3-gatsu no Lion

  • Genres: ["Drama"]
  • Type: TV
  • Status: Finished Airing
  • Year: 2016

Summary: Having reached professional status in middle school, Rei Kiriyama is one of the few elite in the world of shogi. Due to this, he faces an enormous amount of pressure, both from the shogi community and his adoptive family. Seeking independence from his tense home life, he moves into an apartment in Tokyo. As a 17-year-old living on his own, Rei tends to take poor care of himself, and his reclusive personality ostracizes him from his peers in school and at the shogi hall.

However, not long after his arrival in Tokyo, Rei meets Akari, Hinata, and Momo Kawamoto, a trio of sisters living with their grandfather who owns a traditional wagashi shop. Akari, the oldest of the three girls, is determined to combat Rei's loneliness and poorly sustained lifestyle with motherly hospitality. The Kawamoto sisters, coping with past tragedies, also share with Rei a unique familial bond that he has lacked for most of his life. As he struggles to maintain himself physically and mentally through his shogi career, Rei must learn how to interact with others and understand his own complex emotions.

[Written by MAL Rewrite]


Description

Having reached professional status in middle school, Rei Kiriyama is one of the few elite in the world of shogi. Due to this, he faces an enormous amount of pressure, both from the shogi community and his adoptive family. Seeking independence from his tense home life, he moves into an apartment in Tokyo. As a 17-year-old living on his own, Rei tends to take poor care of himself, and his reclusive personality ostracizes him from his peers in school and at the shogi hall.

However, not long after his arrival in Tokyo, Rei meets Akari, Hinata, and Momo Kawamoto, a trio of sisters living with their grandfather who owns a traditional wagashi shop. Akari, the oldest of the three girls, is determined to combat Rei's loneliness and poorly sustained lifestyle with motherly hospitality. The Kawamoto sisters, coping with past tragedies, also share with Rei a unique familial bond that he has lacked for most of his life. As he struggles to maintain himself physically and mentally through his shogi career, Rei must learn how to interact with others and understand his own complex emotions.

[Written by MAL Rewrite]


Available At


  • Warning: Array to string conversion in /home/hianime.me.uk/public_html/anime.php on line 243
    Array

  • Warning: Array to string conversion in /home/hianime.me.uk/public_html/anime.php on line 243
    Array

3-gatsu no Lion Trailers


3-gatsu no Lion Pictures


3-gatsu no Lion Review

3-gatsu no Lion — Having reached professional status in middle school, Rei Kiriyama is one of the few elite in the world of shogi. This overview is intentionally spoiler-free and focuses on tone and intent rather than plot specifics.

Thematically, It sits firmly within Drama conventions as a TV work and has garnered attention (MAL score: 8.37). This work explores character dynamics, tonal shifts, and the interplay between narrative ambition and execution. The story's pacing and tonal choices are crafted to complement the central ideas, often emphasizing atmosphere and emotional truth over explicit exposition. The show's ability to evoke a consistent mood — whether melancholic, exuberant, or contemplative — is a recurring strength, and the scenes are constructed so viewers can infer stakes without needing explicit spoilers.

Characterization is a core pillar here. Protagonists and supporting figures are written with distinct motivations and narrative roles; even when archetypal, the series invests in small behavioral details that make choices feel earned. Character arcs are handled with an eye for gradualism: development often arrives through incremental beats rather than abrupt, expository shifts. The interactions between characters create texture, and relationships are used to illuminate both personal flaws and larger thematic concerns.

On the visual front, production values play a significant role. The animation quality varies by sequence but frequently showcases thoughtful direction and composition. Background art, framing, and color palettes are used deliberately to support tone — quieter scenes favor muted palettes while action or heightened emotional beats employ brighter, more kinetic visuals. Direction choices, such as camera movement and shot selection, often elevate scenes beyond their raw script, creating moments that linger in the viewer's mind.

The soundscape — score, incidental music, and sound design — complements the visual language. Music cues are placed to maximize emotional resonance without manipulating the audience with melodrama; this restraint often leads to more authentic emotional payoff. Sound design punctuates key moments, and when the series leans on silence, those quieter moments are given weight by measured audio choices.

Pacing and structure are handled with craft. Episodes are arranged to build tension and release methodically, and the narrative rarely rushes through important emotional beats. That said, the deliberate pacing may feel slow to viewers who prefer faster plot turnover; the reward is greater nuance and an accumulation of meaning across the series. Accessibility is generally good — one can appreciate surface-level pleasures, while repeat or attentive viewing reveals additional layers.

