Ginga Eiyuu Densetsu Gaiden

  • Genres: ["Action","Drama","Sci-Fi"]
  • Type: OVA
  • Status: Finished Airing
  • Year:

Summary: Ginga Eiyuu Densetsu Gaiden is the first of two OVA adaptations of side stories from the Ginga Eiyuu Densetsu novel series. This first adaptation follows the achievements of Reinhard von Müsel and Siegfried Kircheis of the Galactic Empire before the fateful Battle of Astarte.

The Silver-White Valley
Reinhard and Kircheis graduate from their military academy and are immediately sent to the frozen frontier planet Kapche-Lanka. Unbeknownst to them, their new superior schemes to kill Reinhard on behalf of a rival of Reinhard's sister Annerose von Grünewald.

Dreams of the Morning, Songs of the Night
Reinhard and Kircheis are assigned to the Imperial Military Police, where they uncover the corrupt and oppressive practices of the Empire's law enforcement. They are soon ordered to investigate the murder of a student at their alma mater.

Dishonor
As Reinhard awaits the bestowal of his new title of Count von Lohengramm, he sends Kircheis to the artificial resort satellite Kreuznach III for a vacation. Restless from the lack of work, Kircheis assists the local police with a drug trafficking case related to an attack on a disgraced former Vice Admiral.

A Hundred Billion Stars, a Hundred Billion Lights
While Reinhard is still a commodore in charge of only a single squadron, he laments the incompetence of his superiors during a battle against the Free Planets Alliance. Amassing military successes under the direct command of Vice Admiral Richard von Grimmelshausen, Reinhard repeatedly clashes with Hermann von Lüneburg, a commodore and former regimental commander of the Alliance's infamous Rosen Ritter.

[Written by MAL Rewrite]


Description

Ginga Eiyuu Densetsu Gaiden is the first of two OVA adaptations of side stories from the Ginga Eiyuu Densetsu novel series. This first adaptation follows the achievements of Reinhard von Müsel and Siegfried Kircheis of the Galactic Empire before the fateful Battle of Astarte.

The Silver-White Valley
Reinhard and Kircheis graduate from their military academy and are immediately sent to the frozen frontier planet Kapche-Lanka. Unbeknownst to them, their new superior schemes to kill Reinhard on behalf of a rival of Reinhard's sister Annerose von Grünewald.

Dreams of the Morning, Songs of the Night
Reinhard and Kircheis are assigned to the Imperial Military Police, where they uncover the corrupt and oppressive practices of the Empire's law enforcement. They are soon ordered to investigate the murder of a student at their alma mater.

Dishonor
As Reinhard awaits the bestowal of his new title of Count von Lohengramm, he sends Kircheis to the artificial resort satellite Kreuznach III for a vacation. Restless from the lack of work, Kircheis assists the local police with a drug trafficking case related to an attack on a disgraced former Vice Admiral.

A Hundred Billion Stars, a Hundred Billion Lights
While Reinhard is still a commodore in charge of only a single squadron, he laments the incompetence of his superiors during a battle against the Free Planets Alliance. Amassing military successes under the direct command of Vice Admiral Richard von Grimmelshausen, Reinhard repeatedly clashes with Hermann von Lüneburg, a commodore and former regimental commander of the Alliance's infamous Rosen Ritter.

[Written by MAL Rewrite]


Ginga Eiyuu Densetsu Gaiden Pictures


Ginga Eiyuu Densetsu Gaiden Review

Ginga Eiyuu Densetsu Gaiden — Ginga Eiyuu Densetsu Gaiden is the first of two OVA adaptations of side stories from the Ginga Eiyuu Densetsu novel series. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Action, Drama, Sci-Fi conventions as a OVA work and has garnered attention (MAL score: 8.14). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Ginga Eiyuu Densetsu Gaiden offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Action, Drama, Sci-Fi, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Kircheis, Siegfried

