FLCL

  • Genres: ["Avant Garde","Comedy","Sci-Fi","Suspense"]
  • Type: OVA
  • Status: Finished Airing
  • Year:

Summary: Naota Nandaba is an ordinary sixth grader living in a city where nothing amazing ever seems to happen. After his brother Tasuku leaves town to play baseball in America, Naota takes it upon himself to look after everything Tasuku left behind—from his top bunk bed to his ex-girlfriend Mamimi Samejima, who hasn't stopped clinging to Naota since Tasuku left.

Little does Naota know, however, that his mundane existence is on the verge of being changed forever: enter Haruko Haruhara, a Vespa-riding, bass guitar-wielding, pink-haired psychopath whose first encounter with Naota leaves him with tire tracks on his back and a giant horn on his head. Though all he wants is some peace and quiet, when Haruko takes up residence at his parents' home, Naota finds himself dragged into the heart of the greatest battle for supremacy that Earth—and quite possibly the entire universe—has ever seen.

[Written by MAL Rewrite]


Description

Naota Nandaba is an ordinary sixth grader living in a city where nothing amazing ever seems to happen. After his brother Tasuku leaves town to play baseball in America, Naota takes it upon himself to look after everything Tasuku left behind—from his top bunk bed to his ex-girlfriend Mamimi Samejima, who hasn't stopped clinging to Naota since Tasuku left.

Little does Naota know, however, that his mundane existence is on the verge of being changed forever: enter Haruko Haruhara, a Vespa-riding, bass guitar-wielding, pink-haired psychopath whose first encounter with Naota leaves him with tire tracks on his back and a giant horn on his head. Though all he wants is some peace and quiet, when Haruko takes up residence at his parents' home, Naota finds himself dragged into the heart of the greatest battle for supremacy that Earth—and quite possibly the entire universe—has ever seen.

[Written by MAL Rewrite]


FLCL Trailers


FLCL Pictures


FLCL Review

FLCL — Naota Nandaba is an ordinary sixth grader living in a city where nothing amazing ever seems to happen. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Avant Garde, Comedy, Sci-Fi, Suspense conventions as a OVA work and has garnered attention (MAL score: 8.04). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, FLCL offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Avant Garde, Comedy, Sci-Fi, Suspense, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Haruhara, Haruko

Haruhara, Haruko

Main

Wahlgren, Kari
Wahlgren, Kari
English
Haruhara, Haruko

Haruhara, Haruko

Main

Shintani, Mayumi
Shintani, Mayumi
Japanese
Haruhara, Haruko

Haruhara, Haruko

Main

Schadt, Shandra
Schadt, Shandra
German
Haruhara, Haruko

Haruhara, Haruko

Main

Latini, Laura
Latini, Laura
Italian
Haruhara, Haruko

Haruhara, Haruko

Main

Homs, Nathalie
Homs, Nathalie
French
Haruhara, Haruko

Haruhara, Haruko

Main

Sota, Meritxell
Sota, Meritxell
Spanish
Nandaba, Naota

Nandaba, Naota

Main

Goodson, Barbara
Goodson, Barbara
English
Nandaba, Naota

Nandaba, Naota

Main

Perino, Davide
Perino, Davide
Italian
Nandaba, Naota

Nandaba, Naota

Main

Mizuki, Jun
Mizuki, Jun
Japanese
Nandaba, Naota

Nandaba, Naota

Main

Sindberg, Susan
Sindberg, Susan
French
Nandaba, Naota

Nandaba, Naota

Main

Casan, Xavier
Casan, Xavier
Spanish
Samejima, Mamimi

Samejima, Mamimi

Main

Sheh, Stephanie
Sheh, Stephanie
English
Samejima, Mamimi

Samejima, Mamimi

Main

Kasagi, Izumi
Kasagi, Izumi
Japanese
Samejima, Mamimi

Samejima, Mamimi

Main

Scifoni, Maria Letizia
Scifoni, Maria Letizia
Italian
Samejima, Mamimi

Samejima, Mamimi

Main

Pfeiffer, Beate
Pfeiffer, Beate
German
Samejima, Mamimi

Samejima, Mamimi

Main

Morales, Pilar
Morales, Pilar
Spanish
Samejima, Mamimi

Samejima, Mamimi

Main

Jean, Bérangère
Jean, Bérangère
French
Amarao

Amarao

Supporting

De ambrosis, Massimo
De ambrosis, Massimo
Italian
Amarao

Amarao

Supporting

Ohkura, Kouji
Ohkura, Kouji
Japanese
Amarao

Amarao

Supporting

Mallow, Dave
Mallow, Dave
English

Staff

Cook, Justin

Cook, Justin

Producer

Nishizawa, Masatomo

Nishizawa, Masatomo

Producer

Satou, Hiroki

Satou, Hiroki

Producer

Tsurumaki, Kazuya

Tsurumaki, Kazuya

Director, Storyboard, Creator, Key Animation, Planning

Andou, Ken

Andou, Ken

Episode Director, Director of Photography

Ootsuka, Masahiko

Ootsuka, Masahiko

Episode Director

Saeki, Shouji

Saeki, Shouji

Episode Director, Storyboard, Key Animation, In-Between Animation

Enokido, Youji

Enokido, Youji

Script

Hiramatsu, Tadashi

Hiramatsu, Tadashi

Storyboard, Animation Director

Imaishi, Hiroyuki

Imaishi, Hiroyuki

Storyboard, Assistant Animation Director, Layout, Animation Director, Setting, Key Animation

Masayuki

Masayuki

Storyboard, Key Animation, Screenplay

Ogura, Nobutoshi

Ogura, Nobutoshi

Storyboard, Key Animation, Animation Director, Setting

Yoshinari, You

Yoshinari, You

Storyboard, Key Animation, Setting

the pillows

the pillows

Theme Song Performance, Music

Anno, Hideaki

Anno, Hideaki

Mechanical Design, Assistant Animation Director, Key Animation

Arai, Kouichi

Arai, Kouichi

Key Animation

Arakawa, Masatsugu

Arakawa, Masatsugu

Key Animation

Enomoto, Hanako

Enomoto, Hanako

In-Between Animation

Ezura, Hisashi

Ezura, Hisashi

Key Animation

Fukuyo, Takaaki

Fukuyo, Takaaki

Key Animation