Gintama Movie 1: Shinyaku Benizakura-hen

  • Genres: ["Action","Comedy","Sci-Fi"]
  • Type: Movie
  • Status: Finished Airing
  • Year:

Summary: Gintoki and his Yorozuya friends (or rather, employees suffering under labor violations), Shinpachi and Kagura, continue to scrape by in the futuristic, alien-infested city of Edo. They take on whatever work they can find while trying not to get involved in anything too dangerous. But when Katsura, the leader of the Joui rebels and Gintoki's long-time acquaintance, disappears after being brutally attacked by an unknown assassin, Shinpachi and Kagura begin an investigation into his whereabouts and the identity of the assailant. Meanwhile, Gintoki takes on a seemingly unrelated job: the blacksmith Tetsuya requests that Gin recover a strange and powerful sword called the Benizakura which was recently stolen.

As the two investigations gradually intersect, the Yorozuya crew find themselves in the midst of a major conspiracy that hinges on the sinister nature of the Benizakura sword. Gintoki resolves to take the fight directly to the enemy headquarters, and together with a few unexpected allies, sets out on one of his most perilous jobs yet.

[Written by MAL Rewrite]


Description

Gintoki and his Yorozuya friends (or rather, employees suffering under labor violations), Shinpachi and Kagura, continue to scrape by in the futuristic, alien-infested city of Edo. They take on whatever work they can find while trying not to get involved in anything too dangerous. But when Katsura, the leader of the Joui rebels and Gintoki's long-time acquaintance, disappears after being brutally attacked by an unknown assassin, Shinpachi and Kagura begin an investigation into his whereabouts and the identity of the assailant. Meanwhile, Gintoki takes on a seemingly unrelated job: the blacksmith Tetsuya requests that Gin recover a strange and powerful sword called the Benizakura which was recently stolen.

As the two investigations gradually intersect, the Yorozuya crew find themselves in the midst of a major conspiracy that hinges on the sinister nature of the Benizakura sword. Gintoki resolves to take the fight directly to the enemy headquarters, and together with a few unexpected allies, sets out on one of his most perilous jobs yet.

[Written by MAL Rewrite]


Gintama Movie 1: Shinyaku Benizakura-hen Trailers


Gintama Movie 1: Shinyaku Benizakura-hen Pictures


Gintama Movie 1: Shinyaku Benizakura-hen Review

Gintama Movie 1: Shinyaku Benizakura-hen — Gintoki and his Yorozuya friends (or rather, employees suffering under labor violations), Shinpachi and Kagura, continue to scrape by in the futuristic, alien-infested city of Edo. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Action, Comedy, Sci-Fi conventions as a Movie work and has garnered attention (MAL score: 8.52). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Gintama Movie 1: Shinyaku Benizakura-hen offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Action, Comedy, Sci-Fi, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Elizabeth

Elizabeth

Main

Love, Andrew
Love, Andrew
English
Elizabeth

Elizabeth

Main

Takamatsu, Shinji
Takamatsu, Shinji
Japanese
Elizabeth

Elizabeth

Main

Wigand, Walter
Wigand, Walter
German
Kagura

Kagura

Main

Kugimiya, Rie
Kugimiya, Rie
Japanese
Kagura

Kagura

Main

Christian, Luci
Christian, Luci
English
Kagura

Kagura

Main

Möller, Kaya Marie
Möller, Kaya Marie
German
Kagura

Kagura

Main

Granato, Jolanda
Granato, Jolanda
Italian
Katsura, Kotarou

Katsura, Kotarou

Main

Ishida, Akira
Ishida, Akira
Japanese
Katsura, Kotarou

Katsura, Kotarou

Main

Guardiola, Illich
Guardiola, Illich
English
Katsura, Kotarou

Katsura, Kotarou

Main

Seidenberg, Mark
Seidenberg, Mark
German
Katsura, Kotarou

Katsura, Kotarou

Main

Lomazzi, Edoardo
Lomazzi, Edoardo
Italian
Sakata, Gintoki

Sakata, Gintoki

Main

Sugita, Tomokazu
Sugita, Tomokazu
Japanese
Sakata, Gintoki

Sakata, Gintoki

Main

Patton, Chris
Patton, Chris
English
Sakata, Gintoki

Sakata, Gintoki

Main

Weigert, Jacob
Weigert, Jacob
German
Sakata, Gintoki

Sakata, Gintoki

Main

Viola, Federico
Viola, Federico
Italian
Shimura, Shinpachi

Shimura, Shinpachi

Main

Sakaguchi, Daisuke
Sakaguchi, Daisuke
Japanese
Shimura, Shinpachi

Shimura, Shinpachi

Main

Laskowski, Mark
Laskowski, Mark
English
Shimura, Shinpachi

Shimura, Shinpachi

Main

Diakow, Tobias
Diakow, Tobias
German
Shimura, Shinpachi

Shimura, Shinpachi

Main

Singh, Mosè
Singh, Mosè
Italian
Abuto

Abuto

Supporting

Ootsuka, Houchuu
Ootsuka, Houchuu
Japanese

Staff

Azuma, Fukashi

Azuma, Fukashi

Producer

Hieda, Susumu

Hieda, Susumu

Producer

Higuchi, Hiromitsu

Higuchi, Hiromitsu

Producer

Takamatsu, Shinji

Takamatsu, Shinji

Director

Kobayashi, Katsuyoshi

Kobayashi, Katsuyoshi

Sound Director

Yoshimura, Ai

Yoshimura, Ai

Episode Director

DOES

DOES

Theme Song Lyrics, Theme Song Performance, Theme Song Arrangement, Theme Song Composition

Akai, Masataka

Akai, Masataka

Key Animation

Asai, Akito

Asai, Akito

Key Animation

Audio Highs

Audio Highs

Music

Fujisaki, Shizuka

Fujisaki, Shizuka

In-Between Animation

Fukuyama, Eiji

Fukuyama, Eiji

Key Animation

Fukuyo, Manami

Fukuyo, Manami

2nd Key Animation

Habe, Takashi

Habe, Takashi

Key Animation

Handa, Shuuhei

Handa, Shuuhei

In-Between Animation

Hasegawa, Yuka

Hasegawa, Yuka

Key Animation

Hattori, Manami

Hattori, Manami

Key Animation

Hayano, Yoshito

Hayano, Yoshito

Production Manager

Hayashi, Youko

Hayashi, Youko

In-Between Animation

Honjou, Keiichirou

Honjou, Keiichirou

2nd Key Animation