Ballroom e Youkoso

  • Genres: ["Sports"]
  • Type: TV
  • Status: Finished Airing
  • Year: 2017

Summary: Tatara Fujita is a shy middle schooler who has no particular plan for the future. He has gotten through life by avoiding any kind of confrontation and blending in with the crowd. But blending in isn't enough to get out of trouble, as some bullies harass him for money. Luckily, he is saved by a man named Kaname Sengoku.

Kaname invites Tatara to his dance studio. Although he would normally never set foot in such a place, Tatara is captivated by Sengoku's commanding presence. Granted an opportunity to dance with fellow classmate Shizuku Hanaoka—who often practices at the studio—Tatara realizes there's something about the idea of being put in the limelight and dancing where people will see him that keeps him coming back. With an earnest, passionate drive to improve, Tatara begins his journey into the world of competitive dance.

[Written by MAL Rewrite]


Description

Tatara Fujita is a shy middle schooler who has no particular plan for the future. He has gotten through life by avoiding any kind of confrontation and blending in with the crowd. But blending in isn't enough to get out of trouble, as some bullies harass him for money. Luckily, he is saved by a man named Kaname Sengoku.

Kaname invites Tatara to his dance studio. Although he would normally never set foot in such a place, Tatara is captivated by Sengoku's commanding presence. Granted an opportunity to dance with fellow classmate Shizuku Hanaoka—who often practices at the studio—Tatara realizes there's something about the idea of being put in the limelight and dancing where people will see him that keeps him coming back. With an earnest, passionate drive to improve, Tatara begins his journey into the world of competitive dance.

[Written by MAL Rewrite]


Available At


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Ballroom e Youkoso Trailers


Ballroom e Youkoso Pictures


Ballroom e Youkoso Review

Ballroom e Youkoso — Tatara Fujita is a shy middle schooler who has no particular plan for the future. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Sports conventions as a TV work and has garnered attention (MAL score: 8.17). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Ballroom e Youkoso offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Sports, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Fujita, Tatara

Fujita, Tatara

Main

Tsuchiya, Simba
Tsuchiya, Simba
Japanese
Fujita, Tatara

Fujita, Tatara

Main

Stein, Flemming
Stein, Flemming
German
Fujita, Tatara

Fujita, Tatara

Main

Sakurai, Yuuki
Sakurai, Yuuki
Japanese
Hanaoka, Shizuku

Hanaoka, Shizuku

Main

Sakura, Ayane
Sakura, Ayane
Japanese
Hiyama, Chinatsu

Hiyama, Chinatsu

Main

Akasaki, Chinatsu
Akasaki, Chinatsu
Japanese
Hiyama, Chinatsu

Hiyama, Chinatsu

Main

Landa, Leonie
Landa, Leonie
German
Hyoudou, Kiyoharu

Hyoudou, Kiyoharu

Main

Okamoto, Nobuhiko
Okamoto, Nobuhiko
Japanese
Hyoudou, Kiyoharu

Hyoudou, Kiyoharu

Main

Yorita, Natsu
Yorita, Natsu
Japanese
Akagi, Gaju

Akagi, Gaju

Supporting

Tomita, Kentarou
Tomita, Kentarou
Japanese
Akagi, Gaju

Akagi, Gaju

Supporting

Tomita, Miyu
Tomita, Miyu
Japanese
Akagi, Mako

Akagi, Mako

Supporting

Morohoshi, Sumire
Morohoshi, Sumire
Japanese
Akagi, Mako

Akagi, Mako

Supporting

Friede, Franciska
Friede, Franciska
German
Banba, Karen

Banba, Karen

Supporting

Kodaira, Yuuki
Kodaira, Yuuki
Japanese
Bosco, Nero

Bosco, Nero

Supporting

Chouno, Hitomiware

Chouno, Hitomiware

Supporting

Mogi, Takamasa
Mogi, Takamasa
Japanese
Fujita, Tetsuo

Fujita, Tetsuo

Supporting

Fukuda, Kenji
Fukuda, Kenji
Japanese
Fujita, Tetsuo

Fujita, Tetsuo

Supporting

Rudolf, Christian
Rudolf, Christian
German
Hanageishi, Tenpei

Hanageishi, Tenpei

Supporting

Tatekawa, Danshun
Tatekawa, Danshun
Japanese
Hanageishi, Tenpei

Hanageishi, Tenpei

Supporting

May, Martin
May, Martin
German
Hiyama, Chisato

Hiyama, Chisato

Supporting

Shindo, Naomi
Shindo, Naomi
Japanese

Staff

Aijima, Gouta

Aijima, Gouta

Producer

Endou, Tetsuya

Endou, Tetsuya

Producer

Fukino, Fuminari

Fukino, Fuminari

Producer

Hirata, Hideo

Hirata, Hideo

Producer

Imai, Yousuke

Imai, Yousuke

Producer

Kananiwa, Kozue

Kananiwa, Kozue

Producer

Kawazoe, Chitose

Kawazoe, Chitose

Producer

Kinoshita, Tetsuya

Kinoshita, Tetsuya

Producer

Maeda, Toshihiro

Maeda, Toshihiro

Producer

Maruyama, Hiroo

Maruyama, Hiroo

Producer

Matsushita, Takuya

Matsushita, Takuya

Producer

Matsushita, Keiko

Matsushita, Keiko

Producer

Morishita, Katsuji

Morishita, Katsuji

Producer

Sasaki, Takahiro

Sasaki, Takahiro

Producer

Tateishi, Kensuke

Tateishi, Kensuke

Producer

Yanagimura, Tsutomu

Yanagimura, Tsutomu

Producer

Yoshizaki, Kuninori

Yoshizaki, Kuninori

Producer

Kitabayashi, Toshiya

Kitabayashi, Toshiya

Assistant Producer

Itazu, Yoshimi

Itazu, Yoshimi

Director, Episode Director, Storyboard, Assistant Animation Director, Key Animation

Kikuta, Hiromi

Kikuta, Hiromi

Sound Director