High Score Girl II

  • Genres: ["Comedy","Romance"]
  • Type: TV
  • Status: Finished Airing
  • Year: 2019

Summary: The year is 1996, and second-year high school students Haruo Yaguchi, Akira Oono, and Koharu Hidaka live their lives as passionately about video games as they were five years ago. Brought together by arcade games, what began as a healthy rivalry and friendship has turned into something more. As they endeavour towards understanding their unfamiliar feelings, they work with allies, navigate high school, and find that, although life has its many challenges, there's always a game or two they can rely on.

[Written by MAL Rewrite]


Description

The year is 1996, and second-year high school students Haruo Yaguchi, Akira Oono, and Koharu Hidaka live their lives as passionately about video games as they were five years ago. Brought together by arcade games, what began as a healthy rivalry and friendship has turned into something more. As they endeavour towards understanding their unfamiliar feelings, they work with allies, navigate high school, and find that, although life has its many challenges, there's always a game or two they can rely on.

[Written by MAL Rewrite]


High Score Girl II Trailers


High Score Girl II Pictures


High Score Girl II Review

High Score Girl II — The year is 1996, and second-year high school students Haruo Yaguchi, Akira Oono, and Koharu Hidaka live their lives as passionately about video games as they were five years ago. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Comedy, Romance conventions as a TV work and has garnered attention (MAL score: 7.94). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, High Score Girl II offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Comedy, Romance, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Hidaka, Koharu

Hidaka, Koharu

Main

Hirose, Yuuki
Hirose, Yuuki
Japanese
Hidaka, Koharu

Hidaka, Koharu

Main

Ponticelli, Benedetta
Ponticelli, Benedetta
Italian
Hidaka, Koharu

Hidaka, Koharu

Main

Cárdia, Jéssica
Cárdia, Jéssica
Portuguese (BR)
Hidaka, Koharu

Hidaka, Koharu

Main

Harlacher, Erika
Harlacher, Erika
English
Hidaka, Koharu

Hidaka, Koharu

Main

Heller, Karl-Line
Heller, Karl-Line
French
Oono, Akira

Oono, Akira

Main

Suzushiro, Sayumi
Suzushiro, Sayumi
Japanese
Oono, Akira

Oono, Akira

Main

Nicosia, Roisin
Nicosia, Roisin
Italian
Oono, Akira

Oono, Akira

Main

Bueno, Raíssa
Bueno, Raíssa
Portuguese (BR)
Oono, Akira

Oono, Akira

Main

Gatto, Cécile
Gatto, Cécile
French
Oono, Akira

Oono, Akira

Main

Cabanos, Christine Marie
Cabanos, Christine Marie
English
Oono, Akira

Oono, Akira

Main

Lechtenbrink, Sophie
Lechtenbrink, Sophie
German
Yaguchi, Haruo

Yaguchi, Haruo

Main

Amasaki, Kouhei
Amasaki, Kouhei
Japanese
Yaguchi, Haruo

Yaguchi, Haruo

Main

Meli, Manuel
Meli, Manuel
Italian
Yaguchi, Haruo

Yaguchi, Haruo

Main

Ringelheim, Aurélien
Ringelheim, Aurélien
French
Yaguchi, Haruo

Yaguchi, Haruo

Main

Vestri, Alexander
Vestri, Alexander
Portuguese (BR)
Yaguchi, Haruo

Yaguchi, Haruo

Main

Becerril, Diego
Becerril, Diego
Spanish
Yaguchi, Haruo

Yaguchi, Haruo

Main

Bosch, Johnny Yong
Bosch, Johnny Yong
English
Doi, Genta

Doi, Genta

Supporting

Yamashita, Daiki
Yamashita, Daiki
Japanese
Doi, Genta

Doi, Genta

Supporting

Alonso, Renan
Alonso, Renan
Portuguese (BR)
Doi, Genta

Doi, Genta

Supporting

Liofredi, Matteo
Liofredi, Matteo
Italian

Staff

Yamakawa, Yoshiki

Yamakawa, Yoshiki

Director, Storyboard

Aketagawa, Jin

Aketagawa, Jin

Sound Director

Tomita, Yoriko

Tomita, Yoriko

Script

Sayama, Kiyoko

Sayama, Kiyoko

Storyboard

Yakushimaru, Etsuko

Yakushimaru, Etsuko

Theme Song Performance

sora tob sakana

sora tob sakana

Theme Song Performance

Buchholz, Bob

Buchholz, Bob

ADR Director

Daayán, Irwin

Daayán, Irwin

ADR Director

Fukuyo, Shingo

Fukuyo, Shingo

Director of Photography

Funabashi, Mika

Funabashi, Mika

Color Design

Kuwabata, Mitsuru

Kuwabata, Mitsuru

Character Design

Oshikiri, Rensuke

Oshikiri, Rensuke

Original Creator

Shimomura, Yoko

Shimomura, Yoko

Music

Suzuki, Akira

Suzuki, Akira

Art Director

Tsubone, Kentarou

Tsubone, Kentarou

Editing