Code Geass: Hangyaku no Lelouch III - Oudou

  • Genres: ["Sci-Fi"]
  • Type: Movie
  • Status: Finished Airing
  • Year:

Summary: Lelouch Lamperouge's dreams of destroying the Holy Britannian Empire are slowly crumbling. His sister, Nunnally, has been kidnapped by Schneizel el Britannia, and Suzaku Kururugi is ignoring his desperate pleas for assistance. The Black Knights are slowly losing faith in Lelouch as their leader, and the United Federation of Nations has declared global war on Britannia.

Having suffered numerous betrayals, a significant loss of power, and an ever-growing resentment towards Emperor Charles zi Britannia, the crippled Lelouch makes a final decision: if he can't destroy the Empire from the outside, he will take it for himself from within.

[Written by MAL Rewrite]


Description

Lelouch Lamperouge's dreams of destroying the Holy Britannian Empire are slowly crumbling. His sister, Nunnally, has been kidnapped by Schneizel el Britannia, and Suzaku Kururugi is ignoring his desperate pleas for assistance. The Black Knights are slowly losing faith in Lelouch as their leader, and the United Federation of Nations has declared global war on Britannia.

Having suffered numerous betrayals, a significant loss of power, and an ever-growing resentment towards Emperor Charles zi Britannia, the crippled Lelouch makes a final decision: if he can't destroy the Empire from the outside, he will take it for himself from within.

[Written by MAL Rewrite]


Available At


  • Warning: Array to string conversion in /home/hianime.me.uk/public_html/anime.php on line 243
    Array

Code Geass: Hangyaku no Lelouch III - Oudou Trailers


Code Geass: Hangyaku no Lelouch III - Oudou Pictures


Code Geass: Hangyaku no Lelouch III - Oudou Review

Code Geass: Hangyaku no Lelouch III - Oudou — Lelouch Lamperouge's dreams of destroying the Holy Britannian Empire are slowly crumbling. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Sci-Fi conventions as a Movie work and has garnered attention (MAL score: 7.96). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Code Geass: Hangyaku no Lelouch III - Oudou offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Sci-Fi, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

C.C.

C.C.

Main

Yukana
Yukana
Japanese
C.C.

C.C.

Main

von der Ahe, Antje
von der Ahe, Antje
German
C.C.

C.C.

Main

LĂłpez, Mireia
LĂłpez, Mireia
Spanish
Kururugi, Suzaku

Kururugi, Suzaku

Main

Sakurai, Takahiro
Sakurai, Takahiro
Japanese
Kururugi, Suzaku

Kururugi, Suzaku

Main

Watanabe, Akeno
Watanabe, Akeno
Japanese
Kururugi, Suzaku

Kururugi, Suzaku

Main

Aranda, Rubén
Aranda, Rubén
Spanish
Lamperouge, Lelouch

Lamperouge, Lelouch

Main

Fukuyama, Jun
Fukuyama, Jun
Japanese
Lamperouge, Lelouch

Lamperouge, Lelouch

Main

Ohara, Sayaka
Ohara, Sayaka
Japanese
Lamperouge, Lelouch

Lamperouge, Lelouch

Main

Esteve, Álvaro
Esteve, Álvaro
Spanish
Stadtfeld, Kallen

Stadtfeld, Kallen

Main

Koshimizu, Ami
Koshimizu, Ami
Japanese
Stadtfeld, Kallen

Stadtfeld, Kallen

Main

Bautz, Julia
Bautz, Julia
German
Stadtfeld, Kallen

Stadtfeld, Kallen

Main

TarĂ­n, SĂ­lvia
TarĂ­n, SĂ­lvia
Spanish
Alstreim, Anya

Alstreim, Anya

Supporting

Gotou, Yuuko
Gotou, Yuuko
Japanese
Asahina, Shougo

Asahina, Shougo

Supporting

Kisaichi, Atsushi
Kisaichi, Atsushi
Japanese
Asahina, Shougo

Asahina, Shougo

Supporting

Torrent, DarĂ­o
Torrent, DarĂ­o
Spanish
Ashford, Milly

Ashford, Milly

Supporting

Ohara, Sayaka
Ohara, Sayaka
Japanese
Ashford, Milly

Ashford, Milly

Supporting

Carbonell, Lidia
Carbonell, Lidia
Spanish
Asplund, Lloyd

Asplund, Lloyd

Supporting

Shiratori, Tetsu
Shiratori, Tetsu
Japanese
Asplund, Lloyd

Asplund, Lloyd

Supporting

SendĂ­n, Ernest
SendĂ­n, Ernest
Spanish
Bradley, Luciano

Bradley, Luciano

Supporting

Kisaichi, Atsushi
Kisaichi, Atsushi
Japanese

Staff

Izawa, Motoi

Izawa, Motoi

Sound Director

Hidaka, Masamitsu

Hidaka, Masamitsu

Storyboard

Sunaga, Tsukasa

Sunaga, Tsukasa

Storyboard

FLOW

FLOW

Theme Song Arrangement, Theme Song Lyrics, Theme Song Composition, Theme Song Performance

Survive Said The Prophet

Survive Said The Prophet

Theme Song Performance

Akutsu, Junichi

Akutsu, Junichi

Mechanical Design

CLAMP

CLAMP

Original Character Design

Chiba, Hiroyuki

Chiba, Hiroyuki

Director of Photography

Fukunaga, Gen

Fukunaga, Gen

Executive Producer

Hishinuma, Yoshinori

Hishinuma, Yoshinori

Art Director

Horiuchi, Hiroyuki

Horiuchi, Hiroyuki

Key Animation

Ishikawa, Shinsuke

Ishikawa, Shinsuke

Key Animation

Maeda, Seimei

Maeda, Seimei

Key Animation

Nakada, Eiji

Nakada, Eiji

Key Animation, Animation Director

Nozaki, Shinichi

Nozaki, Shinichi

2nd Key Animation

Saitou, Eiko

Saitou, Eiko

Key Animation

Sakamoto, Shuuji

Sakamoto, Shuuji

Key Animation

Shibata, Akiko

Shibata, Akiko

Color Design

Sugimoto, Sachiko

Sugimoto, Sachiko

Key Animation

Yasuda, Akira

Yasuda, Akira

Mechanical Design