City The Animation
Summary: Aimless daydreaming in high school is an ordinary part of growing up. But once graduation comes, suddenly there are bills to pay and a higher education to tackle. Even so, Midori Nagumo never quite stopped dreaming—even after entering college—as she still wants to have fun while ignoring her responsibilities. Contrasting Midori's recklessness is her supposed best friend Niikura, who is the complete opposite of Midori and has a goal of becoming a photographer after college.
However, Niikura is often pulled into Midori's schemes, which leads them to meet Wako Izumi, a tenacious, yet airheaded classmate who is always taking pictures of things she finds fun. The trio ends up living together in the same apartment and attempt to navigate their lives in the city of City, where unexpected and out-of-the-ordinary things occur daily.
[Written by MAL Rewrite]
Description
Aimless daydreaming in high school is an ordinary part of growing up. But once graduation comes, suddenly there are bills to pay and a higher education to tackle. Even so, Midori Nagumo never quite stopped dreaming—even after entering college—as she still wants to have fun while ignoring her responsibilities. Contrasting Midori's recklessness is her supposed best friend Niikura, who is the complete opposite of Midori and has a goal of becoming a photographer after college.
However, Niikura is often pulled into Midori's schemes, which leads them to meet Wako Izumi, a tenacious, yet airheaded classmate who is always taking pictures of things she finds fun. The trio ends up living together in the same apartment and attempt to navigate their lives in the city of City, where unexpected and out-of-the-ordinary things occur daily.
[Written by MAL Rewrite]
City The Animation Trailers
City The Animation Pictures
City The Animation Review
City The Animation — Aimless daydreaming in high school is an ordinary part of growing up. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.
Thematically, It sits firmly within Comedy conventions as a TV work and has garnered attention (MAL score: 8.11). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.
Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.
On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.
The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.
Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.
No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.
In sum, City The Animation offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Comedy, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.
Characters & Voice Actors
Izumi, Wako
Main
Ishikawa, Yui
Japanese
Izumi, Wako
Main
Buttel, Hannah
Portuguese (BR)
Izumi, Wako
Main
González, Arelys
Spanish
Izumi, Wako
Main
Tamburello, Martina
Italian
Izumi, Wako
Main
Larsen, Brenna
English
Izumi, Wako
Main
du Bled, Marie
French
Nagumo, Midori
Main
Komatsu, Mikako
Japanese
Nagumo, Midori
Main
Rodrigues, Pamella
Portuguese (BR)
Nagumo, Midori
Main
Simonelli, Federica
Italian
Nagumo, Midori
Main
Lindbeck, Erica
English
Nagumo, Midori
Main
Dubois, Aaricia
French
Niikura
Main
Toyosaki, Aki
Japanese
Niikura
Main
Jardim, Linn
Portuguese (BR)
Niikura
Main
Bersani, Giulia
Italian
Niikura
Main
Protano, Cat
English
Niikura
Main
Braam, Marie
French
Adatara, Tatsuta
Supporting
KENN
Japanese
Adatara, Tatsuta
Supporting
Rothier, Luiz Henrique
Portuguese (BR)
Adatara, Tatsuta
Supporting
Lo Presti, Antoni
French
Adatara, Tatsuta
Supporting
Calatroni, Jacopo
Italian
Staff
Hatta, Shinichirou
Producer
Nakamura, Shinichi
Producer
Nishimura, Mainari
Producer
Tateishi, Kensuke
Producer
Ueda, Tomoki
Producer
Yamamoto, Sakiko
Producer
Satou, Atsuji
Assistant Producer
Shioya, Yoshiyuki
Assistant Producer
Ishidate, Taichi
Director, Episode Director, Storyboard
Tsuruoka, Youta
Sound Director
Kitanohara, Noriyuki
Episode Director, Storyboard
Miyagi, Ryou
Episode Director, Storyboard
Ogawa, Taichi
Episode Director, Storyboard
Okamura, Kouhei
Episode Director, Storyboard
Oota, Minoru
Episode Director, Storyboard
Yamamura, Takuya
Episode Director, Storyboard
Yamazaki, Shiori
Episode Director, Art Director
Nishikawa, Masashi
Script
Satou, Ayano
Script
Sturm, Winicius
Script