Doraemon (1979)
Summary: Nobita Nobi is a normal fourth grade student. This all changes, however, when a blue robotic cat appears from his desk drawer. Calling himself Doraemon, this robot tells Nobita that his future descendants from the 22nd century live in poverty because of all the mistakes he made. Therefore, they have sent Doraemon to serve as a guide and mentor to Nobita, so that their future may change for the better. What Doraemon comes to learn, though, is that Nobita is the weakest and laziest student in the whole school.
To assist in his quest, Doraemon has a four-dimensional pocket with him, in which he keeps various machines and gadgets from the future. Unfortunately, these often result in even more trouble for Nobita. Will Doraemon really be able to achieve his mission of changing Nobita, or will he remain as he is?
[Written by MAL Rewrite]
Description
Nobita Nobi is a normal fourth grade student. This all changes, however, when a blue robotic cat appears from his desk drawer. Calling himself Doraemon, this robot tells Nobita that his future descendants from the 22nd century live in poverty because of all the mistakes he made. Therefore, they have sent Doraemon to serve as a guide and mentor to Nobita, so that their future may change for the better. What Doraemon comes to learn, though, is that Nobita is the weakest and laziest student in the whole school.
To assist in his quest, Doraemon has a four-dimensional pocket with him, in which he keeps various machines and gadgets from the future. Unfortunately, these often result in even more trouble for Nobita. Will Doraemon really be able to achieve his mission of changing Nobita, or will he remain as he is?
[Written by MAL Rewrite]
Doraemon (1979) Pictures
Doraemon (1979) Review
Doraemon (1979) â Nobita Nobi is a normal fourth grade student. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.
Thematically, It sits firmly within Adventure, Comedy, Fantasy, Sci-Fi conventions as a TV work and has garnered attention (MAL score: 7.88). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood â whether melancholic, exuberant, or contemplative â is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.
Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.
On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone â quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.
The soundscape â score, incidental music, and sound design â complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.
Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good â one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.
No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.
In sum, Doraemon (1979) offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Adventure, Comedy, Fantasy, Sci-Fi, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.
Characters & Voice Actors
Doraemon
Main
Ubaldi, Pietro
Italian
Doraemon
Main
Ooyama, Nobuyo
Japanese
Doraemon
Main
LizĂĄrraga, EstĂvaliz
Spanish
Doraemon
Main
Cutolo, Zezinho
Portuguese (BR)
Doraemon
Main
Orra, Ana
Spanish
Doraemon
Main
Guedj, Brigitte
French
Doraemon
Main
Tejedo, Ricardo
Spanish
Doraemon
Main
Henderson, A.J.
English
Gouda, Takeshi
Main
Tatekabe, Kazuya
Japanese
Gouda, Takeshi
Main
Escobal GarcĂa, Alberto
Spanish
Gouda, Takeshi
Main
Guarnieri, José Otåvio
Portuguese (BR)
Gouda, Takeshi
Main
Bottale, Luca
Italian
Gouda, Takeshi
Main
Pellegrin, Patrick
French
Gouda, Takeshi
Main
Ramirez, Luis Daniel
Spanish
Gouda, Takeshi
Main
Choi, Seok Pil
Korean
Gouda, Takeshi
Main
Yu, Zheng Chang
Mandarin
Honekawa, Suneo
Main
Kimotsuki, Kaneta
Japanese
Honekawa, Suneo
Main
Scianca, Patrizia
Italian
Honekawa, Suneo
Main
DaayĂĄn, Irwin
Spanish
Honekawa, Suneo
Main
Palomar, AntĂłn
Spanish
Staff
Shibayama, Tsutomu
Director
Hara, Keiichi
Episode Director, Storyboard, Assistant Director
Ichikawa, Takahisa
Episode Director, Storyboard, Animation Director
Moriwaki, Makoto
Episode Director, Storyboard
Mukainakano, Yoshio
Episode Director, Storyboard
Negishi, Hiroki
Episode Director, Storyboard
Suzuki, Shinichi
Episode Director, Storyboard, Animation Director
Takayanagi, Tetsushi
Episode Director, Storyboard
Watanabe, Ayumu
Episode Director, Storyboard, Animation Director
Igarashi, Akemi
Script
Okabe, Yuuko
Script
Sugihara, Megumi
Script
Tsuji, Masaki
Script
Haruta, Katsunori
Storyboard
Ishihara, Tatsuya
Storyboard
Kadoya, Tetsuo
Storyboard
Kamimura, Sachiko
Storyboard
Kaneko, Shingo
Storyboard
Kohanawa, Tameo
Storyboard
Maezono, Fumio
Storyboard