Gintama: Yorinuki Gintama-san on Theater 2D

  • Genres: ["Action","Comedy","Sci-Fi"]
  • Type: Movie
  • Status: Finished Airing
  • Year:

Summary: Demonic Vice-Commander of the Shinsengumi, Toushirou Hijikata, acquires a cursed sword—one which completely rewrites his personality, morphing him from a hard-boiled, no-nonsense cop into a hopeless otaku. As he struggles to break the curse, an ambitious new member of the police force, Itou Kamotarou, seizes the opportunity to depose Hijikata in his bid for power within the organization. However, Itou's scheme is revealed to be more devious than anyone imagined, and the very existence of the Shinsengumi is thrown into peril.

In another time and place, the Yorozuya squad is suddenly greeted by a potential new recruit. Before them is a mysterious young woman named Pirako Doromizu who hides a penchant for extreme violence behind her smiling, enthusiastic exterior. However, unbeknownst to Gintoki and the others, Pirako has strong ties to one of the ruling figures of the Kabuki district of Edo, and her arrival sets off a chain reaction that throws the inhabitants of the district into a civil war.

[Written by MAL Rewrite]


Description

Demonic Vice-Commander of the Shinsengumi, Toushirou Hijikata, acquires a cursed sword—one which completely rewrites his personality, morphing him from a hard-boiled, no-nonsense cop into a hopeless otaku. As he struggles to break the curse, an ambitious new member of the police force, Itou Kamotarou, seizes the opportunity to depose Hijikata in his bid for power within the organization. However, Itou's scheme is revealed to be more devious than anyone imagined, and the very existence of the Shinsengumi is thrown into peril.

In another time and place, the Yorozuya squad is suddenly greeted by a potential new recruit. Before them is a mysterious young woman named Pirako Doromizu who hides a penchant for extreme violence behind her smiling, enthusiastic exterior. However, unbeknownst to Gintoki and the others, Pirako has strong ties to one of the ruling figures of the Kabuki district of Edo, and her arrival sets off a chain reaction that throws the inhabitants of the district into a civil war.

[Written by MAL Rewrite]


Gintama: Yorinuki Gintama-san on Theater 2D Pictures


Gintama: Yorinuki Gintama-san on Theater 2D Review

Gintama: Yorinuki Gintama-san on Theater 2D — Demonic Vice-Commander of the Shinsengumi, Toushirou Hijikata, acquires a cursed sword—one which completely rewrites his personality, morphing him from a hard-boiled, no-nonsense cop into a hopeless otaku. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Action, Comedy, Sci-Fi conventions as a Movie work and has garnered attention (MAL score: 8.42). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Gintama: Yorinuki Gintama-san on Theater 2D offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Action, Comedy, Sci-Fi, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Doromizu, Jirochou

Doromizu, Jirochou

Main

Sugou, Takayuki
Sugou, Takayuki
Japanese
Hijikata, Toushirou

Hijikata, Toushirou

Main

Nakai, Kazuya
Nakai, Kazuya
Japanese
Itou, Kamotarou

Itou, Kamotarou

Main

Madono, Mitsuaki
Madono, Mitsuaki
Japanese
Kagura

Kagura

Main

Kugimiya, Rie
Kugimiya, Rie
Japanese
Sakata, Gintoki

Sakata, Gintoki

Main

Sugita, Tomokazu
Sugita, Tomokazu
Japanese
Shimura, Shinpachi

Shimura, Shinpachi

Main

Sakaguchi, Daisuke
Sakaguchi, Daisuke
Japanese
Agonoske, Azumi

Agonoske, Azumi

Supporting

Sakai, Keikou
Sakai, Keikou
Japanese
Catherine

Catherine

Supporting

Sugimoto, Yuu
Sugimoto, Yuu
Japanese
Doromizu, Pirako

Doromizu, Pirako

Supporting

Nonaka, Ai
Nonaka, Ai
Japanese
Hachiro

Hachiro

Supporting

Haji

Haji

Supporting

Hasegawa, Taizou

Hasegawa, Taizou

Supporting

Tachiki, Fumihiko
Tachiki, Fumihiko
Japanese
Hiraga, Gengai

Hiraga, Gengai

Supporting

Honjou, Kyoushirou

Honjou, Kyoushirou

Supporting

Kisaichi, Atsushi
Kisaichi, Atsushi
Japanese
Kada

Kada

Supporting

Itou, Miki
Itou, Miki
Japanese
Kawakami, Bansai

Kawakami, Bansai

Supporting

Yamazaki, Takumi
Yamazaki, Takumi
Japanese
Kondou, Isao

Kondou, Isao

Supporting

Chiba, Susumu
Chiba, Susumu
Japanese
Kozenigata, Heiji

Kozenigata, Heiji

Supporting

Ishizuka, Unshou
Ishizuka, Unshou
Japanese
Kurogoma, Katsuo

Kurogoma, Katsuo

Supporting

Ishizuka, Katashi
Ishizuka, Katashi
Japanese
Matsudaira, Katakuriko

Matsudaira, Katakuriko

Supporting

Wakamoto, Norio
Wakamoto, Norio
Japanese

Staff

DOES

DOES

Theme Song Performance, Theme Song Lyrics, Theme Song Composition, Theme Song Arrangement

SPYAIR

SPYAIR

Theme Song Performance, Theme Song Arrangement

Sorachi, Hideaki

Sorachi, Hideaki

Original Creator

Takeuchi, Shinji

Takeuchi, Shinji

Character Design