Ansatsu Kyoushitsu

  • Genres: ["Action","Comedy"]
  • Type: TV
  • Status: Finished Airing
  • Year: 2015

Summary: Tucked in the mountains near the elite Kunugigaoka Middle School lies a small derelict building that houses the delinquents and dropouts of Class 3-E. Looked down upon by their peers, the students in this class appear to have little hope in advancing their academic careers. That is, until the national government tasks them with eliminating the greatest threat to their planet: their new teacher.

Having already destroyed the moon, the octopus-like professor—dubbed "Koro-sensei"—has now threatened to destroy the Earth by March of the following year. In light of their mission, the students have found that killing him is easier said than done. Not only can Koro-sensei move at speeds of up to Mach 20, but he can also resist almost every earthly weapon. Ironically, he also proves to be one of the best teachers Class 3-E has ever had. Training the class to excel in both their studies as students and skills as assassins, Koro-sensei is confident that his students' ingenuity and indomitable will could return them to the main campus.

Through trial and error, Nagisa Shiota, as well as the other students of Class 3-E, must figure out Koro-sensei's weaknesses—and fast, for the very fate of the world depends upon it.

[Written by MAL Rewrite]


Description

Tucked in the mountains near the elite Kunugigaoka Middle School lies a small derelict building that houses the delinquents and dropouts of Class 3-E. Looked down upon by their peers, the students in this class appear to have little hope in advancing their academic careers. That is, until the national government tasks them with eliminating the greatest threat to their planet: their new teacher.

Having already destroyed the moon, the octopus-like professor—dubbed "Koro-sensei"—has now threatened to destroy the Earth by March of the following year. In light of their mission, the students have found that killing him is easier said than done. Not only can Koro-sensei move at speeds of up to Mach 20, but he can also resist almost every earthly weapon. Ironically, he also proves to be one of the best teachers Class 3-E has ever had. Training the class to excel in both their studies as students and skills as assassins, Koro-sensei is confident that his students' ingenuity and indomitable will could return them to the main campus.

Through trial and error, Nagisa Shiota, as well as the other students of Class 3-E, must figure out Koro-sensei's weaknesses—and fast, for the very fate of the world depends upon it.

[Written by MAL Rewrite]


Available At


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Ansatsu Kyoushitsu Trailers


Ansatsu Kyoushitsu Pictures


Ansatsu Kyoushitsu Review

Ansatsu Kyoushitsu — Tucked in the mountains near the elite Kunugigaoka Middle School lies a small derelict building that houses the delinquents and dropouts of Class 3-E. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Action, Comedy conventions as a TV work and has garnered attention (MAL score: 8.07). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, Ansatsu Kyoushitsu offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Action, Comedy, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Akabane, Karma

Akabane, Karma

Main

Okamoto, Nobuhiko
Okamoto, Nobuhiko
Japanese
Akabane, Karma

Akabane, Karma

Main

Tindle, Austin
Tindle, Austin
English
Akabane, Karma

Akabane, Karma

Main

Bourlé, Bastien
Bourlé, Bastien
French
Akabane, Karma

Akabane, Karma

Main

Reinbold, Marco
Reinbold, Marco
German
Akabane, Karma

Akabane, Karma

Main

Torrent, DarĂ­o
Torrent, DarĂ­o
Spanish
Akabane, Karma

Akabane, Karma

Main

LĂłpez, Clemente
LĂłpez, Clemente
Spanish
Akabane, Karma

Akabane, Karma

Main

Viola, Federico
Viola, Federico
Italian
Akabane, Karma

Akabane, Karma

Main

Martins, Gabriel
Martins, Gabriel
Portuguese (BR)
Akabane, Karma

Akabane, Karma

Main

FernĂĄndez, IvĂĄn
FernĂĄndez, IvĂĄn
Spanish
Koro-sensei

Koro-sensei

Main

Fukuyama, Jun
Fukuyama, Jun
Japanese
Koro-sensei

Koro-sensei

Main

Strait, Sonny
Strait, Sonny
English
Koro-sensei

Koro-sensei

Main

Coadour, Alexandre
Coadour, Alexandre
French
Koro-sensei

Koro-sensei

Main

Damitz, Claus-Peter
Damitz, Claus-Peter
German
Koro-sensei

Koro-sensei

Main

Casany, Josep Manel
Casany, Josep Manel
Spanish
Koro-sensei

Koro-sensei

Main

Toth, Spencer
Toth, Spencer
Portuguese (BR)
Koro-sensei

Koro-sensei

Main

De Santis, Paolo
De Santis, Paolo
Italian
Koro-sensei

Koro-sensei

Main

Segundo, Carlos
Segundo, Carlos
Spanish
Koro-sensei

Koro-sensei

Main

Yu, Zheng Chang
Yu, Zheng Chang
Mandarin
Shiota, Nagisa

Shiota, Nagisa

Main

Fuchigami, Mai
Fuchigami, Mai
Japanese
Shiota, Nagisa

Shiota, Nagisa

Main

Seidel, Lindsay
Seidel, Lindsay
English

Staff

Cook, Justin

Cook, Justin

Producer

Higa, Yuuji

Higa, Yuuji

Producer

Ozaki, Noriko

Ozaki, Noriko

Producer

Kishi, Seiji

Kishi, Seiji

Director, Storyboard

Iida, Satoki

Iida, Satoki

Sound Director

Fukuoka, Daiki

Fukuoka, Daiki

Episode Director, Storyboard

Itoga, Shintarou

Itoga, Shintarou

Episode Director

Itou, Fumio

Itou, Fumio

Episode Director

Kamata, Yuusuke

Kamata, Yuusuke

Episode Director, Storyboard, Animation Director

Kinome, Yuu

Kinome, Yuu

Episode Director

Kobayashi, Takashi

Kobayashi, Takashi

Episode Director, Storyboard

Nomata, Noriyuki

Nomata, Noriyuki

Episode Director

Oohashi, Akiyo

Oohashi, Akiyo

Episode Director

Tatum, J. Michael

Tatum, J. Michael

Script

Uezu, Makoto

Uezu, Makoto

Script, Series Composition

Iwahata, Gouichi

Iwahata, Gouichi

Storyboard

Matsumoto, Takehiko

Matsumoto, Takehiko

Storyboard, Animation Director

Nishouji, Yoshihito

Nishouji, Yoshihito

Storyboard, Assistant Director

Yoshimoto, Kinji

Yoshimoto, Kinji

Storyboard

Asanuma, Shintaro

Asanuma, Shintaro

Theme Song Performance