Doraemon Movie 31: Shin Nobita to Tetsujin Heidan - Habatake Tenshi-tachi
Summary: Jealous of Suneo's new robot toy, Nobita asks Doraemon to build him an even better one. Doraemon initially refuses, until Nobita accidentally discovers pieces of a mysterious robot that falls from the sky. After gathering all the robot parts and assembled them together, the giant robot, Zanda Claus, is soon completed. The duo soon learn that the robot is not a mere toy, but a powerful weapon in the fight against the coming Robot Army that is going to attack Earth and enslave the human inhabitants of it. An invasion is near, as a mysterious girl Riruru (リルル, Alternative spelling: Lilulu, Lillele [Doko Demo Doa Scanlations]) shows up, looking for the robot.
(Source: Wikipedia)
Description
Jealous of Suneo's new robot toy, Nobita asks Doraemon to build him an even better one. Doraemon initially refuses, until Nobita accidentally discovers pieces of a mysterious robot that falls from the sky. After gathering all the robot parts and assembled them together, the giant robot, Zanda Claus, is soon completed. The duo soon learn that the robot is not a mere toy, but a powerful weapon in the fight against the coming Robot Army that is going to attack Earth and enslave the human inhabitants of it. An invasion is near, as a mysterious girl Riruru (リルル, Alternative spelling: Lilulu, Lillele [Doko Demo Doa Scanlations]) shows up, looking for the robot.
(Source: Wikipedia)
Doraemon Movie 31: Shin Nobita to Tetsujin Heidan - Habatake Tenshi-tachi Trailers
Doraemon Movie 31: Shin Nobita to Tetsujin Heidan - Habatake Tenshi-tachi Pictures
Doraemon Movie 31: Shin Nobita to Tetsujin Heidan - Habatake Tenshi-tachi Review
Doraemon Movie 31: Shin Nobita to Tetsujin Heidan - Habatake Tenshi-tachi — Jealous of Suneo's new robot toy, Nobita asks Doraemon to build him an even better one. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.
Thematically, It sits firmly within Adventure, Comedy, Fantasy conventions as a Movie work and has garnered attention (MAL score: 8.31). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.
Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.
On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.
The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.
Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.
No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.
In sum, Doraemon Movie 31: Shin Nobita to Tetsujin Heidan - Habatake Tenshi-tachi offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Adventure, Comedy, Fantasy, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.
Characters & Voice Actors
Doraemon
Main
Mizuta, Wasabi
Japanese
Doraemon
Main
Lizárraga, Estívaliz
Spanish
Doraemon
Main
Valença, Carol
Portuguese (BR)
Gouda, Takeshi
Main
Kimura, Subaru
Japanese
Gouda, Takeshi
Main
Guarnieri, Caio
Portuguese (BR)
Gouda, Takeshi
Main
Ramirez, Luis Daniel
Spanish
Honekawa, Suneo
Main
Seki, Tomokazu
Japanese
Honekawa, Suneo
Main
Palomar, Antón
Spanish
Honekawa, Suneo
Main
Mello, Rosângela
Portuguese (BR)
Minamoto, Shizuka
Main
Kakazu, Yumi
Japanese
Minamoto, Shizuka
Main
Milano, Luciana
Portuguese (BR)
Minamoto, Shizuka
Main
Hernández, Cristina
Spanish
Minamoto, Shizuka
Main
Lin, Angel
Mandarin
Minamoto, Shizuka
Main
Huang, Ting Yun
Mandarin
Nobi, Nobita
Main
Oohara, Megumi
Japanese
Nobi, Nobita
Main
Campos, Luy
Portuguese (BR)
Nobi, Nobita
Main
Vera, Maggie
Spanish
Pippo
Main
Kobayashi, Yumiko
Japanese
Pippo
Main
Huang, Ting Yun
Mandarin
Riruru
Main
Sawashiro, Miyuki
Japanese
Staff
Tsuruzaki, Rika
Producer
Teramoto, Yukiyo
Director, Storyboard
Koshi, Shigeo
Storyboard
Yajima, Tetsuo
Storyboard
BUMP OF CHICKEN
Theme Song Arrangement, Theme Song Composition, Theme Song Performance, Theme Song Lyrics
Fujiwara, Motoo
Theme Song Lyrics, Theme Song Composition
Abe, Misao
Key Animation
Amamizu, Masaru
Background Art
Asano, Naoyuki
Chief Animation Director
Eguchi, Hisashi
Key Animation
Emoto, Masahiro
Key Animation
Enomoto, Hanako
Key Animation
Fujiko, Fujio F.
Original Creator
Fujimoto, Michiko
Editing
Hata, Ayako
Key Animation
Hayama, Junichi
Key Animation
Hori, Motonobu
Key Animation
Horie, Tasuku
In-Between Animation
Ichihashi, Yuuichi
In-Between Animation
Ishikawa, Kayoko
2nd Key Animation