Chuunibyou demo Koi ga Shitai! Movie: Take On Me

  • Genres: ["Comedy","Drama","Romance"]
  • Type: Movie
  • Status: Finished Airing
  • Year:

Summary: Although already a third-year high school student, Rikka Takanashi remains a chuunibyou—a "disease" that causes people to fantasize about themselves and their surroundings. Her relationship with Yuuta Togashi has also gone unchanged for the past six months, and with entrance exams right around the corner, both of them strive to enroll at the same college. However, Tooka—Rikka's elder sister—decides to take Rikka to Italy as she has found a stable job there. This unforeseen turn of events causes a commotion between the couple as neither of them want to be separated from each other. Desperate for ideas, they seek assistance from their friends, and after a brief conversation, they come up with a plan—to elope.

Chuunibyou demo Koi ga Shitai! Movie: Take On Me is a sensational drama featuring the couple—Yuuta and Rikka—as they journey across Japan. The two attempt to prevent Rikka from being taken to Italy, but will they be able to succeed in doing so?

[Written by MAL Rewrite]


Description

Although already a third-year high school student, Rikka Takanashi remains a chuunibyou—a "disease" that causes people to fantasize about themselves and their surroundings. Her relationship with Yuuta Togashi has also gone unchanged for the past six months, and with entrance exams right around the corner, both of them strive to enroll at the same college. However, Tooka—Rikka's elder sister—decides to take Rikka to Italy as she has found a stable job there. This unforeseen turn of events causes a commotion between the couple as neither of them want to be separated from each other. Desperate for ideas, they seek assistance from their friends, and after a brief conversation, they come up with a plan—to elope.

Chuunibyou demo Koi ga Shitai! Movie: Take On Me is a sensational drama featuring the couple—Yuuta and Rikka—as they journey across Japan. The two attempt to prevent Rikka from being taken to Italy, but will they be able to succeed in doing so?

[Written by MAL Rewrite]


Available At


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Chuunibyou demo Koi ga Shitai! Movie: Take On Me Trailers


Chuunibyou demo Koi ga Shitai! Movie: Take On Me Pictures


Chuunibyou demo Koi ga Shitai! Movie: Take On Me Review

Chuunibyou demo Koi ga Shitai! Movie: Take On Me — Although already a third-year high school student, Rikka Takanashi remains a chuunibyou—a "disease" that causes people to fantasize about themselves and their surroundings. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Comedy, Drama, Romance conventions as a Movie work and has garnered attention (MAL score: 8.1). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Chuunibyou demo Koi ga Shitai! Movie: Take On Me offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Comedy, Drama, Romance, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Dekomori, Sanae

Dekomori, Sanae

Main

Uesaka, Sumire
Uesaka, Sumire
Japanese
Dekomori, Sanae

Dekomori, Sanae

Main

Karbowski, Brittney
Karbowski, Brittney
English
Dekomori, Sanae

Dekomori, Sanae

Main

Wietzorek, Luisa
Wietzorek, Luisa
German
Nibutani, Shinka

Nibutani, Shinka

Main

Akasaki, Chinatsu
Akasaki, Chinatsu
Japanese
Nibutani, Shinka

Nibutani, Shinka

Main

Flecknoe, Maggie
Flecknoe, Maggie
English
Takanashi, Rikka

Takanashi, Rikka

Main

Uchida, Maaya
Uchida, Maaya
Japanese
Takanashi, Rikka

Takanashi, Rikka

Main

McDonald, Margaret
McDonald, Margaret
English
Togashi, Yuuta

Togashi, Yuuta

Main

Fukuyama, Jun
Fukuyama, Jun
Japanese
Togashi, Yuuta

Togashi, Yuuta

Main

Zeiger, Christian
Zeiger, Christian
German
Togashi, Yuuta

Togashi, Yuuta

Main

Anzaldua, Leraldo
Anzaldua, Leraldo
English
Tsuyuri, Kumin

Tsuyuri, Kumin

Main

Asakura, Azumi
Asakura, Azumi
Japanese
Tsuyuri, Kumin

Tsuyuri, Kumin

Main

Neves, Emily
Neves, Emily
English
Cento

Cento

Supporting

Yamaoka, Yuri
Yamaoka, Yuri
Japanese
Cento

Cento

Supporting

Smithhart, Avery
Smithhart, Avery
English
Isshiki, Makoto

Isshiki, Makoto

Supporting

Hoshi, Souichirou
Hoshi, Souichirou
Japanese
Isshiki, Makoto

Isshiki, Makoto

Supporting

Ayres, Greg
Ayres, Greg
English
Isshiki, Makoto

Isshiki, Makoto

Supporting

Kluckert, Sebastian
Kluckert, Sebastian
German
Shichimiya, Satone

Shichimiya, Satone

Supporting

Nagatsuma, Juri
Nagatsuma, Juri
Japanese
Shichimiya, Satone

Shichimiya, Satone

Supporting

Kelly, Christina
Kelly, Christina
English
Takanashi, Mother

Takanashi, Mother

Supporting

Iwao, Junko
Iwao, Junko
Japanese

Staff

Nakamura, Shinichi

Nakamura, Shinichi

Producer

Saitou, Shigeru

Saitou, Shigeru

Producer

Tanaka, Gou

Tanaka, Gou

Producer

Yarimizu, Yoshifumi

Yarimizu, Yoshifumi

Assistant Producer

Ishihara, Tatsuya

Ishihara, Tatsuya

Director

Tsuruoka, Youta

Tsuruoka, Youta

Sound Director

Takemoto, Yasuhiro

Takemoto, Yasuhiro

Episode Director

ZAQ

ZAQ

Theme Song Arrangement, Theme Song Lyrics, Theme Song Performance, Theme Song Composition, Inserted Song Performance

Asama, Hidehiro

Asama, Hidehiro

Key Animation

Aso, Hiroshi

Aso, Hiroshi

Publicity

Fujita, Naoko

Fujita, Naoko

Animation Check, In-Between Animation

Fujita, Takahisa

Fujita, Takahisa

Production Manager

Hado, Maiko

Hado, Maiko

Key Animation

Hanada, Jukki

Hanada, Jukki

Screenplay

Hane, Kunihiro

Hane, Kunihiro

Key Animation

Hashi, Yumiko

Hashi, Yumiko

In-Between Animation, Animation Check

Hatta, Hideaki

Hatta, Hideaki

Planning Producer

Higaki, Akiko

Higaki, Akiko

In-Between Animation

Hikiyama, Kayo

Hikiyama, Kayo

Key Animation

Hosoda, Hana

Hosoda, Hana

In-Between Animation