Kircheis, Siegfried

Main

Hironaka, Masashi
Hironaka, Masashi
Japanese
von Lohengramm, Reinhard

von Lohengramm, Reinhard

Main

Horikawa, Ryo
Horikawa, Ryo
Japanese
Attenborough, Dusty

Attenborough, Dusty

Supporting

Inoue, Kazuhiko
Inoue, Kazuhiko
Japanese
Bittenfeld, Fritz Joseph

Bittenfeld, Fritz Joseph

Supporting

Noda, Keiichi
Noda, Keiichi
Japanese
Blumhardt, Rainer

Blumhardt, Rainer

Supporting

Nanba, Keiichi
Nanba, Keiichi
Japanese
Cerebrese, Sinclair

Cerebrese, Sinclair

Supporting

Asado, Tetsuya
Asado, Tetsuya
Japanese
Eugen

Eugen

Supporting

Glacer

Glacer

Supporting

Ishinami, Yoshito
Ishinami, Yoshito
Japanese
Herder

Herder

Supporting

Miyata, Hikaru
Miyata, Hikaru
Japanese
Hugenberch

Hugenberch

Supporting

Seki, Toshihiko
Seki, Toshihiko
Japanese
Hughes, Warren

Hughes, Warren

Supporting

Yao, Kazuki
Yao, Kazuki
Japanese
Kessler, Ulrich

Kessler, Ulrich

Supporting

Ikeda, Shuuichi
Ikeda, Shuuichi
Japanese
Linz, Kasper

Linz, Kasper

Supporting

Kosugi, Juurouta
Kosugi, Juurouta
Japanese
Lobos, Lazar

Lobos, Lazar

Supporting

Ooki, Tamio
Ooki, Tamio
Japanese
Martel

Martel

Supporting

Kanao, Tetsuo
Kanao, Tetsuo
Japanese
Mittermeyer, Wolfgang

Mittermeyer, Wolfgang

Supporting

Mori, Katsuji
Mori, Katsuji
Japanese
Narrator

Narrator

Supporting

Yara, Yuusaku
Yara, Yuusaku
Japanese
Poplan, Olivier

Poplan, Olivier

Supporting

Furukawa, Toshio
Furukawa, Toshio
Japanese
Staden

Staden

Supporting

von Beenemünde, Sussanna

von Beenemünde, Sussanna

Supporting

Fujita, Toshiko
Fujita, Toshiko
Japanese

Staff

Kikukawa, Yukio

Kikukawa, Yukio

Producer

Ishiguro, Noboru

Ishiguro, Noboru

Director

Aketagawa, Susumu

Aketagawa, Susumu

Sound Director

Miyata, Ryou

Miyata, Ryou

Episode Director

Okajima, Kunitoshi

Okajima, Kunitoshi

Episode Director

Ueno, Fumihiro

Ueno, Fumihiro

Episode Director

Shudou, Takeshi

Shudou, Takeshi

Script

Suzuki, Toshimasa

Suzuki, Toshimasa

Storyboard, Key Animation

Tanaka, Jou

Tanaka, Jou

Storyboard, Animation Director, Mechanical Design, Background Art

Ogura, Kei

Ogura, Kei

Theme Song Composition, Theme Song Lyrics, Theme Song Performance

Aoyagi, Shigemi

Aoyagi, Shigemi

Key Animation

Fukushima, Yoshiharu

Fukushima, Yoshiharu

Key Animation

Fukuyama, Eiji

Fukuyama, Eiji

Key Animation

Hinata, Masaki

Hinata, Masaki

Key Animation

Imaizumi, Kenichi

Imaizumi, Kenichi

Animation Director

Itou, Kaori

Itou, Kaori

In-Between Animation

Itou, Yoshiaki

Itou, Yoshiaki

Key Animation

Kataoka, Kouji

Kataoka, Kouji

Key Animation

Kiyoshima, Yuuko

Kiyoshima, Yuuko

Key Animation

Kouno, Keiko

Kouno, Keiko

Key Animation