Eve no Jikan (Movie)

  • Genres: ["Sci-Fi","Slice of Life"]
  • Type: Movie
  • Status: Finished Airing
  • Year:

Summary: In the Japan of the future, employing androids for various purposes is nothing out of the ordinary. However, treating androids on the same level as humans is frowned upon, and there is constant paranoia surrounding the possibility of robots defying humans, their masters. Those who appear too trustworthy of their androids are chided and labeled "dori-kei," or "android-holics."

High school student Rikuo Sakisaka notices when his house droid, Sammy, starts behaving curiously—she has been leaving the house without his instruction. When he inspects the movement logs in her database, a cryptic line grabs his attention: "Are you enjoying the time of EVE?" Accompanied by his friend Masakazu Masaki, Rikuo tracks the whereabouts of his houseroid to a cafe called Time of Eve, where it is forbidden for customers to display prejudice against one another. The cafe, Rikuo realizes, is frequented by both man and machine, with no evidence to tell either apart.

Each customer—from the cheerful Akiko, to a robot dangerously close to breaking down—has their own story and challenges to overcome. While Rikuo tries to reveal Sammy's intentions, he begins to question the legitimacy of the fear that drives humans to regard androids as nothing more than mere tools.

[Written by MAL Rewrite]


Description

In the Japan of the future, employing androids for various purposes is nothing out of the ordinary. However, treating androids on the same level as humans is frowned upon, and there is constant paranoia surrounding the possibility of robots defying humans, their masters. Those who appear too trustworthy of their androids are chided and labeled "dori-kei," or "android-holics."

High school student Rikuo Sakisaka notices when his house droid, Sammy, starts behaving curiously—she has been leaving the house without his instruction. When he inspects the movement logs in her database, a cryptic line grabs his attention: "Are you enjoying the time of EVE?" Accompanied by his friend Masakazu Masaki, Rikuo tracks the whereabouts of his houseroid to a cafe called Time of Eve, where it is forbidden for customers to display prejudice against one another. The cafe, Rikuo realizes, is frequented by both man and machine, with no evidence to tell either apart.

Each customer—from the cheerful Akiko, to a robot dangerously close to breaking down—has their own story and challenges to overcome. While Rikuo tries to reveal Sammy's intentions, he begins to question the legitimacy of the fear that drives humans to regard androids as nothing more than mere tools.

[Written by MAL Rewrite]


Eve no Jikan (Movie) Trailers


Eve no Jikan (Movie) Pictures


Eve no Jikan (Movie) Review

Eve no Jikan (Movie) — In the Japan of the future, employing androids for various purposes is nothing out of the ordinary. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Sci-Fi, Slice of Life conventions as a Movie work and has garnered attention (MAL score: 7.95). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Eve no Jikan (Movie) offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Sci-Fi, Slice of Life, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Masaki, Masakazu

Masaki, Masakazu

Main

Nojima, Kenji
Nojima, Kenji
Japanese
Masaki, Masakazu

Masaki, Masakazu

Main

Sinterniklaas, Michael
Sinterniklaas, Michael
English
Nagi

Nagi

Main

Satou, Rina
Satou, Rina
Japanese
Nagi

Nagi

Main

Sheh, Stephanie
Sheh, Stephanie
English
Sakisaka, Rikuo

Sakisaka, Rikuo

Main

Fukuyama, Jun
Fukuyama, Jun
Japanese
Sakisaka, Rikuo

Sakisaka, Rikuo

Main

Lowenthal, Yuri
Lowenthal, Yuri
English
Sammy

Sammy

Main

Tanaka, Rie
Tanaka, Rie
Japanese
Sammy

Sammy

Main

Keranen, Carrie
Keranen, Carrie
English
Akiko

Akiko

Supporting

Yukana
Yukana
Japanese
Akiko

Akiko

Supporting

Morris, Cassandra Lee
Morris, Cassandra Lee
English
Chie

Chie

Supporting

Sawashiro, Miyuki
Sawashiro, Miyuki
Japanese
Chie

Chie

Supporting

Johnson, Alice A.
Johnson, Alice A.
English
Dr. Ashimori

Dr. Ashimori

Supporting

Yamaguchi, Yuriko
Yamaguchi, Yuriko
Japanese
Dr. Ashimori

Dr. Ashimori

Supporting

Robinson, Cindy
Robinson, Cindy
English
Katoran

Katoran

Supporting

Ishizuka, Unshou
Ishizuka, Unshou
Japanese
Katoran

Katoran

Supporting

Schemmel, Sean
Schemmel, Sean
English
Koji

Koji

Supporting

Prince, Derek Stephen
Prince, Derek Stephen
English
Koji

Koji

Supporting

Nakao, Michio
Nakao, Michio
Japanese
Naoko

Naoko

Supporting

Mizutani, Yuuko
Mizutani, Yuuko
Japanese
Naoko

Naoko

Supporting

Sands, Tara
Sands, Tara
English

Staff

Yoshiura, Yasuhiro

Yoshiura, Yasuhiro

Director, Sound Director, Script, Storyboard, Director of Photography, Original Creator, Editing

Kajiura, Yuki

Kajiura, Yuki

Theme Song Composition

Kalafina

Kalafina

Theme Song Performance

Chayama, Ryusuke

Chayama, Ryusuke

Animation Director, Character Design

Harada, Rie

Harada, Rie

In-Between Animation

Hiramura, Naoki

Hiramura, Naoki

In-Between Animation

Inoue, Akiko

Inoue, Akiko

Color Design

Kimura, Tomomi

Kimura, Tomomi

Key Animation

Kotani, Natsuyo

Kotani, Natsuyo

In-Between Animation

Maehara, Kaoru

Maehara, Kaoru

Key Animation

Maehara, Rie

Maehara, Rie

Key Animation

Murai, Kaori

Murai, Kaori

In-Between Animation

Nakayama, Miyuki

Nakayama, Miyuki

Key Animation

Okada, Tooru

Okada, Tooru

Music

Sheh, Stephanie

Sheh, Stephanie

Casting Director

Sinterniklaas, Michael

Sinterniklaas, Michael

ADR Director

Yamaguchi, Mami

Yamaguchi, Mami

Key Animation

Yoshida, Kanako

Yoshida, Kanako

In-Between Animation