Gintama: Nanigoto mo Saisho ga Kanjin nanode Tashou Senobisuru Kurai ga Choudoyoi
Summary: Due to the arrival of aliens called the "Amanto," the samurai of feudal Japan have fallen into misery and despair. Denied their swords and stature, they are now treated as an object of pity and utter disregard while the Amanto mercilessly terrorizes the country.
To restore the reputation of the samurai, the Anti-Foreigner Faction leader Kotarou Katsura resolves to eradicate the Amanto—even if he must resort to violent methods. With a giant mecha at his disposal, he plans to initiate an attack against the Shinsengumi, an army of skillful samurai dedicated to protecting the peace of Edo.
Meanwhile, Yorozuya owner Gintoki Sakata and his friends are out to see the cherry blossoms. However, they are interrupted when the Shinsengumi show up, claiming Gintoki has stolen their spot for flower-viewing. Quickly spiraling into a frenzied quarrel, the two groups settle the fight through a game of rock-paper-scissors—albeit with rather brutal methods.
[Written by MAL Rewrite]
Description
Due to the arrival of aliens called the "Amanto," the samurai of feudal Japan have fallen into misery and despair. Denied their swords and stature, they are now treated as an object of pity and utter disregard while the Amanto mercilessly terrorizes the country.
To restore the reputation of the samurai, the Anti-Foreigner Faction leader Kotarou Katsura resolves to eradicate the Amanto—even if he must resort to violent methods. With a giant mecha at his disposal, he plans to initiate an attack against the Shinsengumi, an army of skillful samurai dedicated to protecting the peace of Edo.
Meanwhile, Yorozuya owner Gintoki Sakata and his friends are out to see the cherry blossoms. However, they are interrupted when the Shinsengumi show up, claiming Gintoki has stolen their spot for flower-viewing. Quickly spiraling into a frenzied quarrel, the two groups settle the fight through a game of rock-paper-scissors—albeit with rather brutal methods.
[Written by MAL Rewrite]
Gintama: Nanigoto mo Saisho ga Kanjin nanode Tashou Senobisuru Kurai ga Choudoyoi Pictures
Gintama: Nanigoto mo Saisho ga Kanjin nanode Tashou Senobisuru Kurai ga Choudoyoi Review
Gintama: Nanigoto mo Saisho ga Kanjin nanode Tashou Senobisuru Kurai ga Choudoyoi — Due to the arrival of aliens called the "Amanto," the samurai of feudal Japan have fallen into misery and despair. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.
Thematically, It sits firmly within Comedy, Sci-Fi conventions as a Special work and has garnered attention (MAL score: 8.08). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.
Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.
On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.
The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.
Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.
No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.
In sum, Gintama: Nanigoto mo Saisho ga Kanjin nanode Tashou Senobisuru Kurai ga Choudoyoi offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Comedy, Sci-Fi, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.
Characters & Voice Actors
Kagura
Main
Kugimiya, Rie
Japanese
Sakata, Gintoki
Main
Sugita, Tomokazu
Japanese
Shimura, Shinpachi
Main
Sakaguchi, Daisuke
Japanese
Catherine
Supporting
Sugimoto, Yuu
Japanese
Elizabeth
Supporting
Takamatsu, Shinji
Japanese
Hasegawa, Taizou
Supporting
Hijikata, Toushirou
Supporting
Nakai, Kazuya
Japanese
Jii
Supporting
Katsura, Kotarou
Supporting
Ishida, Akira
Japanese
Kondou, Isao
Supporting
Chiba, Susumu
Japanese
Okita, Sougo
Supporting
Suzumura, Kenichi
Japanese
Otose
Supporting
Kujira
Japanese
Prince Hata
Supporting
Sakaguchi, Kouichi
Japanese
Sadaharu
Supporting
Takahashi, Mikako
Japanese
Shimura, Tae
Supporting
Yukino, Satsuki
Japanese
Terakado, Tsuu
Supporting
Takahashi, Mikako
Japanese
Yamazaki, Sagaru
Supporting
Oota, Tetsuharu
Japanese
Staff
Takamatsu, Shinji
Director
Kobayashi, Katsuyoshi
Sound Director
Yamatoya, Akatsuki
Theme Song Lyrics, Screenplay
Abe, Misao
Key Animation
Ban, Yukiko
Key Animation
Ina, Ryoko
Background Art
Kamiya, Tomomi
In-Between Animation
Masuda, Hiromi
Key Animation
Miyawaki, Chizuru
Key Animation
Murata, Noriyasu
Key Animation
Ookawara, Kunio
Mechanical Design
Satou, Youko
Key Animation
Sorachi, Hideaki
Original Creator
Takeuchi, Shinji
Character Design
Tsuruta, Hitomi
Key Animation