No title is without flaws. Occasional unevenness in subplots or variable animation across episodes can be distracting. Some tonal shifts might feel abrupt if you expect uniformity; others will argue that those shifts are purposeful. These are worth noting, but they seldom undercut the larger achievements of the work.

In sum, 3-gatsu no Lion offers a rich experience for viewers who value character-driven storytelling, considered visual design, and a soundtrack that supports rather than overwhelms. For fans of Drama, this is an especially rewarding watch. It's recommended for those who appreciate layered narratives and artistry in animation, and best approached with patience and attention to nuance.


Characters & Voice Actors

Kawamoto, Momo

Kawamoto, Momo

Main

Kuno, Misaki
Kuno, Misaki
Japanese
Kawamoto, Momo

Kawamoto, Momo

Main

Huynh, Xanthe
Huynh, Xanthe
English
Kawamoto, Hinata

Kawamoto, Hinata

Main

Hanazawa, Kana
Hanazawa, Kana
Japanese
Kawamoto, Hinata

Kawamoto, Hinata

Main

Mills, Kayli
Mills, Kayli
English
Kawamoto, Akari

Kawamoto, Akari

Main

Kayano, Ai
Kayano, Ai
Japanese
Kawamoto, Akari

Kawamoto, Akari

Main

Post, Laura
Post, Laura
English
Kiriyama, Rei

Kiriyama, Rei

Main

Kawanishi, Kengo
Kawanishi, Kengo
Japanese
Kiriyama, Rei

Kiriyama, Rei

Main

Uchiyama, Yumi
Uchiyama, Yumi
Japanese
Kiriyama, Rei

Kiriyama, Rei

Main

Dao, Khoi
Dao, Khoi
English
Kiriyama, Rei

Kiriyama, Rei

Main

Lee, Wendee
Lee, Wendee
English
Announcer

Announcer

Supporting

Cason, Chris
Cason, Chris
English
Announcer

Announcer

Supporting

Takiuchi, Izumi
Takiuchi, Izumi
Japanese
Calligraphy Teacher

Calligraphy Teacher

Supporting

Tone, Kentarou
Tone, Kentarou
Japanese
Elementary School Teacher

Elementary School Teacher

Supporting

Tone, Kentarou
Tone, Kentarou
Japanese
Elementary School Teacher

Elementary School Teacher

Supporting

Hanford, Brian
Hanford, Brian
English
Fujimoto, Raidou

Fujimoto, Raidou

Supporting

Ootsuka, Akio
Ootsuka, Akio
Japanese
Fujimoto, Raidou

Fujimoto, Raidou

Supporting

Price, Jamieson
Price, Jamieson
English
Gotou, Masamune

Gotou, Masamune

Supporting

Touchi, Hiroki
Touchi, Hiroki
Japanese
Gotou, Masamune

Gotou, Masamune

Supporting

Chase, Ray
Chase, Ray
English
Hanaoka

Hanaoka

Supporting

Ueda, Youji
Ueda, Youji
Japanese

Staff

Fukino, Fuminari

Fukino, Fuminari

Producer

Nojima, Masahiro

Nojima, Masahiro

Producer

Yodo, Akiko

Yodo, Akiko

Producer

Ishikawa, Tatsuya

Ishikawa, Tatsuya

Assistant Producer

Ooshima, Miku

Ooshima, Miku

Assistant Producer

Oota, Kyouko

Oota, Kyouko

Assistant Producer, Publicity

Asano, Naoyuki

Asano, Naoyuki

Director, Storyboard, Animation Director

Okada, Kenjirou

Okada, Kenjirou

Director, Episode Director, Storyboard

Shinbou, Akiyuki

Shinbou, Akiyuki

Director, Series Composition

Kameyama, Toshiki

Kameyama, Toshiki

Sound Director

Hara, Hidekazu

Hara, Hidekazu

Episode Director

Itamura, Tomoyuki

Itamura, Tomoyuki

Episode Director

Kawabata, Takashi

Kawabata, Takashi

Episode Director, Storyboard

Kidokoro, Seimei

Kidokoro, Seimei

Episode Director

Mikami, Yoshiko

Mikami, Yoshiko

Episode Director

Miyamoto, Yukihiro

Miyamoto, Yukihiro

Episode Director

Nakamura, Ryousuke

Nakamura, Ryousuke

Episode Director, Storyboard

Nakura, Yasuhiro

Nakura, Yasuhiro

Episode Director, Storyboard, Layout, Key Animation, Background Art

Ootani, Hajime

Ootani, Hajime

Episode Director, Storyboard

Shibuta, Naoaki

Shibuta, Naoaki

Episode Director, 2nd Key Animation, In-Between Animation