Gintama: The Final

  • Genres: ["Action","Comedy","Drama","Sci-Fi"]
  • Type: Movie
  • Status: Finished Airing
  • Year:

Summary: Two years have passed following the Tendoshuu's invasion of the O-Edo Central Terminal. Since then, the Yorozuya have gone their separate ways. Foreseeing Utsuro's return, Gintoki Sakata begins surveying Earth's ley lines for traces of the other man's Altana. After an encounter with the remnants of the Tendoshuu—who continue to press on in search of immortality—Gintoki returns to Edo.

Later, the regrouped Shinsengumi and Yorozuya begin an attack on the occupied Central Terminal. With the Altana harvested by the wreckage of the Tendoshuu's ship in danger of detonating, the Yorozuya and their allies fight their enemies while the safety of Edo—and the rest of the world—hangs in the balance. Fulfilling the wishes of their teacher, Shouyou Yoshida's former students unite and relive their pasts one final time in an attempt to save their futures.

[Written by MAL Rewrite]


Description

Two years have passed following the Tendoshuu's invasion of the O-Edo Central Terminal. Since then, the Yorozuya have gone their separate ways. Foreseeing Utsuro's return, Gintoki Sakata begins surveying Earth's ley lines for traces of the other man's Altana. After an encounter with the remnants of the Tendoshuu—who continue to press on in search of immortality—Gintoki returns to Edo.

Later, the regrouped Shinsengumi and Yorozuya begin an attack on the occupied Central Terminal. With the Altana harvested by the wreckage of the Tendoshuu's ship in danger of detonating, the Yorozuya and their allies fight their enemies while the safety of Edo—and the rest of the world—hangs in the balance. Fulfilling the wishes of their teacher, Shouyou Yoshida's former students unite and relive their pasts one final time in an attempt to save their futures.

[Written by MAL Rewrite]


Available At


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Gintama: The Final Trailers


Gintama: The Final Pictures


Gintama: The Final Review

Gintama: The Final — Two years have passed following the Tendoshuu's invasion of the O-Edo Central Terminal. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Action, Comedy, Drama, Sci-Fi conventions as a Movie work and has garnered attention (MAL score: 9.05). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Gintama: The Final offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Action, Comedy, Drama, Sci-Fi, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Kagura

Kagura

Main

Kugimiya, Rie
Kugimiya, Rie
Japanese
Kagura

Kagura

Main

Loewen, Jocelyne
Loewen, Jocelyne
English
Kagura

Kagura

Main

Granato, Jolanda
Granato, Jolanda
Italian
Sakata, Gintoki

Sakata, Gintoki

Main

Sugita, Tomokazu
Sugita, Tomokazu
Japanese
Sakata, Gintoki

Sakata, Gintoki

Main

Daingerfield, Michael
Daingerfield, Michael
English
Sakata, Gintoki

Sakata, Gintoki

Main

Viola, Federico
Viola, Federico
Italian
Shimura, Shinpachi

Shimura, Shinpachi

Main

Sakaguchi, Daisuke
Sakaguchi, Daisuke
Japanese
Shimura, Shinpachi

Shimura, Shinpachi

Main

Howard, Cole
Howard, Cole
English
Shimura, Shinpachi

Shimura, Shinpachi

Main

Singh, Mosè
Singh, Mosè
Italian
Abuto

Abuto

Supporting

Ootsuka, Houchuu
Ootsuka, Houchuu
Japanese
Abuto

Abuto

Supporting

Swasey, John
Swasey, John
English
Abuto

Abuto

Supporting

Zanandrea, Federico
Zanandrea, Federico
Italian
Elizabeth

Elizabeth

Supporting

Hasegawa, Taizou

Hasegawa, Taizou

Supporting

Tachiki, Fumihiko
Tachiki, Fumihiko
Japanese
Hasegawa, Taizou

Hasegawa, Taizou

Supporting

Love, Andrew
Love, Andrew
English
Hasegawa, Taizou

Hasegawa, Taizou

Supporting

Mei, Francesco
Mei, Francesco
Italian
Hattori, Zenzou

Hattori, Zenzou

Supporting

Morikawa, Toshiyuki
Morikawa, Toshiyuki
Japanese
Hattori, Zenzou

Hattori, Zenzou

Supporting

Maestroni, Omar
Maestroni, Omar
Italian
Hijikata, Toushirou

Hijikata, Toushirou

Supporting

Nakai, Kazuya
Nakai, Kazuya
Japanese
Hijikata, Toushirou

Hijikata, Toushirou

Supporting

Shepard, Blake
Shepard, Blake
English

Staff

Sanjouba, Kazumasa

Sanjouba, Kazumasa

Producer

Miyawaki, Chizuru

Miyawaki, Chizuru

Director, Storyboard, Screenplay, Series Composition

Takamatsu, Shinji

Takamatsu, Shinji

Sound Director

Enomoto, Mamoru

Enomoto, Mamoru

Episode Director

Ishii, Akie

Ishii, Akie

Episode Director

Ishikawa, Mariko

Ishikawa, Mariko

Episode Director, Storyboard, Animation Director, Key Animation

Minami, Yasuhiro

Minami, Yasuhiro

Episode Director

Miyazaki, Shuuji

Miyazaki, Shuuji

Episode Director

Nagaoka, Chika

Nagaoka, Chika

Episode Director

Umabiki, Kei

Umabiki, Kei

Episode Director

Fujita, Youichi

Fujita, Youichi

Storyboard

DOES

DOES

Theme Song Performance, Inserted Song Performance

SPYAIR

SPYAIR

Theme Song Performance

tasuku

tasuku

Theme Song Arrangement

Abe, Takuji

Abe, Takuji

Key Animation

Audio Highs

Audio Highs

Music

Hashimoto, Takashi

Hashimoto, Takashi

Animation Director, Key Animation

Heishi, Yoshihisa

Heishi, Yoshihisa

Planning

Higuchi, Hiromitsu

Higuchi, Hiromitsu

Planning

Hiraoka, Masaki

Hiraoka, Masaki

Animation Director