Drifters
Summary: At the Battle of Sekigahara in 1600, Toyohisa Shimazu is the rearguard for his retreating troops, and is critically wounded when he suddenly finds himself in a modern, gleaming white hallway. Faced with only a stoic man named Murasaki and hundreds of doors on both sides, Toyohisa is pulled into the nearest door and into a world completely unlike his own.
The strange land is populated by all manner of fantastical creatures, as well as warriors from different eras of Toyohisa's world who were thought to be dead. Quickly befriending the infamous warlord Nobunaga Oda and the ancient archer Yoichi Suketaka Nasu, Toyohisa learns of the political unrest tearing through the continent. Furthermore, they have been summoned as "Drifters" to fight against the "Ends," people who are responsible for the creation of the Orte Empire and are trying to annihilate the Drifters. As the Ends grow more powerful, so does the Empire's persecution of elves and other demihumans. It is up to Toyohisa and his group of unconventional heroes to battle in a brand-new world war to help the Empire's subjects, while challenging the Ends protecting the land to claim it for themselves.
[Written by MAL Rewrite]
Description
At the Battle of Sekigahara in 1600, Toyohisa Shimazu is the rearguard for his retreating troops, and is critically wounded when he suddenly finds himself in a modern, gleaming white hallway. Faced with only a stoic man named Murasaki and hundreds of doors on both sides, Toyohisa is pulled into the nearest door and into a world completely unlike his own.
The strange land is populated by all manner of fantastical creatures, as well as warriors from different eras of Toyohisa's world who were thought to be dead. Quickly befriending the infamous warlord Nobunaga Oda and the ancient archer Yoichi Suketaka Nasu, Toyohisa learns of the political unrest tearing through the continent. Furthermore, they have been summoned as "Drifters" to fight against the "Ends," people who are responsible for the creation of the Orte Empire and are trying to annihilate the Drifters. As the Ends grow more powerful, so does the Empire's persecution of elves and other demihumans. It is up to Toyohisa and his group of unconventional heroes to battle in a brand-new world war to help the Empire's subjects, while challenging the Ends protecting the land to claim it for themselves.
[Written by MAL Rewrite]
Available At
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Drifters Trailers
Drifters Pictures
Drifters Review
Drifters â At the Battle of Sekigahara in 1600, Toyohisa Shimazu is the rearguard for his retreating troops, and is critically wounded when he suddenly finds himself in a modern, gleaming white hallway. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.
Thematically, It sits firmly within Action, Adventure, Comedy, Fantasy conventions as a TV work and has garnered attention (MAL score: 7.88). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood â whether melancholic, exuberant, or contemplative â is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.
Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.
On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone â quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.
The soundscape â score, incidental music, and sound design â complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.
Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good â one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.
No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.
In sum, Drifters offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Action, Adventure, Comedy, Fantasy, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.
Characters & Voice Actors
Nasu, Yoichi Suketaka
Main
Saiga, Mitsuki
Japanese
Nasu, Yoichi Suketaka
Main
Briner, Justin
English
Nasu, Yoichi Suketaka
Main
Crispino, Gilberta
Italian
Nasu, Yoichi Suketaka
Main
Stollberg, Dirk
German
Nasu, Yoichi Suketaka
Main
Lemaßtre, Valérie
French
Nasu, Yoichi Suketaka
Main
GĂłmez, VĂctor
Spanish
Oda, Nobunaga
Main
Uchida, Naoya
Japanese
Oda, Nobunaga
Main
McCollum, Robert
English
Oda, Nobunaga
Main
Lucchetti, Sergio
Italian
Oda, Nobunaga
Main
Brieger, Sven
German
Oda, Nobunaga
Main
Marchese, Michelangelo
French
Oda, Nobunaga
Main
del RĂo, Ăngel
Spanish
Shimazu, Toyohisa
Main
Nakamura, Yuuichi
Japanese
Shimazu, Toyohisa
Main
Lognay, Pierre
French
Shimazu, Toyohisa
Main
Grelle, Jessie James
English
Shimazu, Toyohisa
Main
Di Pofi, Federico
Italian
Shimazu, Toyohisa
Main
Mesa, Sergio
Spanish
Shimazu, Toyohisa
Main
Schaff, Frank
German
Abe no, Haruakira
Supporting
Sakurai, Takahiro
Japanese
Abe no, Haruakira
Supporting
HĂ©brant, SĂ©bastien
French
Staff
Cook, Justin
Producer
Fudetani, Yoshiyuki
Producer
Ueda, Yasuyuki
Producer
Ueda, Shinya
Producer
Herek, Samantha
Assistant Producer
Kamino, Yukako
Assistant Producer
Suzuki, Kenichi
Director, Episode Director, Storyboard
Tsuruoka, Youta
Sound Director
Asami, Matsuo
Episode Director
Ezoe, Hitomi
Episode Director
Iida, Shigehisa
Episode Director
Katou, Michiya
Episode Director
Mizumoto, Hazuki
Episode Director
Nishikata, Yasuto
Episode Director
Ookawara, Takashi
Episode Director
Sunouchi, Yuusuke
Episode Director
Takahashi, Kenji
Episode Director
Yamauchi, Shigeyasu
Episode Director, Storyboard
Kurata, Hideyuki
Script, Series Composition
Kuroda, Yousuke
Script