Gintama Movie 2: Kanketsu-hen - Yorozuya yo Eien Nare

  • Genres: ["Action","Comedy","Sci-Fi"]
  • Type: Movie
  • Status: Finished Airing
  • Year:

Summary: When Gintoki apprehends a movie pirate at a premiere, he checks the camera's footage and finds himself transported to a bleak, post-apocalyptic version of Edo, where a mysterious epidemic called the "White Plague" has ravished the world's population. It turns out that the movie pirate wasn't a pirate after all—it was an android time machine, and Gintoki has been hurtled five years into the future! Shinpachi and Kagura, his Yorozuya cohorts, have had a falling out and are now battle-hardened solo vigilantes and he himself has been missing for years, disappearing without a trace after scribbling a strange message in his journal.

Setting out in the disguise given to him by the android time machine, Gintoki haphazardly reunites the Yorozuya team to investigate the White Plague, and soon discovers that the key to saving the future lies in the darkness of his own past. Determined to confront a powerful foe, he makes an important discovery—with a ragtag band of friends and allies at his side, he doesn't have to fight alone.

[Written by MAL Rewrite]


Description

When Gintoki apprehends a movie pirate at a premiere, he checks the camera's footage and finds himself transported to a bleak, post-apocalyptic version of Edo, where a mysterious epidemic called the "White Plague" has ravished the world's population. It turns out that the movie pirate wasn't a pirate after all—it was an android time machine, and Gintoki has been hurtled five years into the future! Shinpachi and Kagura, his Yorozuya cohorts, have had a falling out and are now battle-hardened solo vigilantes and he himself has been missing for years, disappearing without a trace after scribbling a strange message in his journal.

Setting out in the disguise given to him by the android time machine, Gintoki haphazardly reunites the Yorozuya team to investigate the White Plague, and soon discovers that the key to saving the future lies in the darkness of his own past. Determined to confront a powerful foe, he makes an important discovery—with a ragtag band of friends and allies at his side, he doesn't have to fight alone.

[Written by MAL Rewrite]


Gintama Movie 2: Kanketsu-hen - Yorozuya yo Eien Nare Trailers


Gintama Movie 2: Kanketsu-hen - Yorozuya yo Eien Nare Pictures


Gintama Movie 2: Kanketsu-hen - Yorozuya yo Eien Nare Review

Gintama Movie 2: Kanketsu-hen - Yorozuya yo Eien Nare — When Gintoki apprehends a movie pirate at a premiere, he checks the camera's footage and finds himself transported to a bleak, post-apocalyptic version of Edo, where a mysterious epidemic called the "White Plague" has ravished the world's population. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Action, Comedy, Sci-Fi conventions as a Movie work and has garnered attention (MAL score: 8.9). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Gintama Movie 2: Kanketsu-hen - Yorozuya yo Eien Nare offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Action, Comedy, Sci-Fi, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Kagura

Kagura

Main

Kugimiya, Rie
Kugimiya, Rie
Japanese
Kagura

Kagura

Main

Möller, Kaya Marie
Möller, Kaya Marie
German
Kagura

Kagura

Main

Granato, Jolanda
Granato, Jolanda
Italian
Kagura

Kagura

Main

Rojas, Annie
Rojas, Annie
Spanish
Sakata, Gintoki

Sakata, Gintoki

Main

Sugita, Tomokazu
Sugita, Tomokazu
Japanese
Sakata, Gintoki

Sakata, Gintoki

Main

Weigert, Jacob
Weigert, Jacob
German
Sakata, Gintoki

Sakata, Gintoki

Main

Viola, Federico
Viola, Federico
Italian
Sakata, Gintoki

Sakata, Gintoki

Main

Vilchis, José Gilberto
Vilchis, José Gilberto
Spanish
Shimura, Shinpachi

Shimura, Shinpachi

Main

Sakaguchi, Daisuke
Sakaguchi, Daisuke
Japanese
Shimura, Shinpachi

Shimura, Shinpachi

Main

Diakow, Tobias
Diakow, Tobias
German
Shimura, Shinpachi

Shimura, Shinpachi

Main

Singh, Mosè
Singh, Mosè
Italian
Shimura, Shinpachi

Shimura, Shinpachi

Main

Suárez, Luis Leonardo
Suárez, Luis Leonardo
Spanish
Catherine

Catherine

Supporting

Sugimoto, Yuu
Sugimoto, Yuu
Japanese
Catherine

Catherine

Supporting

Quast, Angela
Quast, Angela
German
Catherine

Catherine

Supporting

De Domenico, Tania
De Domenico, Tania
Italian
Elizabeth

Elizabeth

Supporting

Kamiya, Akira
Kamiya, Akira
Japanese
Elizabeth

Elizabeth

Supporting

Wigand, Walter
Wigand, Walter
German
Elizabeth

Elizabeth

Supporting

Merluzzo, Maurizio
Merluzzo, Maurizio
Italian
Elizabeth

Elizabeth

Supporting

Matus, Edson
Matus, Edson
Spanish
Enmi

Enmi

Supporting

Isobe, Tsutomu
Isobe, Tsutomu
Japanese

Staff

Hieda, Susumu

Hieda, Susumu

Producer

Higuchi, Hiromitsu

Higuchi, Hiromitsu

Producer

Fujita, Youichi

Fujita, Youichi

Director, Episode Director, Storyboard

Kobayashi, Katsuyoshi

Kobayashi, Katsuyoshi

Sound Director

Kawamura, Tomoyuki

Kawamura, Tomoyuki

Episode Director, Storyboard

Miyake, Kazuo

Miyake, Kazuo

Episode Director

Miyawaki, Chizuru

Miyawaki, Chizuru

Episode Director, Storyboard

Sasaki, Shinobu

Sasaki, Shinobu

Episode Director

Minami, Yasuhiro

Minami, Yasuhiro

Storyboard

Nishizawa, Susumu

Nishizawa, Susumu

Storyboard

SPYAIR

SPYAIR

Theme Song Performance

Abe, Naoto

Abe, Naoto

Key Animation

Abe, Chiaki

Abe, Chiaki

Key Animation

Abe, Shingo

Abe, Shingo

Key Animation

Adachi, Satoshi

Adachi, Satoshi

Planning

Adachi, Yuuki

Adachi, Yuuki

In-Between Animation

Akimoto, Katsumi

Akimoto, Katsumi

Background Art

Akita, Manabu

Akita, Manabu

Key Animation

Asai, Akito

Asai, Akito

Key Animation

Audio Highs

Audio Highs

Music