Dragon Ball

  • Genres: ["Action","Adventure","Comedy","Fantasy"]
  • Type: TV
  • Status: Finished Airing
  • Year: 1986

Summary: Gokuu Son is a young boy who lives in the woods all alone—that is, until a girl named Bulma runs into him in her search for a set of magical objects called the "Dragon Balls." Since the artifacts are said to grant one wish to whoever collects all seven, Bulma hopes to gather them and wish for a perfect boyfriend. Gokuu happens to be in possession of a dragon ball, but unfortunately for Bulma, he refuses to part ways with it, so she makes him a deal: he can tag along on her journey if he lets her borrow the dragon ball's power. With that, the two set off on the journey of a lifetime.

They don't go on the journey alone. On the way, they meet the old Muten-Roshi and wannabe disciple Kuririn, with whom Gokuu trains to become a stronger martial artist for the upcoming World Martial Arts Tournament. However, it's not all fun and games; the ability to make any wish come true is a powerful one, and there are others who would do much worse than just wishing for a boyfriend. To stop those who would try to abuse the legendary power, they train to become stronger fighters, using their newfound strength to help the people around them along the way.

[Written by MAL Rewrite]


Description

Gokuu Son is a young boy who lives in the woods all alone—that is, until a girl named Bulma runs into him in her search for a set of magical objects called the "Dragon Balls." Since the artifacts are said to grant one wish to whoever collects all seven, Bulma hopes to gather them and wish for a perfect boyfriend. Gokuu happens to be in possession of a dragon ball, but unfortunately for Bulma, he refuses to part ways with it, so she makes him a deal: he can tag along on her journey if he lets her borrow the dragon ball's power. With that, the two set off on the journey of a lifetime.

They don't go on the journey alone. On the way, they meet the old Muten-Roshi and wannabe disciple Kuririn, with whom Gokuu trains to become a stronger martial artist for the upcoming World Martial Arts Tournament. However, it's not all fun and games; the ability to make any wish come true is a powerful one, and there are others who would do much worse than just wishing for a boyfriend. To stop those who would try to abuse the legendary power, they train to become stronger fighters, using their newfound strength to help the people around them along the way.

[Written by MAL Rewrite]


Available At


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Dragon Ball Trailers


Dragon Ball Pictures


Dragon Ball Review

Dragon Ball — Gokuu Son is a young boy who lives in the woods all alone—that is, until a girl named Bulma runs into him in her search for a set of magical objects called the "Dragon Balls." Since the artifacts are said to grant one wish to whoever collects all seven, Bulma hopes to gather them and wish for a perfect boyfriend. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Action, Adventure, Comedy, Fantasy conventions as a TV work and has garnered attention (MAL score: 7.98). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Dragon Ball offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Action, Adventure, Comedy, Fantasy, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Bulma

Bulma

Main

Tsuru, Hiromi
Tsuru, Hiromi
Japanese
Bulma

Bulma

Main

Pacotto, Emanuela
Pacotto, Emanuela
Italian
Bulma

Bulma

Main

Margiotti, Beatrice
Margiotti, Beatrice
Italian
Bulma

Bulma

Main

Vollmer, Tiffany
Vollmer, Tiffany
English
Bulma

Bulma

Main

Liebing, Katja
Liebing, Katja
German
Bulma

Bulma

Main

Kiss, Erika
Kiss, Erika
Hungarian
Bulma

Bulma

Main

Lindbjerg, Lalainia
Lindbjerg, Lalainia
English
Bulma

Bulma

Main

Gaidarji, Tânia
Gaidarji, Tânia
Portuguese (BR)
Bulma

Bulma

Main

Garcel, Rocío
Garcel, Rocío
Spanish
Bulma

Bulma

Main

Song, Do Yeong
Song, Do Yeong
Korean
Bulma

Bulma

Main

Monsarrat, Céline
Monsarrat, Céline
French
Bulma

Bulma

Main

Pallejà, Ana
Pallejà, Ana
Spanish
Bulma

Bulma

Main

Rodrigues, Christina
Rodrigues, Christina
Portuguese (BR)
Bulma

Bulma

Main

De la Gala, Nonia
De la Gala, Nonia
Spanish
Bulma

Bulma

Main

Ayala, Laura
Ayala, Laura
Spanish
Bulma

Bulma

Main

Lee, Wendee
Lee, Wendee
English
Bulma

Bulma

Main

Davies, Leda
Davies, Leda
English
Bulma

Bulma

Main

Murat, Stéphanie
Murat, Stéphanie
French
Bulma

Bulma

Main

Jeong, Mi Sook
Jeong, Mi Sook
Korean
Kuririn

Kuririn

Main

Tanaka, Mayumi
Tanaka, Mayumi
Japanese

Staff

Cook, Justin

Cook, Justin

Producer, ADR Director

Shimizu, Kenji

Shimizu, Kenji

Producer

Watson, Barry

Watson, Barry

Producer, Script

Nishio, Daisuke

Nishio, Daisuke

Director, Episode Director, Storyboard

Okazaki, Minoru

Okazaki, Minoru

Director, Episode Director, Storyboard

Arisako, Toshihiko

Arisako, Toshihiko

Episode Director, Storyboard

Endou, Yuuji

Endou, Yuuji

Episode Director, Storyboard

Hashimoto, Mitsuo

Hashimoto, Mitsuo

Episode Director, Storyboard

Kamimura, Yasuhiro

Kamimura, Yasuhiro

Episode Director

Kasai, Osamu

Kasai, Osamu

Episode Director, Storyboard

Satou, Yutaka

Satou, Yutaka

Episode Director, Storyboard

Takenouchi, Kazuhisa

Takenouchi, Kazuhisa

Episode Director, Storyboard

Ueda, Yoshihiro

Ueda, Yoshihiro

Episode Director

Arakawa, Naruhisa

Arakawa, Naruhisa

Script

Hirano, Yasushi

Hirano, Yasushi

Script

Inoue, Toshiki

Inoue, Toshiki

Script

Koyama, Takao

Koyama, Takao

Script

Maruo, Miho

Maruo, Miho

Script

Oguro, Yuuichirou

Oguro, Yuuichirou

Script

Satsuki, Hajime

Satsuki, Hajime

Script