Given: Uragawa no Sonzai

  • Genres: ["Boys Love","Drama"]
  • Type: OVA
  • Status: Finished Airing
  • Year:

Summary: Since the night of "given's" first live performance, the relationship between Mafuyu Satou and Ritsuka Uenoyama has been smooth sailing. Their shared love of music reinforces their bond, and every moment spent together makes them more inseparable. Nevertheless, there will come times when they will suffer setbacks, with both of them consumed by their inner turmoil.

[Written by MAL Rewrite]


Description

Since the night of "given's" first live performance, the relationship between Mafuyu Satou and Ritsuka Uenoyama has been smooth sailing. Their shared love of music reinforces their bond, and every moment spent together makes them more inseparable. Nevertheless, there will come times when they will suffer setbacks, with both of them consumed by their inner turmoil.

[Written by MAL Rewrite]


Given: Uragawa no Sonzai Trailers


Given: Uragawa no Sonzai Pictures


Given: Uragawa no Sonzai Review

Given: Uragawa no Sonzai — Since the night of "given's" first live performance, the relationship between Mafuyu Satou and Ritsuka Uenoyama has been smooth sailing. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Boys Love, Drama conventions as a OVA work and has garnered attention (MAL score: 8.13). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Given: Uragawa no Sonzai offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Boys Love, Drama, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Satou, Mafuyu

Satou, Mafuyu

Main

Yano, Shougo
Yano, Shougo
Japanese
Uenoyama, Ritsuka

Uenoyama, Ritsuka

Main

Uchida, Yuuma
Uchida, Yuuma
Japanese
Itaya, Shougo

Itaya, Shougo

Supporting

Takanashi, Kengo
Takanashi, Kengo
Japanese
Kaji, Akihiko

Kaji, Akihiko

Supporting

Eguchi, Takuya
Eguchi, Takuya
Japanese
Kashima, Hiiragi

Kashima, Hiiragi

Supporting

Imai, Fumiya
Imai, Fumiya
Japanese
Nakayama, Haruki

Nakayama, Haruki

Supporting

Nakazawa, Masatomo
Nakazawa, Masatomo
Japanese
Ueki, Ryou

Ueki, Ryou

Supporting

Amano, Hirosato
Amano, Hirosato
Japanese
Yagi, Shizusumi

Yagi, Shizusumi

Supporting

Ban, Taito
Ban, Taito
Japanese

Staff

Higa, Yuuji

Higa, Yuuji

Producer

Matsumoto, Miho

Matsumoto, Miho

Producer

Oohashi, Akiyo

Oohashi, Akiyo

Director

Ayana, Yuniko

Ayana, Yuniko

Script

Higami, Aya

Higami, Aya

Animation Director

Imamura, Naoya

Imamura, Naoya

Special Effects

Itou, Rie

Itou, Rie

Editing

Kikuta, Hiromi

Kikuta, Hiromi

Sound Supervisor

Kizu, Natsuki

Kizu, Natsuki

Original Creator

Kojima, Yuuka

Kojima, Yuuka

Key Animation

Koyama, Chiharu

Koyama, Chiharu

In-Between Animation, 2nd Key Animation

Matsuzawa, Takeshi

Matsuzawa, Takeshi

Background Art

Nagata, Haruna

Nagata, Haruna

Chief Animation Director

Nagatome, Ai

Nagatome, Ai

2nd Key Animation, In-Between Animation

Nakagawa, Sena

Nakagawa, Sena

Director of Photography

Ninomiya, Nanako

Ninomiya, Nanako

Animation Director

Oosawa, Mina

Oosawa, Mina

Character Design

Sasagawa, Mitsuyuki

Sasagawa, Mitsuyuki

Animation Director, Key Animation

Shibuya, Kentarou

Shibuya, Kentarou

2nd Key Animation, In-Between Animation

Tsunadou, Eiko

Tsunadou, Eiko

Background Art