D.Gray-man
Summary: Losing a loved one is so painful that one may sometimes wish to be able to resurrect them—a weakness that the enigmatic Millennium Earl exploits. To make his mechanical weapons known as "Akuma," he uses the souls of the dead that are called back. Once a soul is placed in an Akuma, it is trapped forever, and the only way to save them is to exorcise them from their vessel using the Anti-Akuma weapon, "Innocence."
After spending three years as the disciple of General Cross, Allen Walker is sent to the Black Order—an organization comprised of those willing to fight Akuma and the Millennium Earl—to become an official Exorcist. With an arm as his Innocence and a cursed eye that can see the suffering souls within an Akuma, it's up to Allen and his fellow Exorcists to stop the Millennium Earl's ultimate plot: one that can lead to the destruction of the world.
[Written by MAL Rewrite]
Description
Losing a loved one is so painful that one may sometimes wish to be able to resurrect them—a weakness that the enigmatic Millennium Earl exploits. To make his mechanical weapons known as "Akuma," he uses the souls of the dead that are called back. Once a soul is placed in an Akuma, it is trapped forever, and the only way to save them is to exorcise them from their vessel using the Anti-Akuma weapon, "Innocence."
After spending three years as the disciple of General Cross, Allen Walker is sent to the Black Order—an organization comprised of those willing to fight Akuma and the Millennium Earl—to become an official Exorcist. With an arm as his Innocence and a cursed eye that can see the suffering souls within an Akuma, it's up to Allen and his fellow Exorcists to stop the Millennium Earl's ultimate plot: one that can lead to the destruction of the world.
[Written by MAL Rewrite]
Available At
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D.Gray-man Trailers
D.Gray-man Pictures
D.Gray-man Review
D.Gray-man — Losing a loved one is so painful that one may sometimes wish to be able to resurrect them—a weakness that the enigmatic Millennium Earl exploits. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.
Thematically, It sits firmly within Action, Adventure, Fantasy conventions as a TV work and has garnered attention (MAL score: 8). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.
Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.
On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.
The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.
Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.
No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.
In sum, D.Gray-man offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Action, Adventure, Fantasy, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.
Characters & Voice Actors
Kanda, Yuu
Main
Willingham, Travis
English
Kanda, Yuu
Main
Sakurai, Takahiro
Japanese
Kanda, Yuu
Main
Knauer, Tim
German
Kanda, Yuu
Main
Jeon, Gwang ju
Korean
Kanda, Yuu
Main
Crépet, Alexandre
French
Kanda, Yuu
Main
Sinclair, Ian
English
Kanda, Yuu
Main
Palomo, Artur
Spanish
Lavi
Main
Suzumura, Kenichi
Japanese
Lavi
Main
Patton, Chris
English
Lavi
Main
Liebrecht, Jason
English
Lavi
Main
Percy, Xavier
French
Lavi
Main
Sörös, Miklós
Hungarian
Lavi
Main
Shin, Yong Wu
Korean
Lavi
Main
Schmidt, Tobias
German
Lavi
Main
Barreda, Jesús
Spanish
Lee, Lenalee
Main
Itou, Shizuka
Japanese
Lee, Lenalee
Main
Christian, Luci
English
Lee, Lenalee
Main
Dögei, Éva
Hungarian
Lee, Lenalee
Main
Brettschneider, Merete
German
Lee, Lenalee
Main
Kim, Seon Hye
Korean
Staff
Azuma, Fukashi
Producer
Cook, Justin
Producer
Harp, Clarine
Producer
Iwata, Shiniichi
Producer
Sabat, Christopher
Producer, ADR Director
Herek, Samantha
Assistant Producer
Harada, Nana
Director, Episode Director
Nabeshima, Osamu
Director, Episode Director, Storyboard, Key Animation
Nakano, Tooru
Sound Director
Ejima, Yasuo
Episode Director, Storyboard
Gouda, Hayato
Episode Director
Kagawa, Yutaka
Episode Director, Storyboard
Kurimoto, Hiroshi
Episode Director, Storyboard
Miura, Kazuya
Episode Director, Storyboard
Noshitani, Mitsutaka
Episode Director
Onoda, Yuusuke
Episode Director
Ooba, Hideaki
Episode Director, Storyboard
Shinozaki, Yasuyuki
Episode Director, Storyboard
Sugahara, Shizutaka
Episode Director
Wakabayashi, Kanji
Episode Director, Key Animation