, space travel is feasible and commercially available. As the cheerful Aries Spring arrives at the spaceport to attend a camp on the distant planet McPa, her purse is suddenly snatched by a reckless thief. Luckily, the athletic Kanata Hoshijima is able to retrieve it for her, and Aries soon discovers that he is among the group of teenagers who will be traveling with her on the excursion as team B-5.

Upon arriving at their campsite, the group's trip takes a turn for the worse when a strange sphere of black light sucks them into the vast reaches of outer space. Stranded with seemingly no hope, they find an abandoned ship nearby that provides them with the means to return home. However, they soon discover that they are not as close to their campsite as they initially thought, but are in fact thousands of light-years away from home.

With this realization, the nine members must cautiously manage their resources, maintain their strength, and unite as one to conquer the darkness of space together. While the reason behind their trip's sudden obstruction remains unknown, they nevertheless embark on the treacherous voyage back home aboard their new ship, the Astra.

[Written by MAL Rewrite]


Description

In the year 2063, space travel is feasible and commercially available. As the cheerful Aries Spring arrives at the spaceport to attend a camp on the distant planet McPa, her purse is suddenly snatched by a reckless thief. Luckily, the athletic Kanata Hoshijima is able to retrieve it for her, and Aries soon discovers that he is among the group of teenagers who will be traveling with her on the excursion as team B-5.

Upon arriving at their campsite, the group's trip takes a turn for the worse when a strange sphere of black light sucks them into the vast reaches of outer space. Stranded with seemingly no hope, they find an abandoned ship nearby that provides them with the means to return home. However, they soon discover that they are not as close to their campsite as they initially thought, but are in fact thousands of light-years away from home.

With this realization, the nine members must cautiously manage their resources, maintain their strength, and unite as one to conquer the darkness of space together. While the reason behind their trip's sudden obstruction remains unknown, they nevertheless embark on the treacherous voyage back home aboard their new ship, the Astra.

[Written by MAL Rewrite]


Available At


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Kanata no Astra Trailers


Kanata no Astra Pictures


Kanata no Astra Review

Kanata no Astra β€” In the year 2063, space travel is feasible and commercially available. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Adventure, Award Winning, Mystery, Sci-Fi, Suspense conventions as a TV work and has garnered attention (MAL score: 8.07). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood β€” whether melancholic, exuberant, or contemplative β€” is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone β€” quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape β€” score, incidental music, and sound design β€” complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good β€” one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Kanata no Astra offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Adventure, Award Winning, Mystery, Sci-Fi, Suspense, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Esposito, Luca

Esposito, Luca

Main

Matsuda, Risae
Matsuda, Risae
Japanese
Esposito, Luca

Esposito, Luca

Main

Strange, CiarΓ‘n
Strange, CiarΓ‘n
English
Esposito, Luca

Esposito, Luca

Main

Lechenmayr, Mio
Lechenmayr, Mio
German
Hoshijima, Kanata

Hoshijima, Kanata

Main

Hosoya, Yoshimasa
Hosoya, Yoshimasa
Japanese
Hoshijima, Kanata

Hoshijima, Kanata

Main

Grelle, Jessie James
Grelle, Jessie James
English
Hoshijima, Kanata

Hoshijima, Kanata

Main

Kern, Tobias
Kern, Tobias
German
Lacroix, Charce

Lacroix, Charce

Main

Shimazaki, Nobunaga
Shimazaki, Nobunaga
Japanese
Lacroix, Charce

Lacroix, Charce

Main

Liebrecht, Jason
Liebrecht, Jason
English
Lacroix, Charce

Lacroix, Charce

Main

Wolko, Johannes
Wolko, Johannes
German
Lu, Yunhua

Lu, Yunhua

Main

Hayami, Saori
Hayami, Saori
Japanese
Lu, Yunhua

Lu, Yunhua

Main

Bennett, Dawn M.
Bennett, Dawn M.
English
Lu, Yunhua

Lu, Yunhua

Main

Ewelina, Anna
Ewelina, Anna
German
Raffaeli, Funicia

Raffaeli, Funicia

Main

Kino, Hina
Kino, Hina
Japanese
Raffaeli, Funicia

Raffaeli, Funicia

Main

Chambers, Dani
Chambers, Dani
English
Raffaeli, Funicia

Raffaeli, Funicia

Main

Wagener, Liv
Wagener, Liv
German
Raffaeli, Funicia

Raffaeli, Funicia

Main

Baah, Sakiywaa
Baah, Sakiywaa
English
Raffaeli, Quitterie

Raffaeli, Quitterie

Main

Kurosawa, Tomoyo
Kurosawa, Tomoyo
Japanese
Raffaeli, Quitterie

Raffaeli, Quitterie

Main

Baah, Sakiywaa
Baah, Sakiywaa
English
Raffaeli, Quitterie

Raffaeli, Quitterie

Main

Chambers, Dani
Chambers, Dani
English
Raffaeli, Quitterie

Raffaeli, Quitterie

Main

Lau, Jaimee
Lau, Jaimee
German

Staff

Cook, Justin

Cook, Justin

Producer

Higa, Yuuji

Higa, Yuuji

Producer

Isogai, Noritomo

Isogai, Noritomo

Producer

Muramatsu, Yuuki

Muramatsu, Yuuki

Producer

Ogata, Mitsuhiro

Ogata, Mitsuhiro

Producer

Takano, Takashi

Takano, Takashi

Producer

Tanaka, Shou

Tanaka, Shou

Producer

Herek, Samantha

Herek, Samantha

Assistant Producer

Andou, Masaomi

Andou, Masaomi

Director, Episode Director, Storyboard

Bizen, Katsuhiko

Bizen, Katsuhiko

Episode Director

Fukui, Youhei

Fukui, Youhei

Episode Director

Hamada, Shouta

Hamada, Shouta

Episode Director

Nagahama, Norihiko

Nagahama, Norihiko

Episode Director

Nishouji, Yoshihito

Nishouji, Yoshihito

Episode Director, Storyboard

Shibata, Yuusuke

Shibata, Yuusuke

Episode Director, Storyboard, Assistant Director

Suzuki, Warurou

Suzuki, Warurou

Episode Director, Key Animation

Yuuzumi, Keiei

Yuuzumi, Keiei

Episode Director, Storyboard, Key Animation, Animation Director

McGuire, Kristen

McGuire, Kristen

Script

Sakurai, Hikaru

Sakurai, Hikaru

Script

Iwahata, Gouichi

Iwahata, Gouichi

Storyboard